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bmusic
Newsletter No.276
March 24th - April 6th 2008

I hope everyone had a safe, happy and relaxing Easter. It is basically our longest amount of time off for the entire year, including Christmas, oddly. And I guess it's easier to relax at this time for retailers as the build up to Christmas is so long and the end zone so frantic that it takes all the time off just to come back down again. So, in short, I enjoyed the time with the family and generally taking it easier than I ordinarily would. Not too many chances to do that for the rest of the year. The silly season of new releases has really begun in earnest now, as evidenced by this week's Featured Product, the new Export market releases for ESP Guitars. Add these to the releases for USA and the rest of the world that came in late January at the NAMM show and we have a whole lot of work to do updating our websites with the new gear, just with ESP stuff!

Long-time subscriber Jimmy alerted me to this most excellent of articles recently posted at Blender.com. I hope you enjoy it as much as I did!

20 Biggest Record Company Screw-Ups of All Time

From turning down the Beatles to stomping Napster— the most ill-advised, foolhardy and downright idiotic decisions ever made by The Man.

Jon Dolan, Josh Eells, Fred Goodman

Blender March 11 2008

They Never Even Recouped Their Aqua Net Expenses
#20 As grunge dawns, one label bets on hair metal
In 1989, with hair metal reaching its zenith, the A&R department at MCA Records finally decided to get in on the act—by tossing a rumored $1 million at L.A. band Pretty Boy Floyd, who at the time had played only eight shows. The band’s debut, Leather Boyz With Electric Toyz, peaked at No. 130 on the Billboard charts, and the Floyd blew another mil or so of MCA’s money before the label finally dropped them in 1991 … right around the time the suits blew a chance to sign a fledgling Seattle outfit called Nirvana.
Unintended consequence: Around 1992, the Sunset Strip pizza-delivery scene gets a fresh infusion of talent.

The Vinyl Solution
#19 The industry kills the single—and begins its own slow demise
In the early ’80s, the music industry began to phase out vinyl singles in favor of cassettes and later, CDs. Then, since it costs the same to manufacture a CD single as a full album, they ditched the format almost altogether. But they forgot that singles were how fans got into the music-buying habit before they had enough money to spend on albums. The end result? Kids who expect music for free. “Greed to force consumers to buy an album [resulted] in the loss of an entire generation of record consumers,” says Billboard charts expert Joel Whitburn. “People who could only afford to buy their favorite hit of the week were told it wasn’t available as a single. Instead, they stopped going to record shops and turned their attention to illegally downloading songs.”
Unintended consequence: The Eagles still top the album charts.

Come Back, Kid
#18 BMG dumps Clive Davis, begs him to return
In 2000, when company retirement policy deemed Clive Davis too old to run Arista, the label he’d founded 25 years earlier, he was pushed out the door in favor of Antonio “L.A.” Reid. After loud public complaints from artists including Whitney Houston and Carlos Santana, parent company BMG was shamed into giving Davis a nice going-away present—his own label, J Records, along with a $150 million bankroll. Ironically, while J spawned hits from Alicia Keys, Luther Vandross and Rod Stewart, Arista reportedly chalked up hundreds of millions in losses. In 2002, BMG forked over another $50 million to buy J, then two years later ousted Reid and hired a new CEO of BMG North America: an ambitious young turk named Clive Davis
Unintended consequence: Rod Stewart’s The Great American Songbook, Volumes I-IV

Dim Bulb
#17 Thomas Edison disses jazz, industry standards
America’s most famous inventor, and the creator of the phonograph, also had his own record label: National Phonograph Company, later Edison Records. Naturally, it was the biggest one around at first but made two fatal errors. One was that Edison Records worked only on Edison’s players, while other manufacturers’ conformed to the industry standard and worked interchangeably. The other was that Edison let his personal taste govern Edison releases—and he hated jazz: “I always play jazz records backwards,” he sniffed. “They sound better that way.” So after releasing the world’s first jazz recording—Collins and Harlan’s “That Funny Jas Band From Dixieland”—the company spurned the craze in favor of waltzes and foxtrots. Edison Records folded in October 1929.
Unintended consequence: Edison adds “tin-eared A&R” to his list of inventions.

