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bmusic Newsletter No.264 August 27th - September 9th 2007 So we all know YouTube by now. With little else happening this week aside from the chronic pain I've been experiencing via a tooth I demanded be removed by the dentist (a demand which was complied with vs. the fanciful notion they had of a root canal!), I thought I'd hunt down a few of my favourite YouTube clips to share. This first one appeared a year or two back on a different video serving site and is of a composer/guitarist who hails from Quebec, Canada. The guy is influenced a lot by Michael Hedges and he oft employs a technique known as "lap tapping". Quite extraordinary! http://www.youtube.com/watch?v=Bb9cidk0Bfs How's this for inventive use of your cutlery? Teaspoon slide guitarist from South Africa who was featured in a documentary, Karoo Kitaar Blues, of which the excerpt of him playing made it onto YouTube. Since then he's got himself a following and a MySpace to boot. According to the brief MySpace bio: If you seen "harp guitars" and wondered how they were employed, check out thiS bloke, Andy McKee. He's pretty handy with a regular 6-string too! Biiiiiiig saxophone! Not too many of these around, the ContraBass saxophone. This violist is a mere 5 years of age. Benn playing less than two years when this was recorded and learnt the piece she's playing for just a month beforehand. Accolay Concerto No. 1 in A minor This 5-year old pianist from Korea was born blind. Performing on Korean show "Star King" And now for something a little different. Queen's Bohemian Rhapsody performed with "hand farts". This is an oldie but a goodie. Ukelele player Jake Shimabukuro performing The Beatle's "While My Guitar Gently Weeps". Tommy Emmanuel picked up Jake to join his tour last year and the pair performed the song together live often. Here they perform it together on a US TV show Should be plenty more stuff to look at linked from all of those videos too. There's obviously many, many more where they came from, but that'll do for now. I hope at least some of them are new to you all. This issue's Where Are They Now? is a repeat of an artist we last visited more than four years ago. Not a name many will instantly recognise, but once you hear some of the associations she's been involved in I'm sure the penny will drop. For the last four years she seems to have been busier than ever. Regulars including The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 264 of the bmusic Newsletter. Feature Article makes way for a special "Featured Site" this week as we've stumbled across something we think is well worth sharing. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno264.html Thanks to everyone for reading, we'll see you next issue! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - CANDY DULFER (UPDATED)
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So who's Candy Dulfer? Remember Dave A. Stewart's huge instrumental hit "Lily Was Here" back in 1989? Candy Dulfer supplied
the awesome saxophone part that made that song such a hit. If you can remember the tune you'd have to agree that without the
sax part the song would likely have ended up on a therapeutic soundtrack for insomniacs. To the mainstream this Candy Dulfer bird seemingly came out of nowhere and disappeared back there again. Not so. She's been a busy girl and has played with many more high profile artists than just Dave A. Stewart. We found out Candy Dulfer's story and what she's been up to since the days of "Lily Was Here". Candy Dulfer was born in 1969 in Amsterdam. Daughter to renowned jazz saxophonist Hans Dulfer, Candy was herself playing soprano sax at the age of six. At her fathers urging Candy joined her local brass band (Jeugd Doet Leven) in Zuiderwaude. She switched to alto sax here. By eleven years of age Candy was recording with her father and by the age of twelve she’d scored a spot at the North Sea Jazz Festival with her own band “Own Cultivation”. She also performed at the festival as a member of “Ladies Horn Section”. At fourteen Candy started another band in which she took the band leader role. The group “Funky Stuff” gained wide media attention in the Netherlands and were courted by several record companies, none of which the band struck a deal with. The “Funky Stuff” scored the opening slot for Madonna at Rotterdam’s Feyenoord Stadium in 1987. The band followed the success of this support slot with a year long tour across the country with most shows sold out. The tour also took in a scheduled support slot for Prince but the show was cancelled at late notice by The Artist Formerly Known As. Dulfer was unimpressed by this cancellation and wrote a letter to Prince stating the fact. Prince must have taken the note to heart as, two days after receiving the letter from Dulfer, he invited her to join him on stage at one of his shows. Candy floored the crowd and Prince subsequently invited her to work with him on projects in the US. Candy went to the US and played on Prince’s soundtrack album “Graffiti Bridge”. She appeared in the video for the singe “Partyman” and joined Prince for his Saturday Night Live appearance in the U.S. She also played session work for The Time, Patti LaBelle and Jill Jones. Dulfer, however, missed her own band and turned down Prince’s offer for her to join him on his world tour. |
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She returned to Amsterdam to find one of the songs she’d recorded with Eurythmics man Dave A. Stewart, before heading to the U.S had been selected for the soundtrack of a domestic Dutch film. The song “Lily Was Here” was released as a single and became a worldwide hit.
The song broke the big time for Dulfer and she was signed to BMG. Her debut album for BMG was “Saxuality”, released in May 1990. Her “Funky Stuff” bandmates were great contributors to Dulfers solo release. Candy enjoyed great success and scores guest work for artists like Van Morrison, Pink Floyd, Maceo Parker and more work with Dave A. Stewart. In 1993 Dulfer released “Sax-a-go-go” and toured behind the release with a reshuffled “Funky Stuff” outfit across Europe and Asia. Candy’s Asian and European audiences continued to grow and by the time “Big Girl” was released in 1995 she was a certified superstar. More and more guest spots ensued, contributing to her ever-growing audience. A tour of Eastern European countries like Yugoslavia gained her more new fans. |
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In May 1997, “For The Love of You” was released and Dulfer toured 14 countries playing more than 100 shows in support of the release.
After her own tour Dulfer joined Prince for shows on his tour across the U.S. and Europe. Following this in 1999 she released “Girls Night Out” and immediately set upon another tour. She hit the U.S.A., Asia and Europe again with her longtime Band “Funky Stuff”. An astonishing number of guest performances and session contributions continued. Some of those paid back in kind on her 2001 live release “Live in Amsterdam” which was recorded in October 2000 over five nights with guests such as Dave A. Stewart, Angie Stone and her father Hans Dulfer. Late 2001 saw her work again with Prince, this time on his “Xenophobia” release. She toured Japan early in 2002 with her band then joined Prince on the U.S.A. leg of his ”One Night Alone” tour. She followed this with another European tour with Funky Stuff, more appearances with Van Morrison and Dave A. Stewart and the recording of a duet album with her father. Add to that the recording of her latest solo album “Right In My Soul“ due for release in her home country on April 28, 2002 and it’s clearly obvious that Dulfer hasn’t been sitting on her hands since she was introduced to the world via “Lily Was Here”. |
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THIS WEEK'S FEATURED SITE - THE PUSH PLAYER
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What is The Push Player?
The aim of The Push Player is to provide you with accurate, precise and read-able information that will assist your band achieve all that it can be. Here you will read articles about songwriting, touring and self-promotion as well as heavier issues like publishing, royalties and copyright law. There are plans to hold a couple of events in November (2007) with a particular focus on an artist-related issue. Stay tuned for more on this in the coming updates ... until then - subscribe for your chance to win prizes!!! |
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