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The Chord Scale Theory and Jazz Harmony

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The Chord Scale Theory and Jazz Harmony, by Barrie Nettles & Richard Graf

Jazz harmony, as taught at the Berklee College of Music is based on the so called Chord Scale Theory. This method - further developed - is now available as a comprehensive textbook for the first time. Emerged from practice and designed for practical use, it provides theoretical knowledge necessary for improvisation, composing, and arranging.

TABLE OF CONTENTS

PREFACE

INTRODUCTION

Jazz Harmony and Traditional Music

Contents and Structure

Theory and Practice

The Evolution of Harmony

Introduction to the Chord Scale Theory

Application of Contemporary Harmony

1. HARMONIC STRUCTURES

Seventh Chords

Chord Symbols

Chord Scale Theory

2. DIATONIC HARMONY

The Functional Concept

Root Motion and Patterns

Cadences

Sus4 Chords

Diatonic Reharmonization

3. DOMINANT CHORDS AND DIATONIC FUNCTION

Secondary Dominants

Harmonic Rhythm

Sequential Dominants

Substitute Dominants

Sequential Substitute Dominants

Related II-7 Chords

4. MINOR KEY HARMONY

Modal Interchange and Subdominant Minor

Minor Key Scales

Minor Key Chords and Modal Interchange

Key Relationships

Minor Key Chord Scales

Line Clichés

5. BLUES

Basic Blues Contents

Contemporary Blues Content

Blues Progressions

Blues Chord Scales

Blues Form Variations

6. DIMINISHED SEVENTH CHORDS

History

Typical Patterns

Diminished Chord Scales

Reharmonization of Diminished Chords

bIV-7(b5)

VIIo7

7. DOMINANT CHORDS WITH SPECIAL FUNCTIONS

Special Function Blues Chords

Special Functions For Secondary Dominants

8. MODAL INTERCHANGE

Parallel Diatonic Keys

Common Interchange Chords

Other Possible Chords

9. VOICING SPECIFIC CHORD SYMBOLS AND STRUCTURES

Inversions

Upper Structure Triads

Hybrids

Polychords

Pedal Point - Ostinato

10. MODULATIONS

Considerations

Direct

Pivot Chord

Dominant Chord

11. MODAL SYSTEMS

Character Notes

Chord Progressions

Melodies

Voicings

Polymodality

12. NON-FUNCTIONAL HARMONY

Multitonic Systems

Contiguous Dominants

Constant Structures

Patterned Chord Progressions

13. INTRODUCTION TO ARRANGING

Voicings

APPENDIX

Glossary of musical terms


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