Double Jeopardy
#16 Warner pays for Wilco record twice
When Wilco handed over their album Yankee Hotel Foxtrot to Reprise in June 2001, acting label boss David Kahne—best known for producing Sugar Ray albums—reportedly thought it was “so bad it would kill Wilco’s career.” The band refused to make changes, so Reprise handed them their walking papers—and the masters to the album. A few months later, Wilco signed with Nonesuch, which, like Reprise, was a subsidiary of AOL Time Warner, meaning that after shelling out roughly $300,000 to make YHF in the first place, the corporation was now paying for it again. The record remains Wilco’s best seller to date.
Unintended consequence: Jeff Tweedy’s poetry collection is published in 2004.

Money For Nothing
#15 MCA’s teen-pop calamity
How sure was MCA that slinky Irish teen Carly Hennessy was going to be a gargantuan pop star? So sure that in 1999 they staked the former Denny’s sausage spokesmodel with a $100,000 advance, $5,000 a month in living expenses and an apartment in Marina Del Rey, California, spending roughly $2.2 million in all on her 2001 debut, Ultimate High. How wrong were they? In its first three months in stores, Ultimate High sold a whopping 378 copies, putting the label’s investment somewhere in the order of $5,820 per copy sold. Last seen, Hennessy had resurfaced—still looking for her big break—on season seven of American Idol.
Unintended consequence: “Sausage spokesmodel” proves a less embarrassing resumé entry than expected.

Always Read The Fine … Oh, Never Mind
#14 Stax Records unintentionally gives away the store
Soul fans can credit Memphis’s Stax Records for classic hits by Otis Redding, Sam & Dave and Booker T & the M.G.’s—but the real winner was Atlantic. In 1960, Atlantic partner Jerry Wexler liked one of Stax’s first releases enough to pay label president Jim Stewart $1,000 to lease it, and Atlantic soon contracted to market and distribute all Stax releases. Seven years later, with Stax reeling from Redding’s death, Stewart finally took a close look at the Atlantic contract and discovered he’d been bamboozled: Contrary to industry practice, Atlantic became the owner of any Stax release it handled. Stax had signed away its catalogue and future.
Unintended consequence: Bob Dole flips “Soul Man” into “Dole Man” during his ’96 presidential campaign.

The Last Of The Mega-Deals
#13 One label’s big spending single-handedly ends “alt-rock” boom
In 1996, Warner Bros. signed R.E.M. to a five-album contract for a reported $80 million. It was the most costly record deal in history and elicited one of the lowest returns. Warner needed R.E.M. to sell at least 3 million copies of all five records to come out in the black, but sleepy folk-rock albums like 1998’s Up moved a fifth of that. The execs went further into the hole by allowing R.E.M. to keep the masters of all their Warner releases, forfeiting future revenues generated by the band’s popular ’80s and early-’90s discs. No one knows how much the label lost—but the debacle brought to a close an era in which acts known for their “integrity” could score huge paydays.
Unintended consequence: Warner executives still hoping “Daysleeper” makes it on to The Hills soundtrack.

Axl Grease
#12 Geffen pumps millions into (the nonexistent) Chinese Democracy
Ten years ago, Guns N’ Roses still looked like a good investment—they’d gone platinum 32 times. So in 1998, Geffen Records could be forgiven for paying Axl Rose a million bucks to complete GNR’s fifth album, promising a million more if he delivered it soon. (Rose had already spent four years working on the LP, losing every original bandmate in the process.) Beset by perfectionism, lack of focus and plain-old nuttiness, Rose never got that bonus million. But his label kept spending: In 2001, monthly expenses totaled $244,000. Four producers and a gazillion guitar overdubs later, the album is no closer to release. And Geffen’s in the red for $13 million.
Unintended consequence: A frustrated Rose gets into a well-publicized fistfight with … Tommy Hilfiger!

