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bmusic
Newsletter No.253
March 26th - April 7th 2007

Another week, another round of accusations and lawsuits in the music industry with regards to content and copyright across many delivery mediums. In a complaint filed in New York federal court, the National Music Publishers Association (NMPA) argues that the satellite radio operator's "XM + MP3" music service skirts copyright laws by allowing radio listeners to make permanent copies of on-air tracks through devices like the Pioneer Inno player without permission and without properly compensating songwriters. The music industry argues that the "iPod-like" devices marketed by XM are closer to being music download services akin to Apple's iTunes Store, which falls under a different copyright licensing regime, and that they have been cheating musicians out of royalties.

The RIAA continues to target individuals and institutions in their reinvigorated and very aggressive anti-downloading campaign. Close to 18,000 individuals have been targeted thus far, with a further 22 schools and tertiary institutions approached in the last week. It's claimed by the industry representative that college students account for around 26% of all illegal downloads in the US!

Moving across to the UK now, and their version of the RIAA, the BPI, had a court victory in their long running dispute with UK online CD retailer CD-Wow.com. UK copyright law does not allow the sale of CDs from non-EU sources without the permission of the content owner, and when the UK record label trade body the BPI began legal proceedings against CD WOW! in 2004 to enforce that law, the online company pledged to only source music from EU sources from that point forward. However this week a judge found in favour of BPI in their legal action claiming CD WOW! continued to sell UK customers CDs sourced in Hong Kong. The judge concluded that in "meeting the criminal burden of proof" the BPI's case had established "beyond reasonable doubt" that CD WOW!'s actions were a "substantial breach of the court order" and that the retailer had "no tenable ground of defence to the claimant's claim for damages for primary infringement of the claimant's copyright". CD WOW! shareholder Philip Robinson's lawyers admitted in court that the company had breached the undertakings it made to the High Court in 2004 and said that it would pay £50,000 in costs to BPI but believed that it was not liable for fines or damages.

Then you have the corporate battle that is seeing almost daily decisions and changes in content copyright permission between YouTube and MySpace. But MySpace seem to have gotten the upper hand lately with some big time partnerships announced. So they may trump YouTube? Well, not necessarily. MySpace is notoriously buggy, and two hackers have come out in the past week and proclaimed April to be a "Month of Bugs", as it were. During the month the pair will release a "bug a day" online and, should their claims of the myriad bugs capable of crippling the site prove real, MySpace could have a battle on his hands merely keeping it's site alive. Such is the nature of a website dedicated almost entirely to people putting in just about whatever content they want to add to it! Then there is the fact that both companies have billions of dollars in lawsuits hanging over them for copyright infringement. Viacom Inc. alone filed a $1 billion copyright infringement lawsuit against Google Inc. and YouTube just last week, and that's just for starters!

The major problem with all of this as I see it, whether you agree with the legal positions or not, is that the recording industry appears to be entering a sort of a holding pattern. Companies seem to be consolidating their rosters, not necessarily shelling out much for new signings, not committing to a whole hell of a lot. Should I say, more so than ever before these things seem to be occurring. In one way you can't really blame them, who knows what is going to happen in the near future, let alone in the distant future that a five album deal could stretch across? But therein lies the Catch 22, they make "new" money from providing "new" product as much as any industry. No new product means no new revenue, means no more money for new talent, etc. etc.

In some slightly better news, particularly for the indies, the Library of Congress's Copyright Royalty Judges agreed to consider holding a rehearing on the new rate schedule for Internet music streaming set earlier this month and mentioned in the last issue of the bmusic newsletter. The near doubling of the per rate song over the next few years set by the Library of Congress's Copyright Royalty Judges is set to cripple many smaller internet radio operations. Maybe there's hope of some common sense or compromise yet. But in the cases detailed earlier, there's simply too many people with a LOT of money tied up in music as a business these days for anything to go away quickly, quietly and comfortably.

