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bmusic
Newsletter No.258
June 4th - June 17th 2007

There's been much talk over the past month or so regarding the possible sale of EMI, one of the remaining "Big Four" major labels of the music world. This latest go-round for an EMI sale was expected to see Warner outbid private equity firms who also had their eye on the company. However private equity firm Terra Firma showed it's cards last week with a 2.4 billion pound bid for the EMI group. That was 265 pence per share, but the market has already traded them another 5 pence higher, indicating shareholders are wanting more moolah. They would be encouraged by the fact that Terra Firma has given the group until June 27 to decide on it's offer and Warner are still poring over the company's books. Warner is still the suitor that makes more sense as they could immediately start capitalising on the shared resources it would give them, not to mention they already know how to run a record company. Just what the private equity firm's intentions for the different segments of the EMI group are is anybody's guess. There's also another player emerged in recent times, giving shareholders even more incentive to hang on until June 27. Former EMI Music Chief Executive Jim Fifield has also said he wants to buy his former company.

Now see, Warner is the one that makes sense from the outside. But, and a big but, Warner would be subject to very close scrutiny by European regulators, the Sony/BMG deal of some years ago now is still being looked into by the regulators. This means Warner would have to pay substantially more than Terra Firma to compensate for this. Private equity firms are notorious for breaking up and selling companies once they acquire them. Perhaps Warner won't see the benefit in going for the whole shabang and paying much more to do so when they may simply have the opportunity to pick up the music division, no doubt the most important asset of the group from their point of view, at a later date from Terra Firma. Jim Fifield throws an interesting spanner in the works though, Warner vs Terra Firma would have made things much simpler. I guess we'll know who his backers are, if he is willing to follow through on his desire and just how much of a chance he has and succeeding before the end of this month.

Meanwhile EMI turned up as part of another news story to emerge in the last day or so. Apple's iTunes launched it's catalog of EMI music available for download free of DRM (Digital Rights Management) on May 30. This came after an open letter penned by Steve Jobs in February that called for music companies to release tracks without digital locks. EMI were the first to go for the plan, announcing the deal with Apple in April of this year. DRM protects the file from being written to CD or other devices other than the user's iPod. Obviously there are programs around that are able to circumvent this system unlawfully, known as Fairplay, and many had called for the ability to be able to distribute the music they'd paid for fair and squrae to other players or media they might have. Fair enough, but obviously open to abuse should the track not have any protection. Not an ideal situation, nor is the existence of DRM for those who wanted to use the material honestly for their own use. So to the DRM free files. Pay an extra USD20 cents for tracks free of DRM.

So does this then open up the file to the very abuse that the DRM was trying to protect it from? Of course it does. Unfortunately there's really no other way around it. Or is there? Discovered this week by news site Ars Technica was the existence of user information on the newly available tracks downloaded lawfully from Apple's iTunes. These tracks, free of Fairplay, have embedded within them the full name and account information, including e-mail address, of the purchaser! DRM restricted tracks also have this information. Further investigation is ongoing into the DRM free tracks as very curious data anomalies between identical tracks have been identified and those with the expertise are working their way through the code to see just what these mean. Just how much information or perhaps complex code designed to circumvent attempts to strip the identifying data from the file is embedded? And why is it there in the first place? Should such a file end up being distributed illegally via a file sharing network or burnt CDs there's no mystery then as to where they came from. Interesting, no?

As of writing this Apple were yet to respond to numerous requests from news agencies for their explanation of this discovery.

This issue's Where Are They Now? is a replay with some great new information that has come to light since the original ran a year or so ago. I've noticed this feature or parts thereof spread across the internet, including the Wikipedia article on this band using our original article for the basis of the spiel there, since it was originally published.

Regulars including Feature Article, The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 258 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno258.html

Thanks to everyone for reading, we'll see you next issue!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Heaven (Updated)
  • This week's Music Quote
  • Featured Product - T-Rex Engineering Pedals
  • This week's Specials
  • This week's Feature Article - Setting Up A Successful Tour: Part 1
  • This week's Feature Artist - The Mexicans
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Weeks Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next time

  • WHERE ARE THEY NOW? - HEAVEN (UPDATED)

    We had been attempting to put together a feature for Heaven for some time now but had no success in finding one very key member after a couple of years of searching. That was until about a year ago when I received a phone call delivering some sad news that gave us some of the answers we'd been looking for and gave us cause for reflection. Initially published in the newsletter in May of last year, this feature became more than a Where Are They Now?, rather a tribute to a great Australian band and, more particularly at this time, a posthumous tribute to a great Australian musician. Since running the feature we have been contacted by many people and also noted some renewed Heaven discussion across the internet as the news that Bradford Kelly, a Heaven guitarist, had passed away. This was the news we'd received and that prompted the original feature, even though Kelly had died some considerable time beforehand, something his fans and former bandmates were all unaware of.

    Speaking to some guys whilst putting together this feature tied some fascinating tales to one another dating back to the late Seventies. A local who comes through the shop from time to time was playing bass for John "Swanee" Swan around then through 1980 and one of his bandmates was guitarist Bradford Kelly. There is a Cold Chisel song, "Letter To Allen" from the Circus Animals LP, that was written about a truck accident that took the lives of two Swanee crew members around 1980. (It's also suspected Jimmy Barnes' solo work "No Second Prize" is about the same accident). Fading memories recall that accident occurring the night after Bradford Kelly played his final show with Swanee, walking out of the Wollongong show at the end of the night and catching a train home. As I got off the phone with that former Swanee bassist who was in the band at the time another old customer of ours was standing at the counter. I knew he had been around the scene at the time and we got to talking. His band around that same time also tied in, supporting Swanee at the Elizabeth Rugby Club (Swanee and Jimmy Barnes' teenage stomping ground just down the road from here) when they returned to Adelaide. That show was a fundraiser for the families of the roadies killed in the accident.

    But I digress. The Heaven story picks up around this time (and will later come back to Swanee!) It starts with Bradford Kelly. Before leaving Swanee he had been jamming with Sydney drummer Theo Kats with a view to putting something together when Kel left Swanee. Enter another Scottish immigrant from Adelaide, Allan Fryer. But the connection wasn't that simple. Allan Fryer started his career in Adelaide, scoring his biggest gig supporting Sherbet at the Adelaide Festival Centre with his band Chumalucy. Working his way through a couple of high profile Adelaide bands Allan ended up heading East with Fat Lip which consisted of fellow Adelaideans Joe Turtur on drums and Laurie Marlow on bass.

    I must pause there. Around this time something pretty significant in Australian rock history occurred. AC/DC vocalist Bon Scott had passed away and more Scottish immigrants poke their heads in on this story. On the hunt for a new frontman for the band in Australia were Alberts Publishing with elder brother George Young and Harry Vanda on the job. Allan Fryer was their pick for the job after dropping his vocals over famous AC/DC tracks of the time for the Alberts people. By the time Fryar had made it back to Adelaide, the supposedly confidential news of his landing the role had ended up widely reported on Australian TV before it was made official. And it never was made official. Whilst Young and Vanda were in Australia hunting for a new vocalist younger brothers Angus and Malcolm were in the UK checking out Brian Johnson, vocalist for Newcastle (UK) glam-rock group Geordie at the time. As we all now know, the younger Youngs got their way and Johnson was selected as the new front for AC/DC.

    So back to Heaven. Allan Fryer headed back to Sydney with a view to getting serious with Fat Lip. Some of the guys from the original line-up that had come over had returned to Adelaide and some stayed in Sydney. By this time Fat Lip bassist Laurie Marlow had met Brad Kelly and Theo Kats and they'd been jamming on some material they were putting together. By this time "The Ballad", arguably the greatest Heaven song there was in this listener's opinion, had been penned by Theo Kats, something he would ultimately never be credited for. But Heaven wasn't Heaven as yet. Allan turned up on that formative outfit and had a drummer by the name of Aldo from the band Scandal along with him. This displaced Theo Kats who wasn't too fussed at the time as he'd been offered a gig with a much more established outfit at the time, Europe.