Just Be Yourself—Or Else
#11 Geffen sues Neil Young for making “unrepresentative” music
At the dawn of the ’80s, David Geffen signed Neil Young to his new record label, promising that “commercial” considerations would never get in the way of art. Young took this to heart, wandering so far off the reservation with albums like 1983’s synth-driven Trans that Geffen filed a $3 million breach-of-contract suit: effectively charging the folk-rock icon with not making “Neil Young” records. Young filed a $21 million countersuit before settling out of court, but remained somewhat bemused by Geffen’s judgment: “He didn’t seem to comprehend how … uh, diverse my musical career had become,” Young said.
Unintended consequence: Young’s Happy House and Tejano albums remain on the shelf.

Continue on to read the Top 10 at Blender.com.

Hands up who knew the subject of this week's Where Are They Now has been acting since the 1960s? And that his biggest hit by FAR was actually as a result of his appearance in Benny and Bjorn from ABBA's Chess musical? Well, if you knew that most of the article mightn't mean much of news to you. If you didn't, join the club (either that or I'd forgotten!).

Regulars including Feature Article, The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 276 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno276.html

Thanks to everyone for reading, we'll see you next issue!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Murray Head
  • This week's Music Quote
  • Featured Product - ESP 2008 Export Models Announced
  • This week's Specials
  • This week's Feature Article - Hooks
  • This week's Feature Artist - From Beyond
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Weeks Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next time

  • WHERE ARE THEY NOW? - MURRAY HEAD

    Once again, the most thorough biography of a subject has already been written by the subject themselves, or at least with the subject. The interent either means we're able to track down those who have disappreared for the most part or, as has been the case lately, those who have a story to tell or something to let fans know about, invariably have their own excellent resources now in place. Murray Head's official site at MurrayHead.org is full of information I was completely unaware of and which may have been lost to much of the world outside of France if it weren't for his site. His career in France is extensive, to say the least bu, as one would expect, this is most often French language stuff. As is often the case this work is rarely noted outside of the performer's homeland and French Canada. He's also been able to spread his acting work across the channel to the UK so that has also helped to keep him active in the English speaking side of the caper.

    Much of the following bio is taken from Murray's official site with some additions to the story from us at the end.

    MUrray and daughter Sophie
    Murray Head and daughter Sophie

    Murray Head was born on the 5th of March 1946 in London. His father, Seafield Head, now retired, was a documentary film writer, director and producer, his mother, Helen Shingler, was a successful actress. He was sent to the Lycée français in London at the age of 4 and remained there till he was 10 years old.

    After signing his first record deal at 17 with EMI, Murray began his film carreer in 1965 in Roy Boulting's "The Family Way" playing the role of Hywell Bennett’s brother. The film also starred Hayley Mills. After a film with Brigitte Bardot and "Romeo & Juliette" in 1968, he was in "Hair" at the same time as recording the role of Judas in "Jesus Christ Superstar". He left Hair to film John Schlesinger’s "Sunday Bloody Sunday" with Peter Finch and Glenda Jackson.

    In 1972 he was signed by John Hammond Snr to CBS records and made his first solo album entitled "Nigel Lived" which at the time was called a concept album. Immediately after its release he went to France to be filmed in Edouard Molinaro's "La Mandarine" with Annie Girardot and Philippe Noiret.

    In 1975 producer Paul Samwell-Smith (ex-yardbirds & Cat Stevens' producer) made a record of Murray's songs for Islands Records. The album "Say it ain't so" became a cult album in France, and by now has sold over a million copies.