A Where Are They Now? by request this week, a long career spanning around five decades and one a story that might hold some surprising facts for even those who know the man.
Regulars including Feature Article, The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 253 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno253.html

Thanks to everyone for reading, we'll see you next issue!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Eric Woolfson
  • This week's Music Quote
  • Featured Product - Tokai Guitars
  • This week's Specials
  • This week's Feature Article - Your Story On One Page
  • This week's Feature Artist - Blow Up Betty
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Weeks Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next time

  • WHERE ARE THEY NOW? - ERIC WOOLFSON

    "Who is Eric Woolfson?", some may ask. Well, chances are very high you've heard some of his work at some point in your life no matter how old you are. Eric's frist major claim to fame was as one founding half of The Alan Parsons Project but the inspiration for this feature came about in a way somewhat removed from that fact. Subscriber Paul wrote to us after the recent Carl Douglas Where Are They Now? feature and mentioned he'd heard a recent interview with Eric Woolfson in which Eric noted that Douglas' "Kung Fu Fighting" was one of a number of hits he was involved with while working as a staff songwriter/producer at Pye. It turns out Eric actually managed Douglas, one of his first two clients when he decided to try his hand at artist management, his other being producer Alan Parsons. Paul thought Eric's career, both past and present, would be a good subject for a Where Are They Now? And he was right on, Eric has had an amazing, varied career spanning many decades. So we started putting together the life and times of Eric but couldn't go past the official biography put together last year as part of a new Alan Parsons Project website at www.the-alan-parsons-project.com built to showcase a major re-promotion of the vast back catalogue of the group last year. So, as we very occasionally do, we've lifted the bio with some minor changes for the present day as there's just no way to put it any better.

    Born in Glasgow, Scotland on 18th March 1945. Married Hazel in 1969. They have two daughters, Sally & Lorna and two grandchildren, Toby & Amelie.

    Eric had an uncle in Glasgow who played the piano masterfully and who inspired Eric to want to become a musician. After a very short spell of piano lessons which were soon abandoned, Eric started playing by himself and became a self-taught pianist who still cannot read music!

    In his teens, following a brief but somewhat unsuccessful foray into the profession of Chartered Accountancy where they said he'd be better apprenticed to a circus, Eric went to London and hung around Denmark Street a.k.a. 'Tin Pan Alley'.

    He managed to get work as a session pianist and worked with musicians such as Jimmy Page and John Paul Jones who went on to form LED ZEPPELIN and managed to fix a meeting with the Record Producer & Co. Manager of THE ROLLING STONES, Andrew Loog Oldham.

    After being kept waiting for over four hours for his meeting, Oldham finally showed up and asked Eric to play something he'd written himself. After playing just one song, Oldham stood up and said 'You're a f******* genius' and immediately offered Eric a publishing deal with Oldham's newly formed company 'Immediate Records'.

    Oldham placed Eric's work with a number of well known artists of the day such as MARIANNE FAITHFULL and FRANK IFIELD as well as using Eric as a session pianist on many of his independent productions.

    Other songs written by Eric found their way into various record producers' hands, including MICK JAGGER's first attempt as a record producer with a singer called CHRIS FARLOWE - although Eric's song eventually was consigned the the B-side, the single OUT OF TIME went to number one in the UK Charts.

    Eric signed other publishing deals with other companies as his repertoire flourished and more and more of his songs found their way to major recording artists, both in Europe and America.

    He signed a deal with Southern Music where he joined the ranks of composers such as Andrew Lloyd Webber and Tim Rice. Eric remembers Lloyd Webber and Rice's decision to create stage musicals as a vehicle for their songs, rather than the more difficult route of trying for covers by the big artists of the day. As time went by, Eric realized how well founded their idea was.

    On his way south, Eric got involved with music business agency, Kennedy Street Enterprises. He joined one of their acts HERMAN'S HERMITS as a guest pianist for a short spell, and had high hopes of becoming a permanent member of one their other groups, but they wouldn't guarantee him a retainer and so he decided to carry on further south to London. The musicians Eric left behind in Manchester, shortly afterwards became known as 10CC.

    Later, Eric was taken on as an independent record producer by several record companies working with artists including DAVE BERRY, THE EQUALS and THE TREMELOES.

    Around this time, Eric had the idea to make an album inspired by Edgar Allan Poe. He wrote some of the material which later found its way into the Alan Parsons Project and at that time he recorded some demos with guitarist Rick Westwood of THE TREMELOES. Eric produced the recordings but was not sure that he had the necessary skill to realize such a grandiose project and shelved the idea.

    Despite having many of his songs recorded all over Europe, Eric found that earning a living as a songwriter was not easy and so he decided to try his hand at artist management.

    His first two clients were a singer CARL DOUGLAS who had just reached the top of the charts with KUNG FU FIGHTING and a record producer called ALAN PARSONS who he had met while on a session at Abbey Road Studios.

