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bmusic Newsletter No.85 September 14th - September 20th 2003 This issue brings with it the sad news of the passing of country music's bad boy, the legendary Johnny Cash. Cash passed away late Friday our time from complications brought about by diabetes. He had been ill for several weeks and had to cancel the scheduled performance of his new single "Hurt" (a Trent Reznor penned tune about drug addiction) at the recent MTV awards. Below is a quote from a "regular Joe" made just after news of Johnny Cash's death trickled into the newsgroups around the place. This is a wonderfully written summary of one man's idea of Johnny Cash credited to a bloke simply named Billy: Together with Elvis Presley, Carl Perkins, and Jerry Lee Lewis, Johnny Cash was one of the four seminal hillbillies who came into Memphis out of the woods and weeds, laid their hands on American music, and changed it forever. In my own musical experience, I could list a handful of essential signposts: the first time I ever heard Frank Zappa ("Freak Out" in 1966 -- I was too young to get it, and I remember that it was extremely weird, but it didn't drive me off completely); the first Hammond organ that I ever heard in a rock band (The Young Rascals); the bomb that went off in my head when I heard Louis Armstrong blowing "When The Saints Go Marching In", and a few others of similarly heavy import. However, I was riveted and amazed every time my father played and sang Johnny Cash's "Folsom Prison Blues". At the time, it was the most dynamic thing that I could even imagine going on with one guitar and one voice. And it's still way, way up there. Forty years later, when I was a grown man and could speak to the subject with authority, I told my Dad, "Do you realize how hip you really were back then? I don't know if you know this, but you were playing the music of one of the proto-rockers." That train-chuggin' beat was powerful far beyond its chart, wrapped as it was in blues-up-to-here and a plain-vanilla country twang, and it was emblematic of something utterly unique in our history. It was barely two weeks ago that I first laid eyes on the video for Johnny's cover of Nine Inch Nails' "Hurt". I was shocked and saddened by the very clear impression that it left on me as an artist's statement. Johnny was no stranger to pain in his life, but there was also something essentially graceful in his soul that I would have hoped to prevail to a greater degree than that, that near the end. He didn't owe anyone anything, but I wish he'd been able to leave us with a little more of a smile. It's a cinch that he will never be forgotten, though, and not just every hillbilly can claim that. Good work, Johnny. So long. Billy There is so much to Johnny Cash's extensive career than we could begin to share here. We recommend visiting some of the sites listed below to learn more about the man and his legend if you're interested. Some of it makes for fascinating reading: The Official Johnny Cash Site Legacy Recordings Page CMT Biography Through The Eyes Of A Fan Unfortunately that's not all the sad news we have for this week. As Issue 84 of the bmusic Newsletter was hitting your Inbox on September 7th singer Warren Zevon lost his battle with mesothelioma, a form of lung cancer. Zevon announced the illness some time ago and many thought his contraction of lung cancer was due to his long-term smoking habit. As it turns out it was exposure to asbestos, not his smoking, that was responsible for the cancer. RIP Warren Zevon. All the regulars including Hot eBay Sightings, Feature Article, Featured Product and more are all inside Issue 85 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno85.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be on-line to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - RICK SPRINGFIELD
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Rick Springfield was born Richard Lewis Springthorpe on August 23, 1949. He grew up in various locations, spending most of
his childhood in Melbourne, Australia. An army brat (his father was a colonel in the Australian Army), Rick found that he
was often the new kid in town. His teen years landed him in England, just in time for, as he recalls, "girls and music".
Returning back to Australia, Rick eventually dropped out of high school to pursue his music. His first band, Rock House,
landed a gig in Vietnam during the height of the conflict there, and Rick found himself dodging bombs and throwing grenades.