    Throughout the late seventies and the eighties Murray concentrated on making records, namely "Between Us" (1979), "Voices" (1981), "Shade" (1983), "Restless" (1984) and "Sooner or Later" (1987), all of which have "gone gold". He followed these up by touring with his band around europe with increasingly elaborate shows. It was at one such a show in the Dominion in London that Benny Anderson and Bjorn Ulvaes of ABBA saw Murray and asked him to perform in their forthcoming musical "Chess" that they were recording in Polar studios in Sweden. This led to the single "One night in Bangkok" which was no.1 in 12 countries, and got to no.3 in America. He played the lead role of Freddie Trumper for 9 months on stage with Elaine Page.

    His performance in "Chess" led to him being offered a role in Michael Radford’s "White Mischief". Shortly afterwards Charlotte Brandstrom asked him to play a leading role in her film "Un été d’orages" as well as composing the filmscore. This was based on the music he had written for 3 other french films, namely "Cocktail Molotov", "A gauche en sortant de l'ascenseur" and "Pour 100 briques t'as plus rien". He finished off the eighties with a lead in another french film called "La Barbare".

    In the nineties he started writing new songs and made his first album in 6 years called "Wave". As usual he followed this up with a tour. He took the record to Canada, did some remixes, and added 2 tracks with french lyrics"Comme Des Enfants Qui Jouent" et "Une Femme, un Homme" written by Luc Plamondon (Starmania, Tycoon, Notre Dame de Paris) and renamed the album "Innocence". These gave him two no.1's and he went on to play the lead in a Canadian film by Yves Dion " Le Grand Serpent du Monde".

    In 1994, he started work on new songs for his 9th album "Pipe Dreams". His record company at the time put out a compilation of greatest hits first, to be followed by "Pipe Dreams" a year later. The album was a mixture of roots' songs, celtic and blues.

    In 1996 the day after mastering the album, Murray went off to play an english lord in Mollinaro’s film, "Beaumarchais l’Insolent".

    In 1997, a french director friend of Murray's, Diane Kurys, approached him to share the writing of a film script about the lives and love story of two of France's most famous romantic writers, George Sand et Alfred de Musset. This took two solid years of research, a lot of writing, and an English adaptation, which was needed to sell the movie. Juliette Binoche agreed to play the role of Sand, and Benoit Magimel played Musset. The film was called " Les enfants du siècle" and came out in 1999.

    From the year 2000 onwards Murray focused his attentions on his home market, by concentrating on television roles : "The Knock", "Casualty" and a series called "North Square" in 2001, a series called "Asbestos" in Canada followed immediately after by another series in 200½002 called "Music Hall". In 2003 he returned to Canada to shoot "Music Hall 2" and back to England to be in " The Vice". In 2004 he guested in "Rosemary and Thyme", "The Bill" and "D-Day, the longest day". In 2005 he was a Royal Navy captain in "Slave Trader".

    In April 2005 he was cast in the role of Jack Hollins art teacher and landscape painter in the nostalgic drama series Heartbeat. Set in the sixties, it revolves around life in a police station, in the village of Aidensfield, nestling in the Yorkshire moors, Gina, the barmaid in the Aidensfield Arms, has decided to broaden her horizons by going to art classes. Initially Jack her art tutor gives her a hard time, questioning her level of commitment and explaining how art should be a passion and not a pastime. She walks out, but he comes to her pub and persuades her to return to the class, They soon become "an item" and throughout the year (26 episodes) they are seen together as a couple.

    Quite often after filming in Goathland village (Aidensfield) the actors and crew would end up having a sing-song in one of the local pubs. Murray found himself singing old sixties songs beside Tricia Penrose (Gina). Charmed by her voice he suggested that they record a duet. Tricia gracefully accepted, and the result, which echoes their somewhat fragile relationship is a re-recording of "Will you still love me tomorrow?" by Carole King & Gerry Goffin. This has led to the song being used in an episode, and a single being released in June by EMI, to be followed by an album called "Emotions", a collection of hits and self-penned songs.

    In 2005 Murray released "Emotions, My Favrote Songs", a semi-acoustic rendering of 15 of his favourite tracks from throughout his long recording career, including "Make It Easy" which is a duet with his daughter Sophie.