    Still called Fat Lip the band soon finalised their line-up with the addition of another guitarist in John Haese and a firm drummer in Joe Turtur, who had originally made the trip over with Allan and Laurie. Before Joe, however, there was to be another bum on the Fat Lip drum seat, another Adelaide bloke by the name of Rob Hanna. This final change occurred just before the recording of the band's first album. But we've jumped ahead there, at this point there was no album. After quickly developing a repertoire and reputation the band were approached by super manager Michael Browning who, after establishing AC/DC in Australia and the UK and then scoring them the international deal with Atlantic Records which eventually broke them worldwide, had recently relinquished the management of the group and set up his own label and publishing company, Deluxe Records, distributed through RCA. INXS was Browning's big signing to his fledgling label at the time and he made Fryer, Kelly, Marlow, Turtur and Haese their labelmates. The moniker "Heaven" was adopted at the suggestion of Browning and their first releases, the singles "One Nighter" and "Fantasy" were released through 1981, both lifted off the 1982 long player "Twilight Of Mischief".

    Heaven's next step was their crack at the US market but before they could launch their attack there guitarist John Haese left the group and Rose Tattoo axeman Mick Cocks filled the slot. When Heaven headed to the US with their debut album it was discovered a New York band had the rights to the Heaven tag over there so the album was released as Heaven Bent before the Aussies could wrestle the name rights of the New York outfit.

    The band were getting noticed by all the right people in the US, due in no small part to the single release there of "In The Beginning". By the time the band headed to Cherokee Studios in Los Angeles to record their follow-up "Where Angels Fear To Tread" they had managed to enlist guest artists for the recording such as Ronnie James Dio, Lita Ford and Glenn Hughes. The band could also credit having good friends such as RATT, Def Leppard and Motley Crue, all of these artists combining (along with Heaven) as key players in the burgeoning LA glam metal scene of the day. After "Where Angels Fear To Tread" was in the can Mick Cocks moved back to Australia and former AC/DC bassist Mark Evans was recruited to play rhythm guitar. In a kind of incestuous twist, Evans had been playing with Rob Riley in The Beast before Riley was enlisted to fill Cocks' shoes in Rose Tattoo when he went to Heaven. Drummer Joe Turtur also left around this time and was replaced by John Layland for a brief period.

    Things starting turning sour for the line-up pretty quickly and personal conflicts as well as management issues with Browning saw the band all back in Australia, all heading in different directions. Fryar didn't stay long and took Adelaide drummer Tommy Dimitroff and a guitarist known only as Boz at the time of writing this to the US to embark on a reformation of Heaven. It wasn't long before Allan had met up with one of his LA buddies in Mitch Perry of Talas. "Boz" had returned to Australia so Heaven in the form of three members, drummer Tommy, Mitch Perry, and Allan headed to New York where managers Steve Leber and David Krebs were waiting. Leber and Krebs were the management team who Michael Browning had earlier signed AC/DC over to, and other acts in their stable included Def Leppard, The Scorpions and Michael Schenker.

    Once in New York Cathedral guitarist Mark Cunningham was brought in to the group. Cathedral were actually fronted by John Corabi who would later go on to replace Vince Neil as Motley Crue's frontman. Session bassist Dennis Cunningham completed the new Heaven line-up and work began on the third album, "Knocking On Heaven's Door". The group's Dylan cover was quite successful and a follow-up single, "Burn", was also released. Consistent touring in the US spanning the first three album releases saw Heaven share the stage with such metal greats as Iron Maiden, Judas Priest, Dio and Motley Crue (as the support act for their "Shout At The Devil Tour" and "Girls, Girls, Girls" tours).

    But by then more management dramas were to spell trouble for Heaven. A dispute between the band's management and the owner of Heaven's Columbia label, Brighton Records left Heaven in the middle, delivering song after song with no commitments being made by the label. Eventually the contract expired and the band went their own separate ways, Dimitroff to LA, Feldman back to sessions in New York, and Mitch also back to LA. It's believed that, by this time, Cunningham had already split. Allan Fryer moved down to South Jersey and spent the next couple of years putting together various Heaven line-ups with no recorded output. He moved to Texas in 1990 and continued to play live and did some recording that never saw the light of day. He kept the bills paid with the live stuff with a myriad of line-ups and doing jingles and such. A daughter, born in 1991, has kept Allan in Fort Worth ever since.

    So for Australians, and those not knowing of Fryer's live work in the US, Heaven was done and dusted, that was until 1998. Fryer had come home to Australia for a visit and ended up catching up with drummer Theo Kats. I'll let Theo tell the story about this part of the Heaven history:

    Fast forward now to March 1998, Alan and I decided to throw a couple of shows together here in Sydney, which we did titled HEAVEN "Resurrecting The Fallen Angel" tour. The line-up for these shows was the original plus me:
    Allan Fryer, Bradford Kelly, John Haese, Laurie Marlow, Theo Kats. Also Heaven's main drummer Joe Turtur sat in for a few songs as a special guest. Both shows were successful and proved the band still 'had-it'.

    1999 -2000, Allan calls me and asks me to get the boys together to write a bunch of new songs for what was going to be a new Heaven album. He said he scored a deal with a small Chicago based Record company called Pulse. Unfortunately both Kelly and John Haese declined the proposition but Fryer still insisted I find new members to record with. Laurie Marlow and myself both decided Kevin Pratt (Boss, B.B. Steal - Ed. both bands Theo had also played with) would be the right guitar player for it so he was recruited. Kevin and I wrote about 10 new songs. Both Laurie and myself felt Heaven had lost it's original sound with the release of their latest album "Where Angels Fear to Tread" so we decided to go back to the 'old sound' and style. The songs were recorded at Billy Thorpe's Magic Mountain Studio but unfortunately, due to finance issues, the project was scrapped so only a hand full of songs were completed, the rest just mere bed-tracks.

    2001- Laurie and I managed to score the support to the Australian Judas Priest Tour and again tried to recruit Kelly and John Haese but this time they didn't want to play any of the new stuff which at the time we were told was a pre-requisite for the tour.

    We then got Kevin Pratt back and on second guitar Ross Flynn (Jezebel's Trash). The tour was very successful and we advised by the Priest boys to continue Heaven as they loved the new stuff. Unfortunately all was forgotten by Fryer who literally stopped any contact with any of the band members.

    The story of Heaven remained there until last May when a veteran Australian drummer was playing a show on the New South Wales South Coast. (This is where the Swanee connection comes back in again, but I'll leave it there). Someone from the crowd approached this drummer for a chat. Looking familiar to the drummer he mentioned as much to the guy. Turned out to be a close relative to Bradford Kelly, and he broke the sad news that Brad had passed away a year or so earlier. Past Heaven members had long been searching for Brad, not knowing his ill health and ultimately having no luck in tracking him down over the past couple of years despite running print ads and more. It actually turns out he'd made the odd appearance at jam nights at The Empire in Annandale but he'd remained out of the picture completely.

    In the week between the news being delivered about Kelly's passing and the running of this feature originally Allan Fryer had been contacted as well as other close original members, Joe and Laurie, and former manager Mick Browning, all being informed of Brad's passing. Plans were put in place for these good friends to gather to celebrate the life of Bradford Kelly. Joe owns a restaurant in the beachside Adelaide suburb of Adelaide and plays with former Rose Tattoo guitarist Rob Riley and (yet another Swanee cameo) until last April with the former Swanee bassist mentioned at the very start of this story. Laurie is still in Adelaide and Theo in Sydney where he owns and operates a top shelf graphic design company. He still pounds the skins from time to time around town there. Theo was the catalyst for the events following the news of Kelly's death, having been given the news from the South Coast gig and contacting all the original guys to pass on the news. Theo also contacted us, knowing we had also been searching for Brad, and we thank him so very much for not only letting us know about Kel, but his invaluable assistance in putting together this feature.