    Alan had decided to become a producer and with Eric as his manager, he enjoyed a string of successes including consecutive number one hits with PILOT and COCKNEY REBEL. Other notable successes were JOHN MILES and AL STEWART with YEAR OF THE CAT.

    At that time, the film business had become a director's medium with luminaries such as Stanley Kubrick being more influential in the making of a film that the stars who appeared in it. Now having access to Alan's production and engineering talent, Eric saw an opportunity to mirror this in the record business by combining his own writing talents with Alan's. His Edgar Allan Poe idea came off the shelf and the ALAN PARSONS PROJECT was born.

    The first album entitled TALES OF MYSTERY AND IMAGINATION, EDGAR ALLAN POE was released in 1976. It was immediately obvious that there was more to the idea than one album, but as the original record deal was for only the first album, a new deal was done with Arista Records for nine further albums.

    Despite there being no live performances and few obvious hit singles the venture was a great success. There were however hit singles (many on which Eric sang lead vocal) including EYE IN THE SKY, TIME and DON'T ANSWER ME, three of which in addition to record sales, have been played on American radio more than 1 million times.

    After ten albums Eric wanted to develop in other areas and decided it was time to move into the area of stage musicals. His first attempt, inspired by Sigmund Freud, was entitled FREUDIANA which was premiered in 1990 in Vienna's historic THEATER AN DER WIEN where Beethoven premiered 'Fidelio', his one and only opera. Eric had always been inspired by creative minds and his wife Hazel had been studying psychology and began to leave books on Freud lying around the house. Intrigued by the titles, Woolfson became fascinated by their content and started researching Freud and spent a lot of time in the Freud Museum in London, even lying on the couch on which Freud's patients recounted their dreams.

    The success of this first musical work led to Woolfson's second musical GAUDI which premiered in 1994 in Aachen, Germany and went on to be staged in Alsdorf (1995) and Cologne (1996) where a 1,700-seat theatre was specially built in the heart of the city to stage the show. Half a million people saw GAUDI in the five years that it ran and every performance received a standing ovation.

    For his next musical GAMBLER, Eric drew on his experiences of living in Monte Carlo (in the late 70s) which had also been the inspiration for the APP TURN OF A FRIENDLY CARD album. Many of the songs from this album (Turn of a Friendly Card, Snake Eyes, Games People Play and Time) were included in the show. It was premiered in Germany in Monchengladbach in 1996. GAMBLER has so far had six productions in Korea, one of which also toured Japan in 2002 and 2005 (the first time a Korean language production had been staged in this way) and it won several Korean Tony Awards.

    Eric's work POE re-visits his original inspiration Edgar Allan Poe. It had its world premiere showcase at Abbey Road Studios in 2003 and there is an album available containing about half of the material from the musical entitled 'POE, More Tales of Mystery and Imagination'.

    Notes from Eric's POE site www.poe-cd.com regarding the POE album

    It has taken over 6 years to make the album

    It was all recorded at the legendary Abbey Road studios, mainly in Studio 2 where the Beatles recorded all their albums and where many Alan Parsons Project albums were made

    It has cost 1 million EUROS to make

    The top session musicians have been used including John Parricelli (played THE mandolin in Capatain Correlli’s Mandolin), Laurence Cottle (played with Sting, Cher and Seal), Simon Chamberlain (played with Bjork, Pet Shop Boys, Paul McCartney) and Ralph Salmins (played with Madonna, Van Morrison, Mike Oldfield)

    A forty piece orchestra and 80 strong choir were used in the recordings

    The songs include three Poe stories and an actual poem of Poe’s put to music. The rest of the tracks are reflections of Poe’s life which was as extraordinary as his work.

    Five of the tracks are sung by Steve Balsamo who shot to fame after Andrew Lloyd Webber chose him to star in the recent West End production of Jesus Christ Superstar. Lloyd Webber described him as the ‘most exciting new talent it was ever (his) privilege to have discovered’

    In 2007 Eric's musical DANCING SHADOWS premiers in Asia. This is a unique musical project inspired by a famous Korean play entitled A FOREST FIRE. The noted playwright and author Ariel Dorfman has written the book and Eric has written the music and lyrics. In December 2006, a year long tour of GAUDI premiered in Cologne, Germany and in 2007 an extensive Dutch tour of GAMBLER is taking place followed by a German tour in 2008.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

    BACK TO CONTENTS

    THIS WEEK'S MUSIC QUOTE

    "I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens."
    - Miles Davis


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    FEATURED PRODUCT - TOKAI GUITARS

    Tokai
    Finally Tokai guitars have made a return to Australia in a bigger way with a new distribution team working hard to supply the sought after Tokais through select Australian dealers, of which bmusic is proud to be one! So who and what exactly is Tokai? Well, thanks to Wikipedia we can give you a concise rundown on the company's 60 year history to the present day.