    Late in 2007 he released his latest solo album "Tête À Tête. His work in Heartbeat consisted of recurring guest roles and since then he has also guested in another UK series, Holby City, a spin-off of the series he had also been a part of, Casualty.

    Live Murray performs sparingly, having taken part in an 80's Festival in France last weekend he is not scheduled to perform live again until three more shows in Paris in November this year. His 2007 schedule was a little more robust, however, so I'm sure it's not for lack of live work that he does it.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

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    THIS WEEK'S MUSIC QUOTE

    "I've never known a musician who regretted being one. Whatever deceptions life may have in store for you, music itself is not going to let you down."
    - Virgil Thompson 1896-1989 (Composer and author)


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    FEATURED PRODUCT - 2008 ESP EXPORT RANGE ANNOUNCED

    ESP 2008
    19th March 2008
    ESP 2008 Export Models Unveiled
    Click on an image below to view the guitars in more detail in a new browser window at the ESP Japan site. New models and pricing will be online at out dedicated ESP site soon. For now, much of the 2008 pricing can be accessed at our forum HERE for ESP and HERE for LTD.

    Standard Series

    Original Series
     

    Signature Series


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    SPECIALS AT bmusic

    Check out our Specials page for info on the regular specials or our forum Buy & Sell HERE for One Day Super Specials and/or special sales items such as Stocktake Specials.

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    THIS WEEK'S FEATURE ARTICLE - HOOKS

    Feature Article is another songwriting tips feature from John Braheny. "Hook" is the term you'll hear most often in the business and craft of commercial songwriting. The hook has been described as "the part(s) you remember after the song is over," "the part that reaches out and grabs you," "the part you can't stop singing (even when you hate it)" and "the catchy repeated chorus." Some of the world's greatest hook crafters are commercial jingle writers: how many times have you had a jingle stick in your mind? John takes a look at several categories of hooks and how they are crafted.

    Click HERE to read this excellent article from the archives of TAXI.com.

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    FEATURED ARTIST - FROM BEYOND

    From Beyond is the brainchild of our good friend and ESP connoisseur Mark Furtner from Sydney and also features another of our good friend's, Lord Tim of Dungeon and Lord fame, on guest vocals. A myspace presence has been set up for this now completed long term project. From the myspace comes the following concise summary of what From Beyond is all about:

    From the start, Mark's vision of FROMBEYOND was clear: technical, progressive, aggressive and intricate heavy metal in the vein of Symphony X and Pantera. Adding to the sonic fire is the background story of this concept album that tells the tale of a king from the Hyborian age.

    Guitar shred fans will be astounded by the pyrotechnic solos and machine-like rhythm lines. Also appearing on this album is guest vocalist Lord Tim from LORD and Dungeon fame, in a role which is very different to his normal style of singing.

    Take a listen to five tracks from his latest work, "Aquilonian Arcana" and one from the From Beyond debut "The Nemedian Chronicles" at www.myspace.com/frombeyondoz. mark is also the guitarist for LORD and can be seen in that role throughout May as LORD take to the East Coast road in support of metal legends Saxon.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1958, Chuck Berry's "Johnny B. Goode" was released.

    In 1958, Eddie Cochran recorded the rock and roll classic "Summertime Blues".

    In 1964, The Beatles complete their global domination by occupying the top six spots on the Australian singles chart.

    In 1964, the Beatles became the first pop stars ever to be cast in wax by Madame Tassaud's Wax Museum.

    In 1967, at a London concert, Jimi Hendrix set his guitar on fire for the first time.

    In 1969, lead singer Jim Morrison of the Doors surrendered to the FBI in Los Angeles. He was charged with interstate flight to avoid prosecution on six charges of lewd behavior and public exposure at a concert in Miami.

    In 1969, the Beach Boys sued Capitol Records for more than US$2-million in royalties and producer's fees.

    In 1971, Ringo Starr's first solo single, "It Don't Come Easy" (produced by George Harrison), was released.