    For the guitarists out there, Brad's name has lived on for many years and will do for many more in a way that may not be familiar to most. The Jackson Kelly guitar was his doing, with Grover Jackson back in the day. Much like Grover worked with Randy Rhoads on his famous Rhoads V Jackson. Interestingly, not only is it not widely known Brad was responsible for this guitar that remains in production to this very day, he also never saw a cent from it. The following was another excellent piece of information that surfaced following the breaking of the news of Kelly's death last year. This is a transcription of a phone interview our good mate Brett Kingman did with Brad in 2001. It's introduced by the preamble that he was going to run with the interview in Australian Guitar Magazine the same year. You'll notice that he calls Brad 'Kelly'. This is because he liked to be called that. Brad also refers to a 'Mark'. This is Mark Evans of early ACDC fame, salesman at Sydney's Downtown Music, and mutual friend of Kelly's and Brett's.

    Kelly Interview by Brett Kingman 23/03/01
    If you'd rather listen to the interview instead of reading the transcript below, an audio copy can be found HERE

    Brett K - You there mate? (checking mic levels on tape recorder)
    Kelly – Yeah mate..(clears throat)..yeah mate, sorry.
    BK – Righto, we’re rockin.
    Kelly – Ok, I heard they were going to reissue it, Mark said.
    BK – What’s that?
    Kelly – The ahh..the Kelly guitar or whatev..whatever it’s called.
    BK – Reissue it!?
    Kelly – Yeah..
    BK – It’s a mainstay, it’s an absolute rock icon!
    Kelly – Is it?
    BK – Has been for about ..15 years!
    Kelly – Yeah? Unbelievable.
    BK – So that’s why I reckon you know, you deserve a bit more attention than you might have gotten. Has anybody actually acknowledged your status as designer of the guitar?
    Kelly – No mate, none at all.
    BK – None at all??
    Kelly – Only Jackson by naming it after me..
    BK – Gosh..
    Kelly - ...but after that it was like ..dead in the water mate, as far as anyone talking to me or um..I mean people who play it and that, if you know what I’m saying?
    BK – Yeah.
    Kelly – Sometimes..I’ve been to LA a few times and lived there and ahh, talking to cats in the bars and that and they go, “Oh, you’re that cat who designed that guitar are ya?” So, they know but, d’ya know what I mean?
    BK – Now they’re going to know a lot more..
    Kelly – (laughs) ..but you’re right, so they should, so they should!
    BK – Do you remember when you got together with..who was it, Grover that you dealt with then?
    Kelly – Yeah well, when we were over there in about ’85 or something, he used to come to our gigs and ah, I used to talk to him and stuff and we were getting a deal with um, Hammond in Chicago...
    BK – er, Hammond?
    Kelly – Yeah, in Chicago..
    BK – Ok..
    Kelly – right? And the thing with Hammond is they wouldn’t do a design, they’d only do a paint job..
    BK - ..right
    Kelly – ..right? So I had just had this, this idea for something but ah, I was talking to Grover and he said he’d cut it up for me, like do what I wanted. And that’s how we basically got together and of course we were in California living there; he’s in California and it all just came together. Type of thing.
    BK – How did you meet him?
    Kelly – Ahh like I’m saying, he just came to gigs and um..
    BK - ...so he was a Heaven fan?
    Kelly – Oh, he was like, ..his idea was like to hang out with bands and give them his guitars because he wasn’t really happening then as a company...they were still up and coming..
    BK – Ok. So, was he working out of a little workshop with Wayne Charvel? Was he (Wayne) involved then do you remember?
    Kelly – Yeah, Charvel was still there, yeah. Yeah, because they were both together. Charvel Jackson they were called.
    BK – And you had used his guitars before, is that right?
    Kelly – No um, just talking to him and knowing other bands in Los Angeles like Ratt and all them..
    BK – Warren DeMartini and all those guys?..
    Kelly – Yeah, all those guys..well he’d give them his guitars type of thing so they’d be seen playing them and um, and of course those guys used to come ‘round to our house and stuff and they’d be raving their heads off...
    BK – (quiet chuckle – knowingly)
    Kelly – ...yeah, like “Oh, you should see this guitar I got man!” and all this stuff, you know? Um, that’s how it kinda came together. And I just talked to Grover at a gig once, he came and saw us playing like after it and stuff..and I told him I had an idea, and two days later we went out to the factory, we cut it up, and then they started mass producing them! (laughs..dissapointingly)
    BK – Far out.
    Kelly – Yeah, they didn’t even say anything..to me or anything...
    BK – Some guy in LA actually owns that original black one now.
    Kelly – Does he?
    BK – Yeah ...J00029 or something, you probably don’t remember the number, do you?
    Kelly – No, I wouldn’t remember the number mate.. when I bought it back to Australia the neck warped.
    BK – Oh god.
    Kelly – Yeah, like it went south do you know what I mean? And um, I couldn’t use it. And I think I swapped it for an amp over here..and I told the guy the neck was fucked but he still wanted it because of what it looked like and stuff. And, I don’t know where it went to after that.
    BK - ..I think it ended up in Adelaide and last I heard it was sold to a guy in LA who’s held on to it cos there’s actually a picture of it on a website.
    Kelly – Oh yeah, well maybe the neck went...cos I thought if you took it back to California maybe the neck would settle down again.
    BK – Cos it’s back in the usual climate?
    Kelly – well yeah, you know, I thought it might have been the altitude or something..you know what I mean? (both have a laugh..)
    BK - ..heheh, you never know..
    Kelly – you, heheh, you never know mate!
    BK – Did you put the Yamaha Floyd on it?
    Kelly – No the one I got was without a Floyd..
    BK - ..right..
    Kelly - ... and of course, like I’m saying, we just did a prototype, real quick, and ah to tell you the truth, I don’t know whether you want to put this in the interview but they never really made it right.
    BK – Grover never made it right?
    Kelly – Nah, there’s a design that I got that’s like.. the same kind of thing but just a bit different.
    BK – OK, in the shape profile or?...
    Kelly - ..the shape’s the same but it’s hard to describe the idea I had. They kind of made a short version of it, my one’s a bit longer, more body to it. Like, where you put the guitar strap on, that’s in a different position too, it’s on the back of the guitar instead of down the end. Cos the thing is, when you put it down the end, cos there’s so much body there it pushes the headstock and the neck over to your left?..
    BK - ..right, yep..
    Kelly – well the idea I had, if you’ve got it hooked on the back, it’s more of a snug fit and the guitar sits more down to your right, know what I mean?
    BK – Ok, so the centre of balance is better?..
    Kelly - ....the centre of balance is better, heaps better.
    BK – Have you got that design still on paper?
    Kelly – No I haven’t...the whole thing was in my head and I just, when I was talking to Grover, like when I was over there that time, I just went home and drew it up you know?
    BK - ..yep..
    Kelly - ...and just took the pictures to him and had a discussion with all the guys who cut ‘em up and stuff and told ‘em what I want.
    BK – Do you remember any of the guys names that were working on it with you?
    Kelly – No mate, I couldn’t tell you. There was about five guys.
    BK - ..because there’s a website called Jacksonmuseum.com...
    Kelly – Oh yeah..
    BK - ...I don’t know whether you’re net connected or not, you might want to have a look at it and a bit of a chuckle...
    Kelly - ..uh huh...
    BK - ..but whoever the luthier was that you worked with over there, he called you Kelly Haese I think...
    Kelly – What did he call me?
    BK - Kelly Haese...it was one of the other guys in Heaven that had the surname Haese wasn’t it?....
    Kelly – Haese (haze?)..
    BK – Haese was it?
    Kelly - Yeah that was um, geez, he wasn’t even in the band then..
    BK – Wasn’t he??
    Kelly – No..heheh.. he’d ah..got booted! Cos he couldn’t play you know? Heheh..
    BK – Well, heheh, that’ll do it!
    Kelly – That’ll do it every time man!
    BK – Did you specify which pickups you wanted?
    Kelly – Yeah...
    BK – What were they?
    Kelly – I think I wanted some Duncan PAF’s I remember..
    BK – Ok..
    Kelly - ..I was big on them. But like I’m saying, with all these other designs I got in my head for it, I would ...single coils on it and stuff like that I was looking at with a Strat switch and ..just some different things, you know what I mean?
    BK- Yeah...
    Kelly – That was the ideas I had...
    BK – Have you designed any guitars since?
    Kelly – Not really, no. When I was over there when Mark was in the band I designed a Tele for him ..all I did was just make it a bit futuristic you know?
    BK – He’s probably still got that Tele, has he?
    Kelly – Ahh..don’t know what he did with it mate. I think the neck warped again...(laughs from both) I swear to god mate, they went south! I mean they were alright in California, like over in America even when we played up in Detroit and in the snow and all that shit you know? Bought it back here and the neck just went..
    BK – Could’ve gone in the plane, they often do.
    Kelly – Dunno, but geez they went south! Both of ‘em.
    BK – Wow! Very interesting...
    Kelly – And like you couldn’t tighten the truss rod or anything, you know what I mean? Just wouldn’t work.
    BK – So who are you playing now, you were working with Gin House for a while weren’t you?
    Kelly – Yeah that was good but, ran its course. Not doing too much these days mate, there’s not fucking that much around to tell you the truth..
    BK – No, I know, that’s why I’m ....(trails off into conversation about me and my work with James Reyne, lets have beers etc, etc.)
    BK – Do you still listen to any of the old Heaven records?
    Kelly – Oh no, I’ve never really listened to anything I’ve recorded, like after you’ve recorded it’s like oh well, that’s it!
    BK - ...been there done that?...
    Kelly – That’s it you know, what you give is what you get. Don’t get me wrong. You listened to them in the studio, made sure they were pretty happening..
    BK – Great live shows mate..
    Kelly – Oh yeah, thanks mate.
    BK - ..I used to dig ‘em at the Prince of Wales in Melbourne..
    Kelly – They were good gigs then. There were so many fucking gigs back then it was unbelievable..
    BK – Yeah, Melbourne’s still pretty good. There must be 70 or 80 venues.
    Kelly – Yeah? What’s the jazz scene, I’ve been getting into the jazz scene lately?
    BK – Ahh.. right, the plot thickens...
    Kelly – I’m a jazz buff, you know?
    BK – So you’re playing jazz guitar? What actually are you playing at the moment?
    Kelly – I’m just using a Les Paul right now cos I’m financially er..
    BK – Financially strapped?
    Kelly - (laughs) Yeah, well this life I picked mate, playing guitar just didn’t pay off you know?
    BK – Mate, tell me about it. I hear ya.
    Kelly – It’s a fuckin trip isn’t it?
    (Kelly expresses interest in meeting the Megadeth guitarists next week..seeing as they’re using his model..)
    BK – You’re not working with a specific band at the moment?
    Kelly – No, I’m just backing up a couple of acoustic guys, like I just back them up with leads and stuff. But, you know, it’s all freelance really. You know, that’s about it. Anything you can get these days!
    (conversation trails off again cussing the state of the music industry in Australia)
    BK – OK, thanks Kelly!
    Kelly – Alright well have a good day and nice talking to you mate!
    BK – You too mate!
    Kelly – See ya!


