You choose the tone! With fourteen modules to choose from and more in the works, having a new amp is as simple as plugging in a new module. Start with as few as one, or as many as you like and have all your favorite tones right at your fingertips. All modules can be used for the RM4 preamp, RM combos and RM heads. All modules utilize the same panel layout, which includes Gain, Bass, Mid, Treble and Master controls.
A bright switch is included directly under each Bass control. Each preamp module houses two 12AX7 tubes which can be easily changed or replaced. Use the thumbscrewa to remove or secure each module to the front panel of every MTS amplifier.
* Ultra (Extreme hi-gain, with tight low end and liquid sustain. This one exemplifies the Randall tone, and is perfect for any classic to modern metal tone.) * Ultra Lead (Hi-gain lead tone with rich harmonic sustain. Great solo and lead module with thick mid-range.) * Modern (Modern Hi-gain distortion. For modern rock to nu-metal rock tones.) * Treadplate (Based on the preamp circuit of a Mesa/Boogie® Dual Rectifier. Cutting tone with strong mid-range. It has defined the modern day rock and Nu-Metal tone.) * JTM (Based on the preamp circuit of a classic Marshall® JTM45. Classic mid-gain amp with good bottom end.)
*Tweed (Based on the preamp circuit of a '59 Fender® Bassman™. Great for all blues tones with a huge bottom end and nice bite in the gain circuit. Perfect for SRV.) * Blackface (Based on the preamp circuit of a Fender® Blackface Twin™. Legendary clean tone with cutting mid-range and sparking highs. The standard for a wide-range of cleans.) * DLX (Based on the preamp circuit of a Fender® Blackface Deluxe™. Tone that bleeds country music. Great mid-range and top end spank, with more bite than the Blackface.) * Clean (Very warm and round. A perfect clean tone for the jazz and blues guitarist, or any guitarist looking for a smooth, robust, clean sound.)
* SL + (Based on the preamp circuit of a hot rodded Marshall® Super Lead. We give the classic Super Lead circuit a bit more gain and punch. It will handle anything from Zeppelin to Zakk.) * Plexi (Based on the preamp circuit of a classic Marshall® Plexi. Anywhere from Page, to Angus, to Gibbons. The amp that defines 70's rock and punk tone. ) * Top Boost (Based on the preamp circuit of a Vox® AC30TB with a little more kick in the front end. Chimy hi-end that will handle anything from classic Petty, to Brian May to modern Lenny Kravitz.)
* Brown (Classic hi-gain brown sound. A basic hot-rodded Plexi with great mid-range sustain. Great for early EVH and 70's rock as well as dirty tone from early 90's grunge.) * XTC (Based on the preamp circuit of a Bogner® Ecstasy red channel. An all around great hi-gain tone with tight low end and cutting mid-range. It will cover any rock to metal tone. This one screams!) UltraXL A modern version of our legendary hi-gain tone, the new Ultra XL has massive amounts of liquid gain combined with huge bottom end and cutting upper mid-range. A true legend in the making!
Fender® is a registered trademark of Fender Musical Instruments Corp. Marshall® and Vox® are registered trademarks of Korg USA Inc. Mesa/Boogie® is a registered trademark of Mesa Engineering. Bogner® is a registered trademark of Bogner Amplification. Randall Amplifiers or bmusic.com.au is in no way affiliated with Marshall®, Vox®, Fender®, or Bogner®.
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the tax excluded price customers purchasing for export from Australia are subject to. For currency conversion to your domestic currency from the Australian Dollar
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