    In 1975, Led Zeppelin had all six of it's albums on the Top 100 chart simultaneously, something never achieved before in the history of the chart.

    In 1976, the Rolling Stones' tour of Britain drew more than one-million ticket applications. The tickets, moved by security men to specially guarded vaults, were awarded by a lottery.

    In 1976, the British punk group the Sex Pistols played their first show at London's 100 club, attracting only a reported 50 people to the venue where they began a weekly residency in June of that year.

    In 1978, Paul Simonon and Topper Headon of the British band the Clash were arrested in London for shooting pigeons from the roof of a rehearsal hall.

    In 1979, Eric Clapton married Patti Boyd, the ex-wife of his friend, George Harrison.

    In 1979, British singer and songwriter Kate Bush made her concert debut at a theatre in Liverpool, England. Her 1978 single, "Wuthering Heights," was a number-one hit in Britain.

    In 1980, Ronald Selle, a Chicago antique dealer and part-time musician and songwriter successfully sued the Bee Gees claiming their hit "How Deep Is Your Love" had plagiarised two sections of a song he composeed, recorded and sent to eleven record companies. The Bee Gees claimed they had never heard Selle's song "Let It End" and that the whole thing was a conincidence. The Bee Gees successfully appealed the decision three years later.

    In 1982, The Doobie Brothers announced their break-up. The band started in the '70s with the #11 hit "Listen to the Music."

    In 1982, David Crosby was arrested in Los Angeles for possession of Quaaludes and drug paraphernalia, driving under the i nfluence of cocaine and carrying a concealed pistol.

    In 1986, Van Halen played its first show with Sammy Hagar as lead singer, in Shreveport, Louisiana.

    In 1987, U2 performed a free, hour-long concert on a rooftop in downtown Los Angeles. Parts of the performance were included in the video of "Where the Streets Have No Name."

    In 1988, soul singer James Brown turned himself in to police in Aiken, South Carolina to face charges that he beat his third wife with a pipe and fired a gun into a car she was sitting in.

    In 1989, 23 people were arrested after several thousand fans without tickets tried to crash a Grateful Dead concert at the Pittsburgh Civic Arena. An estimated 15,000 non-ticketholders had camped outside the arena. A similar incident occurred at a Dead concert in Irvine, California later in the month.

    In 1990, Lou Gramm left the group Foreigner. Gramm had already begun a solo career several years earlier, scoring a hit in 1987 with "Midnight Blue." Foreigner's guitarist Mick Jones said Gramm's solo efforts conflicted with his band commitments.

    In 1992, Billy Idol pleaded no contest to punching a woman in the face. He was fined and told to make public service announcements against alcohol and drug use.

    In 1993, Ray Charles became the first performer to have hits on the U.S. charts in six different decades when his version of Leon Russell's "A Song For You" entered the U.S. Billboard Hot R'n'B singles chart.

    In 1993, the U.S. Supreme Court announced it would use a case involving 2 Live Crew to decide whether copyright holders can ban song parodies. The Miami rappers later won their dispute with the holders of the rights to Roy Orbison's "Oh, Pretty Woman", which the band had parodied.

    In 1996, rapper Hammer (formerly known as M.C. Hammer) filed for bankruptcy.

    In 1996, Phil Collins announced his departure from Genesis to concentrate on his solo career.

    In 1997, the Notorious BIG's "Life After Death" topped the Billboard album chart three weeks after the rapper was gunned down in Los Angeles.

    In 2000, Jimmy Page received an undisclosed figure in damages after he sued Ministry magazine for claiming he contributed to the death of former Led Zeppelin bandmate John Bonham. The magazine published an article claiming Page contributed to Bonham's death by wearing a Satanic robe and chanting spells while the dying drummer was choking on his vomit. Page donated all of the money to Action for Brazil's Children Trust.

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  • Births In 1915, bluesman Muddy Waters, whose real name was McKinley Morganfield, was born in Rolling Fork, Mississippi.