    Early Jackson Customers
    Earliest Customers of Grover Jackson
    Kelly and a Kelly around 2001
    Kelly and a "Kelly" around 2001

    Thanks to Brett for the above interview!

    R.I.P. Bradford Kelly.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

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    THIS WEEK'S MUSIC QUOTE

    "Musicians don't retire; they stop when there's no more music in them."
    - Louis Armstrong


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    FEATURED PRODUCT - T-REX ENGINERING

    T-Rex
    We here at bmusic.com.au are excited to announce the arrival of T-Rex Engineering pedals. New to bmusic, new models, new stock, and new lower pricing.

    Click HERE to learn more about the available range of T-Rex Engineering pedals, including Bloody Mary Overdrive, Viper Vibe, CompNova Compressor, Mudhoney Distortion, Michael Angelo Batio Overdrive, and many, many more. All the way from Denmark and, unlike many products, we're able to keep the price down to about the same as what you'd land one of these puppies from a US discount retailer for.

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    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    "Special" Specials appear from time to time in the "Buy & Sell" section of our forum also. The Buy & Sell can be found HERE. Specials such as the current Randall G2 clearance we have on right now:

    G3s have been in the house a while now and it's time to say goodbye to G2s. Very different amps to the G3, a sound all their own as they were built as a successor to the original RH series but evolved into more than that. G3 did something similar with the addition of the valve in the MOSFET power stage.

    Here's what we have, a bunch now and a bunch coming in February as clearance from Randall.

    RG-75G2 Combo 75 Watt 1 x 12" Combo

    RRP$699 Selling at $399!!!

    Successor to the original Randall RG75 amplifiers, the G2 Series continues the breakthough of professional performance at a practical price. Equipped with updated front panel features and foot switching controls, these amps deliver the bone-crushing Randall® tone with improved flexibility. Gain 1 covers the classic Brit hi-gain, while Gain 2 provides punishing modern hi-gain Randall® tone. Both Gain modes utilize the same features including a Coutour control to shape and a Voicing switch to shift mid-range frequencies. Each channel features independent Reverb controls, while the clean channel includes a foot switchable boost function. So if you're shopping for power and performance, do yourself a favor and see what your tone has been missing.

    Features
    75 Watts
    Spring Reverb
    1 X 12"
    Celestion Seventy 80
    2-Channels
    3 Modes:
    Gain 1 - Classic Brit hi-gain
    Gain 2 - Modern Randall hi-gain
    Clean channel w/Boost option
    Voicing switch
    Contour control
    Effects loop w/level controls
    4/8 ohm external speaker outs
    25"w x 11.5"d x18.5" h. 51 lbs

    RH200G2 220 Watt Amp Head and RA-412XC Quad Box

    RRP$1,995 Selling at $1,099!!!
    Randall G2 Head
    Randall 412XC

    Features
    (Head)
    220 watts RMS
    2 channels
    OVERDRIVE: Gain 1 - Classic Hi-Gain, Gain 2 - Modern Hi-Gain
    3-Band EQ
    CLEAN: 3-Band EQ
    Voicing button
    Contour control
    Spring reverb
    5 button footswitch
    Dual stereo outputs
    Series loop with level controls
    4/ 8 Ohm external speaker outs
    Line out with level control
    Ground Lift

    (Cabinet)
    4 x 12" 320 watt angled quad box with Custom Celestion 80 watt speakers. Black grill cloth.