While the band didn't last long, this lead him to the wildly popular Australian teen band, Zoot. In Zoot, Rick honed his
songwriting and performance tactics, so much so that he was plucked out of the group to try his hand at solo music. By 1971, Rick had top hit in Australia, "Speak to the Sky". Record companies in the US were courting him. It left Rick with some difficult personal decisions: leave his homeland for the unknown of the US? His father, with whom he credits his passion for music, had recently suffered a debilitating stroke, and needed a great deal of care. Though Rick hesitated to leave him, Rick finally made the decision to try his luck in Hollywood. Steve Binder and Robbie Porter helped produce Rick's first US album, "Beginnings", which included a re-recorded version of "Speak to the Sky". Seemingly success was quick for the newly named Rick Springfield: "Speak to the Sky" landed in the US Top Ten and "Beginnings" found it's way into the top twenty. Unfortunately, most of Rick's press was coming from teen magazines, who were selling him right along with David Cassidy and Donny Osmond. The radio stations suspected foul play: a teen sensation who had no real following. They refused to play the song and it quickly dropped off the charts. |
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Binder and Porter were not deterred by this, though Rick calls this time "a real heavy time." They signed Rick to a new
deal at Columbia Records, and soon Rick released his second stateside album, "Comic Book Heroes". Recorded in London, this
album tried to fight the critics with serious songs such as "The Photograph". Unfortunately, with most of his publicity
again coming from the teen mags, the album was never taken seriously by radio. Again Rick was left without a record deal.
In 1974, Rick was asked to create music and star in an animated series called "Mission Magic". Rick was excited about the idea of showcasing his songs on a weekly TV show. The show aired on ABC's Saturday morning line up. While Rick still continued to record and write serious music of his own (much of which ended up on the never released "Springfield" LP of 1974), most of the music from Mission Magic was necessarily fluff. The show was cancelled after the second season. Personally for Rick, a bright spot during 1974 was his live in relationship with Linda Blair ("The Exorcist"). Rick calls it his first "grown up relationship," though at the time Linda Blair was only fifteen. The relationship lasted a year, and both still recall the time fondly. "He's someone I'll always love," said Linda in VH-1's Behind the Music. Rick says that of all his former girlfriends, Linda is the only one he remains friends with. By 1975, Rick was in "the worst time of my life," he says. He had no job and no prospects. He'd had two record deals that had fallen through. He had records that released and did poorly, he had records that never had been released. Despite fan letters that asked to see his mansion in Hollywood, Rick was scraping by on almost nothing. He felt like a failure. The depression that had haunted him since fifteen reared it's head again and Rick had thoughts of suicide. |
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Eventually, he dropped Binder and Porter and decided to strike out on his own. He began acting classes to support his music
career. "Most guys were out there waiting tables while they waited for acting jobs. I was acting while I was waiting for a
music job." He recorded his 1976 album, "Wait for Night" during this time. While the album was strong musically, recorded
with Elton John's rhythm section of Nigel Olson and Dee Murray, the Chelsea label it was recorded on folded soon after the
album's release. Rick spent the next few years earning acting paychecks and writing tunes for the next album. He had a new management team which included Tom Skeeter, and they were determined to land their artist a deal. In 1980 he recorded "Working Class Dog" on a shoestring budget, recording on off hours when the studio time was cheaper. It was there that he met his future wife, Barbara Porter. She was working as a receptionist there at the time, and later people would jokingly ask her if she indeed was "Jessie's Girl." "She had a lot of energy," recalls drummer Jack White of that time. Though his managers were negotiating a deal with RCA to release "Working Class Dog," Rick auditioned for the soap opera, "General Hospital." He was used to album deals folding, or records not doing well, and the steady paycheck of the soap was enticing. He signed to the soap as Dr. Noah Drake in early 1981, and RCA released his album very shortly after. Almost overnight, Rick's star shone brightly: his album was being played on the radio, he was recognized from his work on TV, and Rick was suddenly famous. Rick was ready. He'd waited for ten years for this moment, and he was excited to see the faces turn when he walked by. "It was so fast," he recalls, "Just a few weeks." The soap opera made Rick's face recognizable to millions, the radio made his music so. "I've heard that sometimes, especially from others who have experienced fame, that when what you want most is given to you, inevitably something else is taken away," Rick said on TNN's "Life and Times of Rick Springfield." Within a few months of fulfilling his dreams of success, Rick's father took a turn for the worse and passed away. For Rick, it was a cruel blow. He always felt that his father was his champion, giving him the support he needed to get through the tough times and stick to his goal of being a successful musician. His father would be right there along with him with every success and failure. The pain struck Rick deeply, though he didn't have time to indulge in his grief; with only a three day hiatus from General Hospital to fly to Australia for the funeral, Rick threw himself into making his success last. |
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