    In 1922, singer and actress Doris Day.

    In 1930, Rolf Harris, famous the world over for "Jake The Peg" and "Tie Me Kangaroo Down Sport", was born.

    In 1932, singer-actress Debbie Reynolds.

    In 1939, Motown hitmaker Marvin Gaye was born in Washington, DC. "Stubborn Kind of Fellow" was his first hit, in 1962. Gaye's biggest hit was his 1969 chart-topper "I Heard It Through the Grapevine."

    In 1942, Graeme Edge, drummer with the Moody Blues, was born in Staffordshire, England.

    In 1943, jazz guitarist Larry Coryell.

    In 1945, guitar legend Eric Clapton was born in Ripley, England.

    In 1946, bassist Ronnie (Plonk) Lane of the Faces was born in London. Lane and Steve Marriott formed the group, at first called the Small Faces, in 1966. They had hits with "Itchycoo Park" and "Lazy Sunday." Singer Rod Stewart joined the group in 1970, about the same time the "small" disappeared from the band's name. Ronnie Lane died on June 4th, 1997, of multiple sclerosis at his home in Colorado.

    In 1947, British pop musician Robin Scott, who recorded the number-one single "Pop Muzik" in 1979 under the pseudonymn "M."

    In 1947, country singer Emmylou Harris was born in Birmingham, Alabama. She first hit the country charts in 1975 with a remake of the Louvin Brothers "If I Could Only Win Your Love," which went all the way to number one.

    In 1948, Mick Ralphs, guitar player with Mott the Hoople and Bad Company.

    In 1950, Agnetha Anna Faltskog of the Swedish vocal group Abba was born.

    In 1950, Genesis keyboard player Tony Banks.

    In 1954, Rick Richards, guitarist with the Georgia Satellites.

    In 1954, the late Toto drummer Jeff Porcaro.

    In 1959, INXS keyboardist Andrew Farriss.

    In 1959, AC/DC guitarist Angus Young.

    In 1961, Mark White of the group ABC.

    In 1963, rapper Hammer (ex MC Hammer), whose real name is Stanley Kirk Burrell.

    In 1964, singer/songwriter Tracy Chapman.

    In 1968, Canadian singing mega-star Celine Dion.

    In 1969, Perry Farrell of Jane's Addiction and Porno For Pyros.

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  • Deaths In 1917, Scott Joplin, the "King of Ragtime," died in a mental institution in New York City. Joplin fell into a deep depression - which eventually led to insanity - after the failure of his opera "Treemonisha."

    In 1974, the author of Elvis' hit "That's All Right (Mama)", bluesman Arthur "Big Boy" Crudup died of a stroke at the age of 69.

    In 1984, Motown recording star Marvin Gaye was shot to death by his father, Marvin Gay Senior, in Los Angeles. Although he rarely performed in concert, Gaye was one of Motown's most consistent hitmakers throughout the 1960s and '70s.

    In 1985, Jeanine Dekers, the former Singing Nun, and her female companion committed suicide in Wavre, Belgium. Dekers was 52.

    In 1987, legendary jazz drummer Buddy Rich died in Los Angeles of a heart attack at age 69. Two weeks earlier he had undergone surgery for a brain tumor. Rich played with many big bands in the 1930s and '40s, including those of Artie Shaw and Tommy Dorsey.

    In 1992, Paula Kelly, the former lead singer of the Modernaires, died in Costa Mesa, California at age 72. The vocal group was featured on many Glenn Miller recordings, including the 1941 million-seller "Chattanooga Choo Choo."

    In 1990, legendary jazz singer Sarah Vaughan, known as the "Divine One," died in Los Angeles of lung cancer eight days after her 66th birthday.