    Regular specials this week include:

    ESP M-10 ELECTRIC GUITAR PACKAGE - $499 save $150 off RRP
    ESP F-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP Viper-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP B-10 BASS GUITAR PACKAGE - $549 save $150 off RRP
    WASHBURN X-10 ELECTRIC GUITAR PACKAGE - $369 save $100 off RRP
    WASHBURN I-14 ELECTRIC GUITAR PACKAGE - $399 save $100 off RRP
    WASHBURN T-12 BASS GUITAR PACKAGE - $449 save $100 off RRP
    MONTEREY MSB-4 BASS GUITAR PACKAGE - $349 save $124 off RRP
    RANDALL RG75R 75W GUITAR COMBO WITH REVERB - $549 save $150 off RRP
    RANDALL RG75DG3 75W GUITAR COMBO WITH EFFECTS - $849 save $200 off RRP
    RANDALL RH150G3 150W VALVE DYNAMIC GUITAR HEAD - $799 save $200 off RRP
    RANDALL RH300G3 300W VALVE DYNAMIC GUITAR HEAD - $1049 save $250 off RRP
    HUGHES & KETTNER EDITION BLUE 15 COMBO - $229 save $70 off RRP
    HUGHES & KETTNER EDITION BLUE 30 COMBO - $349 save $100 off RRP
    HUGHES & KETTNER EDITION BLUE 60R COMBO - $479 save $120 off RRP
    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    DIGITECH™ GNX-3000 - $749 save $200 off RRP
    DIGITECH™ GNX-3 - $649 save $250 off RRP
    DIGITECH™ GNX-4 - $1099 save $300 off RRP
    DIGITECH™ RP-250 - $349 save $80 off RRP
    DIGITECH™ EX-7 EXPRESSION FACTORY - $449 save $150 off RRP
    DIGITECH™ CF-7 CHORUS FACTORY - $249 save $50 off RRP
    DIGITECH™ DF-7 DISTORTION FACTORY - $229 save $70 off RRP
    DIGITECH™ ERIC CLAPTON CROSSROADS - $249 save $50 off RRP
    DIGITECH™ JIMI HENDRIX EXPERIENCE PEDAL - $479 save $120 off RRP
    DIGITECH™ BRIAN MAY RED SPECIAL PEDAL - $479 save $120 off RRP
    DIGITECH™ BAD MONKEY OVERDRIVE PEDAL - $99 save $30 off RRP
    DIGITECH™ GRUNGE PEDAL - $99 save $30 off RRP
    WASHBURN D-10S SOLID TOP ACOUSTIC - $329 save $70 off RRP
    WASHBURN D-10SCE SOLID TOP ACOUSTIC/ELECTRIC - $499 save $100 off RRP
    WASHBURN D-8 ACOUSTIC/ELECTRIC PACKAGE - $299 save $100 off RRP
    WASHBURN HB-32DM HOLLOW BODY ELECTRIC - $549 save $120 off RRP
    WHARFEDALE PRO SVP-12M 150W POWERED MONITOR - $449 save $140 off RRP
    WHARFEDALE PRO WD-600 300W COMPLETE PA SYSTEM - $1699 save $576 off RRP
    ZOOM H-4 HANDY DIGITAL RECORDER - $499 save $150 off RRP
    SHURE PGX-14 GUITAR WIRELESS SYSTEM - $799 save $100 off RRP
    dB PU-901 GUITAR WIRELESS SYSTEM - $479 save $100 off RRP
    dB PU-901 WIRELESS MICROPHONE SYSTEM - $499 save $100 off RRP
    dB PU-901 WIRELESS LAVALIER MICROPHONE SYSTEM - $499 save $100 off RRP
    dB PU-901 WIRELESS HEADSET MICROPHONE SYSTEM - $599 save $120 off RRP
    CASIO CTK-800 KEYBOARD - $299, optional adapter $20 with purchase
    PROMAX PD-635 5-PIECE DRUM KIT PACKAGE - $549 save $160 off RRP
    PROMAX PX-525 5-PIECE DRUM KIT PACKAGE - $499 save $150 off RRP
    PROMAX CONGA SET WITH STANDS - $369 save $80 off RRP
    THE GREAT AUSTRALIAN SONGBOOK - $19.95 save $5.00 off RRP
    ABSOLUTE BEGINNERS GUITAR DVD - Now just $19.95
    ABSOLUTE BEGINNERS KEYBOARD DVD - Now just $19.95
    ABSOLUTE BEGINNERS BASS GUITAR DVD - Now just $19.95
    All prices include GST

    Check out our Specials page for more info on these specials.


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    THIS WEEK'S FEATURE ARTICLE - SETTING UP A SUCCESSFUL TOUR: PART 1

    The best way for an artist to create a buzz and sell records is to simply take his music to the people. And that, my friends, means touring.
    Getting out on the road is a tradition for everyone even remotely associated with the entertainment industry. Authors go out on book tours, movie stars visit every major late-night talk show, others pop in on radio broadcasts, do print interviews to promote an opening of a play or concert, and some, those who are really hungry for success, do it all!
    Touring is a very costly proposition, both financially and organizationally. It takes money to finance the travel and lots of time and planning to put it together. TAXI, in its never-ending efforts to help the performing musician, has asked Kenny Kerner to put together some tips on how you can set up a successful tour on your own.
    To read the two part "Setting Up A Successful Tour" by Kenny Kerner, Director of the Music Business program at Musicians Institute, click HERE.

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    FEATURED ARTIST - THE MEXICANS

    Melbourne-based four piece THE MEXICANS are a rare sonic breed - an unholy matrimony of Motorhead- style metal swagger and punk rock attitude delivered with new-millennium precision. Jimmie's fretboard-shredding guitar solos and the rousing vocals of 'the one man wrecking ball' Cal Bastard provide the icing on the cake. Together with a relentlessly driving rhythm section, The Mexicans are one act that doesn't mess around. Don't miss seeing one of their shows when they re-emerge from the studio with all new material later in the year....they are truly something to behold.

    Check out the official web site of The Mexicans at www.themexicans666.com to hear and see what The Mexicans, "the hard men from Melbourne, Australia", are all about.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1949, Hank Williams made his debut on the Grand Ole Opry. His performance, with the audience demanding several encores of "Lovesick Blues," is still considered one of the Opry's greatest moments. The success of his recording of that song had led to the Opry contract, and he remained with the show until August 1952, when he was fired for perpetual drunkenness. Williams died on New Year's Day 1953 of a heart attack brought on by excessive drinking.

    In 1953, Elvis Presley graduated from L.C. Humes High School in Memphis, Tennessee.

    In 1958, future rock star Frank Zappa graduated from Antelope Valley High School in Lancaster, California. One of his schoolmates was Don Van Vliet, who later attained stardom as Captain Beefheart.

    In 1961, country singer Patsy Cline suffered serious head injuries in an auto accident in Tennessee.

    In 1962, the Beatles auditioned for producer George Martin at EMI Records in London. Martin was later quoted as saying he thought "they were pretty awful," but signed them to a contract the following month.

    In 1965, on the same day two classic songs were being put to tape. Unbeknownst to each artist, Paul McCartney was recodring "Yesterday" and Bob Dylan his first electric guitar recording, "Like A Rolling Stone".

    In 1966, Janis Joplin performed for the first time with Big Brother and the Holding Company at the Avalon Ballroom in San Francisco.

    In 1966, "Rain," the flip side of "Paperback Writer," by the Beatles was released. It was the first record to use reverse tapes. John Lennon said he "just happened to have the tape on the wrong way 'round."

    In 1967, singer and guitarist Peter Green left John Mayall's Bluesbreakers to form Fleetwood Mac with Mick Fleetwood, John McVie and Jeremy Spencer. When Peter Green abruptly left the group in 1970 because of his religious beliefs, Fleetwood Mac abandoned their blues leanings.

    In 1967, the Monterrey International Pop Festival opened in California. It was the first major rock festival and attracted 50,000 people over three days. Ticket prices ranged from $3.50 to $6.50 to see more than two dozen top rock acts, including Janis Joplin, Otis Redding, Jimi Hendrix, the Who and the Grateful Dead. The performers played for free.