    Tokai Gakki Co., Ltd. Tokai Gakki often referred as Tokai Guitars Company Ltd., is a Japanese guitar manufacturer founded in 1947 and situated in Hamamatsu city, Shizuoka prefecture. Tokai Guitars produces acoustic guitars, electric guitars, electric basses, autoharps, and melodicas. Tokai have built a lot of Gibson and Fender replica models over the years such as the "Love Rock Model" and "Les Paul Reborn" Les Paul replicas and the "Springy Sound" Stratocaster replicas and the "BreezySound" Telecaster replicas. Tokai have also made a lot of Gibson and Martin Acoustic model replicas. In 1965 Tokai started making classical guitars and in 1968 started making the Hummingbird electric guitar models and in 1970 started making the Hummingbird Acoustic models. Brian May from Queen uses a Tokai Hummingbird Acoustic on some recordings. In 1972 Tokai went into a joint venture with Martin to supply Acoustic guitar parts and also build Martin's solid body Sigma guitars. In 1973 Tokai started making the "Cat's Eyes" Martin Acoustic replicas. In 1983 Tokai started making a metal body guitar called the Talbo which the band Devo played at one time. The Tokai "Les Paul Reborn" Les Paul replicas started around 1976 and around 1978 Tokai changed the name from "Les Paul Reborn" to "Love Rock Model". Tokai also made Fender® replicas starting in 1977 and Stevie Ray Vaughan played a "Tokai Springy Sound" Stratocaster® replica at one time. Billy Gibbons from ZZ Top and Robert Fripp have also played Tokai guitars. Tokai have their own instrument making factory and have built guitars for lots of well known brands (OEM). Tokai (and Dyna Gakki) currently build the Fender® Japan solid body models and have done so since 1997.

    In Australia the Springy Sound or any other Fender® trademark design will not be offered, the Love Rock, ES, EX, SG and a handful of others will be available as well as Tokai's own designs such as the SEB models.

    Tokai's range starts with the Korean made models, generally easily identifiable by a numerical value within the product code below but not including "75" to the Japanese produced models that peak at the $6,000+ Limited Edition piece of "guit-art" known as the LS380.

    Click HERE to view the available range of Tokai guitars from bmusic.com.au.

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    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    "Special" Specials appear from time to time in the "Buy & Sell" section of our forum also. The Buy & Sell can be found HERE. Specials such as the current Randall G2 clearance we have on right now:

    G3s have been in the house a while now and it's time to say goodbye to G2s. Very different amps to the G3, a sound all their own as they were built as a successor to the original RH series but evolved into more than that. G3 did something similar with the addition of the valve in the MOSFET power stage.

    Here's what we have, a bunch now and a bunch coming in February as clearance from Randall.

    RG-75G2 Combo 75 Watt 1 x 12" Combo

    RRP$699 Selling at $399!!!

    Successor to the original Randall RG75 amplifiers, the G2 Series continues the breakthough of professional performance at a practical price. Equipped with updated front panel features and foot switching controls, these amps deliver the bone-crushing Randall® tone with improved flexibility. Gain 1 covers the classic Brit hi-gain, while Gain 2 provides punishing modern hi-gain Randall® tone. Both Gain modes utilize the same features including a Coutour control to shape and a Voicing switch to shift mid-range frequencies. Each channel features independent Reverb controls, while the clean channel includes a foot switchable boost function. So if you're shopping for power and performance, do yourself a favor and see what your tone has been missing.

    Features
    75 Watts
    Spring Reverb
    1 X 12"
    Celestion Seventy 80
    2-Channels
    3 Modes:
    Gain 1 - Classic Brit hi-gain
    Gain 2 - Modern Randall hi-gain
    Clean channel w/Boost option
    Voicing switch
    Contour control
    Effects loop w/level controls
    4/8 ohm external speaker outs
    25"w x 11.5"d x18.5" h. 51 lbs

    RG-75DG2 Combo w/DSP Combo 75 Wattt 1 x 12" Combo with Digital Effects

    RRP$899 Selling at $499!!!