    In 1995, Tejano music star Selena was shot to death at a motel in Corpus Christi, Texas, by a former president of her fan club, Yolanda Saldivar.
    Saldivar had allegedly embezzled money from a boutique she ran for the singer, and the two had arranged to meet to discuss the matter. Saldivar was convicted of murder and sentenced to life in prison.
    Selena, whose full name was Selena Quintanilla Perez, was only 23 when she died, but already had begun to expand the popularity of Tejano beyond its core audience in Texas. Tejano, sung in both Spanish and English, mixes the sound of the accordion and 12-string guitar, and developed in southern Texas in the early 1900s. Almost four months after Selena's death, her album "Dreaming of You" debuted at number one on the Billboard chart.

    In 1995, producer Paul Rothchild, renowned for his work with the Doors, Janis Joplin and other icons of the 1960's, died in Hollywood, California of lung cancer at the age of 59. He produced the Doors' six studio albums, Joplin's "Pearl," as well as albums by the Paul Butterfield Blues Band and Love. In later years he worked with Bonnie Raitt and produced the soundtracks to Bette Midler's "The Rose" and Oliver Stone's "The Doors."

    In 1998, one half of disgraced pop duo Milli Vanilli, Rob Pilatus died from a drug and alcohol overdose at the age of 32.

    In 1999, composer of one of rock and roll's original hits, "Shake, Rattle & Roll", Jesse Stone (aka Charles E. Calhoun), died from long term kidney and heart problems at the age of 97.

    In 1999, composer Lionel Bart died at the age of 69. Bart wrote the musical "Oliver" as well as writing Cliff Richard's "Living Doll" and songs for other artists such as Shirley Bassey and Anthony Newley.

    In 2001, Theodore M. "Ted" McCarty died at the age of 90. McCarty was a former president of the Gibson Guitar Company where he helped bring to life the Les Paul, the Explorer and the Flying V guitars. He also owned the Bigsby Company, which manufactures vibratos for guitars.

    In 2002, singer B.J. Baker (Betty Jane Phillips) died after complications from a stroke. She worked with Elvis Presley ("I Can't Help Falling In Love With You"), Frank Sinatra ("That's Life"), Jackie Wilson ("Baby Workout"), The Righteous Brothers ("You've Lost That Lovin' Feeling"), Sam Cooke ("You Send Me"), Lloyd Price ("Stagger Lee") and Bobby Darin ("Dream Lover"). Baker was married to Mickey Rooney, composer Buddy Baker and guitarist Barney Kessel.

    In 2003, soul singer/songwriter Edwin Starr, author of the political hit "War" brought to mass prominence Bruce Springsteen, passed away at the age of 61. The Iraq war had begun and Starr's song was as relevant when he died as the day it was written.

    In 2005, former Split Enz and Crowded House drummer Paul Hester. Paul, battling personal demons that belied the wonderful persona that was outwardly observed by most Australians, took his own life on March 27th 2005. He is survived by his two young daughters.

    In 2006, Rose Tattoo guitarist Pete Wells passed away after a long battle with prostate cancer.

    In 2006, one of pop music's originals, Gene Pitney, passed away on April 5th, 2006. He was found dead in his Cardiff hotel room after suffering a suspected heart attack. Gene was found just hours before he was due to hit the stage as part of his UK tour. Not too many blokes still touring like he was at age 65. He is survived by his wife and their three sons.

    In 2007 former KISS guitarist Mark St. John (Mark Norton) passed away from a cerebral hemorrhage. Mark's tenure in KISS was shortlived around the Animalize album period when he was brought in to replace Vinnie Vincent. He worked on the album but developed a form of arthritis that caused his arms and hands to swell to the point where he was only able to perform one full show and two incomplete performances on the supporting tour for the Animalize album. Bruce Kulick was Norton's stand in on the tour and eventually became his replacement in the band as Mark's arthritis and clashes with the rest of the band spelt the end for him. He went on to form the band White Tiger who enjoyed mild success and later the Mark St. John Project with, at the time, former KISS drummer Peter Criss. Success eluded St. John and I understand he fell on some tough times throughout the last decade or so. He was teaching guitar in the LA area to make ends meet and I believe was still doing this around the time of his death. He was 51 years old.

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