    In 1969, guitarist Brian Jones said he was leaving the Rolling Stones because he said he no longer saw eye-to-eye with the other members of the band. He was replaced within a week by Mick Taylor, formerly with John Mayall's Bluesbreakers. Jones announced that he would form his own band, but on July 3rd, 1969, he was found dead in the swimming pool at his home. The coroner's verdict was death by misadventure.

    In 1970, Christine McVie released a solo album and then announced she would be retiring from music. Within a year she joined her husband John in Fleetwood Mac, so that retirement didn't last long.

    In 1970, Eric Clapton's Derek and the Dominoes made their live debut in Britain. The group was joined by Dave Mason, who played the guitar parts performed by Duane Allman on Derek and the Dominoes' only studio album, "Layla."

    In 1972, Bruce Spingsteen signed a 10 album contract with Columbia Records. His first LP, "Greetings from Asbury Park, New Jersey," appeared the following January.

    In 1972, keyboardist Ron (Pigpen) McKernan played his final gig with the Grateful Dead at the Hollywood Bowl. He would die the following March of alcohol-induced liver failure and internal bleeding.

    In 1974, keyboardist Rick Wakeman left prog-rockers Yes following completion of the album "Tales From Topographic Oceans." He had openly expressed his bewilderment and disillusionment with the album and the band. Wakeman rejoined Yes in 1976, but split again from the group in 1980.

    In 1975, John Lennon sued several US government officials for selective prosecution in his deportation case. Later in the year, the US Court of Appeals overturned the Immigration Department order to deport Lennon. He was granted permanent residence in the United States in 1976.

    In 1977, Joe Strummer and Topper Headon of The Clash were arrested in London for spray-painting the group's name on a subway wall.

    In 1977, guitarist Michael Schenker of the British hard-rock band UFO went into hiding for six months rather than tell the band that he wanted to leave. Schenker, a German, later said he didn't speak English well enough to explain how he felt. He eventually did split with UFO, leaving in 1979 to form his own group.

    In 1977, Sex Pistol Johnny Rotten was slashed on his face and hands by knife-wielding youths on a London street. They objected to the Pistols' anti-monarchist song "God Save the Queen." The next day, another member of the Pistols, Paul Cook, was beaten by a gang armed with iron pipes.

    In 1977, Steve Winwood, formerly with the Spencer Davis Group and Traffic, released his first solo album, a self-titled effort on the Island label.

    In 1978, the movie version of "Grease," starring John Travolta and Olivia Newton-John, opened in theatres in the US and Canada.

    In 1979, Chuck Berry was charged with three counts of tax evasion, just one day before he was to play on the White House lawn for president Jimmy Carter at the Black Music Association Gala.

    In 1979, Chuck Berry pleaded guilty in Los Angeles to income tax evasion. The charge stemmed from a 1973 debt of $110,000. Berry began serving a four-month prison term in August at a federal prison in Lompoc, California.

    In 1979, Rolling Stone magazine reported that Little Feat had disbanded after 10 years together. Exactly two weeks after the report Little Feat singer/guitarist Lowell George died of a heart attack.

    In 1980, disco queen Donna Summer became the first artist to sign with Geffen Records, the new label started by industry veteran David Geffen.

    In 1981, the rock supergroup Asia was formed by Steve Howe and Geoff Downes from Yes, Carl Palmer of Emerson, Lake and Palmer and John Wetton of Uriah Heep.

    In 1982, Donny Van Zant of the group .38 Special was arrested for drinking on stage in Tulsa, Oklahoma. Tulsa is a dry city.

    In 1982, bassist Pete Farndon quit the Pretenders. One day later, the group's guitarist, James Honeyman-Scott, died of a drug overdose. Farndon, too, would die of drug excess - on April 15th, 1983.

    In 1986, Irish rocker Bob Geldof was awarded an honorary knighthood in recognition of the millions of dollars he had raised for the starving of Africa.

    In 1987, Vittoria Holman, a St. Petersburg, Florida real estate agent, sued Motley Crue and a concert promoter for hearing loss allegedly incurred at a concert in December 1985. Holman and her daughter had front row seats less than three metres from a wall of speakers. The case was settled out of court when the band's insurance company forked over $30,000.

    In 1988, Jamaican street vendor Dennis Lobban was sentenced to hang after being found guilty for the 1987 murder of reggae star Peter Tosh and two of his friends. Lobban, who had a long police record, was on parole when the murders were committed.

    In 1989, someone firebombed a McDonald's restaurant in London, two days after Chrissie Hynde of the Pretenders advocated such action. Hynde told a news conference launching an all-star album in aid of Greenpeace that people "should petrol-bomb McDonald's."

    In 1990, a Florida court found 2 Live Crew's "As Nasty As They Wanna Be" album "obscene" and it's sale was banned. A store owner was charged for selling the album two days after the ruling took effect.

    In 1991, the Four Tops, Stevie Wonder and Aretha Franklin were among the mourners at a funeral in Detroit for former Temptation David Ruffin. About 25,000 fans gathered outside the church. Ruffin had died nine days earlier of a drug overdose. Following the service, police arrested another former member of the Temptations, Eddie Kendricks, for failure to pay nearly US$30,000 in alimony.

    In 1992, police and law enforcement officials called for a ban on Ice T's "Cop Killer" album. The result; sales on the West Coast and in Texas doubled.

    In 1993, police in Port St. Lucie, Florida, charged a 16 year-old boy with murder after he confessed to killing a woman who did not like the lyrics he was rapping. Victor Brancaccio punched and kicked 78 year-old Mollie May Frazier in the head and chest after she objected to the obscenities in a song he was playing over headphones and singing along to. The song was "Stranded on Death Row" by Dr. Dre.

    In 1993, Prince celebrated his 35th birthday by announcing he was changing his name and splitting with his band, the New Power Generation. Prince said he wanted to be referred to with the symbol that combines the symbols for male and female. The same combination symbol had served as the title of his previous album. He didn't bother telling anyone how to pronounce it.

    In 1994, Lisa (Left Eye) Lopes of the rap group TLC was charged with arson after a fire gutted the US$800,000 home of her boyfriend, NFL player Andre Rison of the Atlanta Falcons.

    In 1994, Latin pop singer Jon Secada fell through the rostrum as he was approaching the stage to perform to an estimated one-billion television viewers during the opening ceremonies of the World Cup soccer tournament in Chicago. Secada was unable to extricate himself from the hole, and since the band had already started playing, he began singing with only his head above the stage level. He was eventually pulled from the hole, and moved to centre stage to finish his performance. Secada was later diagnosed with a dislocated shoulder.

    In 1994, Geffen Records offered the estimated two million subscribers to the CompuServe computer bulletin board an opportunity to download a previously unreleased Aerosmith song, "Head First." The track was recorded during the band's sessions for the 1993 album "Get a Grip." It was one of the first times that subscribers to a bulletin board service could download an entire song over computer lines.

    In 1995, Hole lead singer Courtney Love, widow of Nirvana star Kurt Cobain, was treated in a Seattle hospital for an apparent overdose of prescription drugs. Emergency workers were called to Love's home, the same home where Cobain had killed himself with a gunshot to the head the previous year.

    In 1995, Pearl Jam cancelled two shows at the Del Mar Fairgrounds in San Diego after a sheriff expressed safety concerns. Lead singer Eddie Vedder said officials over-reacted, "creating an impossible situation."

    In 1995, two days after their show cancellation in San Diego, Seattle rockers Pearl Jam announced they were giving up their 18 month fight against Ticketmaster in the U.S. The band said it was impossible to run a tour without the agency. Pearl Jam had claimed Ticketmaster was a monopoly and that its service charges were unreasonable. The band filed a complaint with the US Justice Department and members testified before Congress. And now Australian concert venues are dominated by Ticketmaster (now Ticketmaster7) control.

