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bmusic Newsletter No.261 July 15th - July 28th 2007 "Hey Hey, You You, I Wanna Be Your Boyfriend" vs. "Hey Hey, You You, I Don't Like Your Girlfriend". Well, it's only five word or something, Avril Lavigne (singer of the latter) doesn't get what all the fuss is about, and nor do her lawyers. All this pertains to the fact Avril Lavigne, and presumably the bloke who wrote her hit "Girlfriend", by Tommy Dunbar of the now defunct 70s US pop outfit The Rubinoos. See The Rubinoos had a song called "I Wanna Be Your Boyfriend" with the chorus lyric quoted above. And Avril doesn't get what the fuss is about for five or six words. Well, Avril, there's also a little thing called rhythm and melody. Check the two in comparison out for yourself HERE. (Yes, I'm aware the Rubinoos had questionable time keeping ability, but that's not the point!) So, what say you of the two? Avril Lavigne's manager, Terry McBride, thinks differently to what 100% of musicians I've spoken to think. He suggest the suit has no basis, he's even got real, bona fide experts on the case. "There's nothing similar," he says. "Our musicologist says there is no similarities of melody, choral progression or meter." Whaaaat! Man, I gotta get me a job as a musicologist. It would appear you don't even have to listen to anything and you can draw a conclusion because I sure can't see how you can come up with that theory after listening to both of those pieces. As expected Dunbar's camp's musicologist has an opposing view. Singer of The Rubinoos, Job Runin, not involved in the case as he didn't write the song, thinks that "Girlfriend" has more similarities to a 1997 cover version of the song, retitled "I Wanna Be Your Girlfriend" by the female-fronted Brit-pop band Lush. Writer of Lavigne's song, Lukasz "Dr. Luke" Gottwald, writer for Pink, Kelly Clarkson, and various others, has this to say on the matter. "Me and Avril wrote the song together. It started out with Avril wanting to make something fun and upbeat. It has the same chord progressions as 10 different Blink-182 songs, the standard changes you'd find in a Sum 41 song. It's the Sex Pistols, not the Rubinoos." Via her MySpace page, said the following: "Off the top of my head, two other songs that I can immediately think of with this type of lyric are 'Hey, hey, you, you get off of my cloud' by the Rolling Stones and 'Hey little girl I want to be your boyfriend' by the Ramones," the singer writes. "Simply put, I have been falsely accused of ripping their song off. Luke and I have done nothing wrong and there is no claim to their part." Lavigne's manager has conceded that they may settle out of court purely on the basis of legal costs, not conceding any copyright infringement or anything, perish the thought. The theory with a lot of these cases and something that has indeed happened historically is the defendant figures that even if they win they won't be able to get their costs back as the plaintiff will have blown all their dough on their own case and, if defeated, would file bankruptcy and not have to pay back the costs to the defendant. Interestingly Avril, like most in the business, has insurance against such claims. But surely that insurance only covers claims that you'd win, maybe it covers both. Who knows? Unbelievable to think an insurance company will cover you if you're found to have violated a copyright. Or maybe they'll help you out if you cut a deal outside court and the insurance is more broad based to cover legal fees arising from any manner of court action. Whichever way it goes, it will be interesting to see how Tommy Dunbar fares out of all this. There have been many cases of songwriters seemingly having watertight cases that have come of second best very, very badly. Our journo mate Joe Matera is looking for a drummer to join his classic covers Melbourne based band Double Vision. The four piece band primarily play 70s and 80s classics covering artists from Billy Idol, Free, The Angels to Mondo Rock, Hot Chocolate, AC/DC and Bon Jovi. The requirements are: Preferably be over 28 years old. Previous live experience a must. Reliability. Must be willing to gig weekly. Willing to travel. Have transport. No prima donnas need to apply. Be Melbourne based (or surrounds). Be down to earth. And wants to be part of a successful band. The band plays anywhere from 4-6 gigs per month around Melbourne, Geelong, and the occasional country gig. For background on band go to Joe's website: www.joematera.com and check out the Double Vision page. To apply, email your CV and relevant info HERE. A brand spanking new Where Are They Now? this week, don't know how many will know of or remember this group, but I'm sure many who have forgotten will soon have their memories jogged. Regulars including Feature Article, The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 261 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno261.html Thanks to everyone for reading, we'll see you next issue! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
Since MUD Rob has continued to work in the industry as a writer and producer of dance music. His credits include:
2001
2002
Click here to read an interview with Rob Davis in Sound On Sound magazine, May 2002.
Click here for more Davis information at Wikipedia.
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