    In 1995, country singer Ty Herndon was arrested for allegedly exposing himself to an undercover policeman in a Fort Worth, Texas park. Herndon's arrest came about 90 minutes before he was to perform before a convention of Texas police chiefs. His appearance was cancelled. Herndon was charged with indecent exposure, a charge that was later dropped. He pleaded guilty to possession of methamphetamines and was sentenced to five years probation.
    Good one mate!

    In 1995, a judge in Los Angeles took ownership of the Kingsmen's recordings away from Scepter-Wand Records and awarded it to the group. The judge said the company breached its contract by not giving the Kingsmen royalties. The band's big hit was the party classic "Louie, Louie," recorded in 1963.

    In 1996, the Sex Pistols performed together for the first time in 18 years, beginning their world reunion tour with a show before 15,000 fans in Helsinki. Lead singer Johnny Rotten, feeling the crowd was too subdued, shouted "I can't hear you." The audience responded with a shower of bottles, one of which struck Rotten. The show has halted briefly while the emcee pleaded for calm.

    In 1997, Irish singer Sinead O'Connor withdrew from a peace concert in Jerusalem after she received death threats. Her show had been planned as the finale of a four day festival sponsored by Israeli and Palestinian women. The festival - entitled "Sharing Jerusalem: Two Capitals for Two States" - had outraged right-wing Jews, who claimed it undermined Israel's claimed sovereignty over all of the city.

    In 1997, Ozzy Osbourne cancelled his solo set and his reunion with Black Sabbath scheduled for an "Ozzfest" tour stop at the Polaris Amphitheatre near Columbus, Ohio. Osbourne claimed he had lost his voice. Other groups on the bill performed as scheduled but disappointed fans set fires and damaged the outdoor facility. Twenty-three people were arrested and three were slightly hurt. Osbourne and Black Sabbath played a make-up date two weeks later.

    In 2002, RnB star R. Kelly was granted US$750,000 bail after being taken into custody on child pornography charges days earlier.

    In 2002, Limp Bizkit's Fred Durst reiterated claims of inadequate security during the hearing looking into the death of a 15-year-old concertgoer at 2001's Sydney Big Day Out. He gave an emotional testimony via video link with the Sydney court; "It was so overwhelming that a young girl came to see her favorite band and left in a coma and died," he said. "I'm very emotional right now talking about it. It's taken me a long time to talk about this."

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  • Births In 1882, composer Igor Stravinsky, considered by many to be the greatest composer of the 20th century, was born in St. Petersburg, Russia.

    In 1892, songwriter and composer Cole Porter was born in Peru, Indiana.
    Porter's most famous tunes include "Night and Day," "Begin the Beguine" and "Let's Do It". Cole Porter died on October 15th, 1964, in Santa Monica, California.

    In 1910, Chester Arthur Burnett, the bluesman known as Howlin' Wolf, was born in West Point, Mississippi. He was one of the most influential musicians of the post Second World War era, and his blues helped shape rock 'n' roll. He died in 1976 of complications from kidney disease.

    In 1915, Les Paul, one of the most influential guitarists in popular music history, was born in Waukesha, Wisconsin.
    Les Paul designed guitars which were marketed by the Gibson company, and became the favorites of pop, rock and country musicians. The Les Paul Gibson is, along with the Fender Stratocaster, the most famous name in solid-body electric guitars. Paul also built the first eight-track tape recorder, which helped pioneer multi-track recording. And he invented "sound-on- sound" recording, which has since become known as overdubbing.

    In 1917, singer and actor Dean Martin, whose real name was Dino Crocetti, was born in Steubenville, Ohio. He first gained fame as part of a comedy team with Jerry Lewis. When the duo broke up in 1956, Martin's career as both a singer and actor blossomed. His nonchalant, tongue-in-cheek approach proved very popular, as evidenced by his long-running TV show in the 1960's and '70s. Martin's record hits in the 1950's and '60s included "That's Amore," "Memories Are Made of This" and "Everybody Loves Somebody." He died on Christmas Day 1995.

    In 1922, Judy Garland, whose real name was Frances Gumm, was born in Grand Rapids, Minnesota. Her greatest triumph came in 1939 with the film "The Wizard of Oz," which introduced the song "Over the Rainbow." Garland's recording of the tune sold over a million copies.

    In 1934, soul singer Jackie Wilson was born in Detroit. His string of hits included "Higher and Higher," "Lonely Teardrops" and "Baby Workout." In September, 1975, he collapsed on stage in Cherry Hill, New Jersey. He remained in a coma until his death on January 21st, 1984.

    In 1937, Waylon Jennings was born in Littlefield, Texas. Jennings, along with Willie Nelson, pioneered a movement away from country's heavy orchestral backing, opting for a leaner, harder sound which edged close to rock.
    Jennings met Buddy Holly in 1958, and ended up touring as Holly's bass player. When Holly's plane crashed in February 1959, killing Holly, Ritchie Valens and the Big Bopper, it was Jennings who had given up his seat to the Bopper.

    In 1940, singer Nancy Sinatra, the eldest child of Frank Sinatra, was born in Jersey City, New Jersey.

    In 1941, Jon Lord, keyboard player with Deep Purple, Whitesnake and Australia's own Hoochie Coochie Men.

    In 1941, jazz keyboardist Chick Corea was born in Chelsea, Massachusetts.

    In 1942, Paul McCartney, the most commercially-successful former member of the Beatles, was born in Liverpool, England.

    In 1943, Specer Davis Group bassist Muff Winwood.

    In 1943, Reg Presley, lead singer of the 1960's British group, the Troggs, was born in Andover, England. Their 1966 hit, "Wild Thing," sold five million copies, and greatly influenced the punk bands that were to come in the mid-'70s.

    In 1944, Boz Scaggs was born in Ohio. Following two albums with the Steve Miller Band in the late 1960's, he spent nearly a decade trying to make it as a solo act. Scaggs finally made it in 1976 with the album "Silk Degrees."

    In 1945, Argent And The Zombies founder Rod Argent.

    In 1945, Anne Murray, one of the most popular female singers in the world, was born in Springhill, Nova Scotia.

    In 1945, Chris Britton, lead singer with the British invasion band the Troggs.

    In 1946, pop singer and songwriter Barry Manilow.

    In 1947, Mitch Mitchell, drummer with the Jimi Hendrix Experience, was born in London.

    In 1949, drummer Frank Beard of the group ZZ Top. Incidentally, Beard is only unbearded member of 'The Top'.

    In 1949, Alan White, drummer with Yes.

    In 1949, Dennis Locorriere, vocalist and guitarist with Dr. Hook, was born in Union City, New Jersey.

    In 1949, Russell Hitchcock of Air Supply.

    In 1950, Noddy Holder, lead singer of the British hard rock band Slade.

    In 1950, pop singer Lionel Richie.

    In 1951, Ann Wilson, lead singer of Seattle group Heart, was born in San Diego, California.

    In 1951, singer Bonnie Tyler.

    In 1952, Jimmy Lea, bass and piano player with the 1970's hard rock band Slade was born in Wolverhampton, England.

    In 1953, Larry Dunn, keyboards player with Earth, Wind and Fire.

    In 1954, Garry Roberts of the Boomtown Rats.

    In 1958, Prince, formerly "The Aritst Formerly Known As", was born Roger Nelson.

    In 1959, Per Gessle of the Swedish pop duo Roxette.

    In 1959, pop singer Sade.

    In 1960, Mick Hucknall, lead singer of the British band Simply Red.

    In 1961, singer Boy George, formerly of Culture Club.

    In 1962, Nick Rhodes of Duran Duran who was born Nicholas James Bates.

    In 1962, singer and choreographer Paula Abdul.

    In 1969, rapper and actor Ice Cube, whose real name is O'Shea Jackson.

    In 1972, Nathan (Alex Vanderpool) Morris of the R'n'B group Boys II Men.

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  • Deaths In 1908, the nationalist Russian composer Nicolai Rimsky-Korsakov died at the age of 64. His most important works were his operas, such as "The Snow Maiden" and "Le Coq d'Or." The best known of Rimsky-Korsakov's orchestral works is the exotic and colorful "Scheherezade."

    In 1966, singer Roy Orbison's first wife, Claudette, was killed in a motorcycle accident which Orbison witnessed. Two years later, he suffered another tragedy - two of his three children died in a fire at their Nashville home. Orbison put his career on hold, before remarrying and returning to performing in 1969.

    In 1967, Laverne Andrews of the Andrews Sisters died of cancer at the age of 51.

    In 1972, blues and jazz singer Jimmy Rushing died in New York City of leukemia. He was 68.

    In 1987, Yogi Horton, a drummer for R'n'B singer Luther Vandross, jumped to his death from the 17th floor of a New York hotel. Horton reportedly told his wife that he was tired of living in Vandross's shadow.

    In 1957, alto saxophonist and big band leader Jimmy Dorsey died in New York City of cancer at age 53.

    In 1968, Wes Montgomery, one of the most influential jazz guitarists, died of a heart attack at age 43.

    In 1970, blues singer and guitarist Lonnie Johnson was found dead in his Toronto apartment at the age of 71. He played on recordings by Eddie Lang, Louis Armstrong and Duke Ellington in the 1920s, and later became a popular urban blues singer.

    In 1972, Clyde McPhatter, former lead singer with the Drifters and Billy Ward and the Dominoes, died in New York City of complications from heart, liver and kidney disease. He was 38.

    In 1977, Lawrence Payton of the Four Tops died of liver cancer at his home in Southfield, Michigan. He was 59.

    In 1978, country singer Johnny Bond died of a heart attack in Burbank, California. He was 63. Bond was a guitar playing sidekick in western films starring Gene Autry, Roy Rogers and Hopalong Cassidy.

    In 1980, Bob Nolan, who helped found the Sons of the Pioneers, died in Los Angeles at the age of 72. One of country music's most influential groups, the Sons of the Pioneers was formed by Nolan, Roy Rogers and Tim Spencer in 1934. The Sons recorded for several labels throughout the 1930's and '40s, and appeared in many of Roy Rogers' westerns. Nolan, who was born in New Brunswick, composed the group's two biggest hits, "Tumbling Tumbleweeds" and "Cool Water." He is also credited with inventing the style of western harmony singing, which the Sons of the Pioneers were still performing in the late 1970's, more than 40 years after the group began.

    In 1982, Pretenders guitarist James Honeyman-Scott died of a cocaine overdose at the age of 24. Just one day earlier The Pretenders bassist, Pete Farndon had quit the group. He too would die as a result of drug abuse less than a year later.

    In 1986, bandleader and clarinetist Benny Goodman, who was known as the "King of Swing," died in New York at the age of 77. Of all the big bands, none was bigger than Goodman's in the 1930's and '40s. His orchestra, in 1937, was the first jazz band to play Carnegie Hall in New York. In 1962, Goodman became the first to take a jazz band to the Soviet Union.

    In 1987, traditional jazz trumpeter Kid Thomas Valentine, longtime leader of the Preservation Hall band, died in New Orleans at the age of 91. Valentine was considered the major figure of the New Orleans jazz revival after the death of clarinetist George Lewis in the late 1960's.

    In 1988, Jack Leonard, the star vocalist for the Tommy Dorsey Orchestra from 1935 to 1939, died of cancer in Los Angeles at the age of 73. He was the singer on two of Tommy Dorsey's biggest hits - "Marie" and "All the Things You Are."

    In 1991, Claudio Arrau, considered one of the best classical pianists of the century, died in Muerzzuschlag, Austria of complications from intestinal surgery. The Chilean-born artist was 88. Arrau was known especially for his interpretations of Beethoven.

    In 1992, Australian entertainer Peter Allen died in a hospital near San Diego, California of an AIDS-related illness. He was 48. The singer, dancer, songwriter and pianist was discovered by Judy Garland and for a time was married to her daughter, Liza Minelli. Allen wrote a number of hits for other artists, including "I Honestly Love You" for Olivia Newton-John and "Arthur's Theme" for Christopher Cross. Allen won an Academy Award for "Arthur's Theme."

    In 1993, singer and songwriter Arthur Alexander, whose pop and soul classics were covered by the Beatles and the Rolling Stones, died in Nashville, Tennessee, of respiratory and heart failure. He was 53. Alexander's 1962 Top 30 hit "You Better Move On" was one of the first hits to come out of the famed Muscle Shoals studios in Alabama.

    In 1994, film and television composer Henry Mancini died in Beverly Hills, California, of liver and pancreatic cancer. He was 70. Mancini first gained wide public attention in the late 1950's with his score for the private eye series "Peter Gunn," one of the first TV soundtracks to use jazz. He won 20 Grammy Awards and four Academy Awards, including two Oscars in 1962. One was for the "Breakfast at Tiffany's" score and the other for "Moon River," the most popular song from that movie, and which has since become a pop standard.

    In 1994, Kristen Pfaff, bassist for Courtney Love's band, Hole, died of a heroin overdose at age 27. Her death came two months after Love's husband, Nirvana lead singer Kurt Cobain, committed suicide. Pfaff's replacement in Hole was Melissa Auf Der Maur.

    In 1998, Oak Ridge Boys member Steve Sanders shot himself.

    In 2000, Ireland's Golden Tenor Frank Patterson died from a brain tunour.

    In 2001, Cambodian folk flautist Ponn Yinn. Yinn survived the Khmer Rouge purge and helped preserve his country's culture. He was arrested and while detained, he was forced to play a makeshift flute nightly into loudspeakers to drown out the screams of people being slaughtered in fields nearby.

    In 2002, producer/composer/arranger/saxophonist George Cates. Besides working with some of the biggest stars of music history Cates had his own hits with "Moonglow" and "Theme From Picnic". He was the musical director for the Lawrence Welk Show for thirty years (Cates composed the show's theme tune "Champagne Time") as well as being a producer for Coral and Dot Records.

    In 2004 Ray Charles died at the age of 73.
    Charles lost his eyesight at the age of seven as a result of glaucoma and discovered the piano in his early teens. Soon after he discovered his remarkable soul/R & B voice that became famous for with his stirring renditions of "Georgia On My Mind" and many other jazz, soul, gospel and R & B classics, not to mention his own compositions including "I've Got A Woman" and "A Fool For You".
    Charles lost his long-running battle with liver cancer at his Beverly Hills home on June 11th.

    In 2006 organist Billy Preston passed away this past week from kidney failure after being in a deep coma since late 2005. He underwent a kidney transplant procedure in 2002 but, as has widely been reported, it wasn't kidney failure that caused Preston's lapse into a coma in November, 2005, rather he was not properly treated for pericarditas while in the Los Angeles area and suffered respiratory arrest in the ICU unit of a local LA hospital on November 21, 2005, from which he never fully recovered.

    Once described as "the greatest Hammond organ player in the world", Preston played with massive names such as Eric Clapton, The Beatles, Rolling Stones, Aretha Franklin, Sly & The Family Stone, Quincy Jones, The Band, Bob Dylan, Ringo Starr and George Harrison, as well as his own solo releases. He led a somewhat chequered life throughout the past couple of decades, spending much time in prison and rehab after being convicted of an insurance fraud for setting fire to his own $1 million home and battling drug and alcohol addictions. Oftentimes referred to as "the fifth Beatle" Preston was touted by Ray Charles, another he'd often worked with, as his successor.

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