    Features
    75 Watts
    16 digital effects
    Spring Reverb
    1 X 12"
    Celestion Seventy 80
    2-Channels
    3 Modes:
    Gain 1 - Classic Brit hi-gain
    Gain 2 - Modern Randall hi-gain
    Clean channel w/Boost option
    Voicing switch
    Contour control
    Effects loop w/level controls
    4/8 ohm external speaker outs
    25"w x 11.5"d x18.5" h. 54 lbs.

    RH200G2 220 Watt Amp Head and RA-412XC Quad Box

    RRP$1,995 Selling at $1,099!!!
    Randall G2 Head
    Randall 412XC

    Features
    (Head)
    220 watts RMS
    2 channels
    OVERDRIVE: Gain 1 - Classic Hi-Gain, Gain 2 - Modern Hi-Gain
    3-Band EQ
    CLEAN: 3-Band EQ
    Voicing button
    Contour control
    Spring reverb
    5 button footswitch
    Dual stereo outputs
    Series loop with level controls
    4/ 8 Ohm external speaker outs
    Line out with level control
    Ground Lift

    (Cabinet)
    4 x 12" 320 watt angled quad box with Custom Celestion 80 watt speakers. Black grill cloth.

    Regular specials this week include:

    ESP M-10 ELECTRIC GUITAR PACKAGE - $499 save $150 off RRP
    ESP F-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP Viper-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP B-10 BASS GUITAR PACKAGE - $549 save $150 off RRP
    WASHBURN X-10 ELECTRIC GUITAR PACKAGE - $369 save $100 off RRP
    WASHBURN I-14 ELECTRIC GUITAR PACKAGE - $399 save $100 off RRP
    WASHBURN T-12 BASS GUITAR PACKAGE - $449 save $100 off RRP
    MONTEREY MSB-4 BASS GUITAR PACKAGE - $349 save $124 off RRP
    RANDALL RG75R 75W GUITAR COMBO WITH REVERB - $549 save $150 off RRP
    RANDALL RG75DG3 75W GUITAR COMBO WITH EFFECTS - $849 save $200 off RRP
    RANDALL RH150G3 150W VALVE DYNAMIC GUITAR HEAD - $799 save $200 off RRP
    RANDALL RH300G3 300W VALVE DYNAMIC GUITAR HEAD - $1049 save $250 off RRP
    HUGHES & KETTNER EDITION BLUE 15 COMBO - $229 save $70 off RRP
    HUGHES & KETTNER EDITION BLUE 30 COMBO - $349 save $100 off RRP
    HUGHES & KETTNER EDITION BLUE 60R COMBO - $479 save $120 off RRP
    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    DIGITECH™ GNX-3000 - $749 save $200 off RRP
    DIGITECH™ GNX-3 - $649 save $250 off RRP
    DIGITECH™ GNX-4 - $1099 save $300 off RRP
    DIGITECH™ RP-250 - $349 save $80 off RRP
    DIGITECH™ EX-7 EXPRESSION FACTORY - $449 save $150 off RRP
    DIGITECH™ CF-7 CHORUS FACTORY - $249 save $50 off RRP
    DIGITECH™ DF-7 DISTORTION FACTORY - $229 save $70 off RRP
    DIGITECH™ ERIC CLAPTON CROSSROADS - $249 save $50 off RRP
    DIGITECH™ JIMI HENDRIX EXPERIENCE PEDAL - $479 save $120 off RRP
    DIGITECH™ BRIAN MAY RED SPECIAL PEDAL - $479 save $120 off RRP
    DIGITECH™ BAD MONKEY OVERDRIVE PEDAL - $99 save $30 off RRP
    DIGITECH™ GRUNGE PEDAL - $99 save $30 off RRP
    WASHBURN D-10S SOLID TOP ACOUSTIC - $329 save $70 off RRP
    WASHBURN D-10SCE SOLID TOP ACOUSTIC/ELECTRIC - $499 save $100 off RRP
    WASHBURN D-8 ACOUSTIC/ELECTRIC PACKAGE - $299 save $100 off RRP
    WASHBURN HB-32DM HOLLOW BODY ELECTRIC - $549 save $120 off RRP
    WHARFEDALE PRO SVP-12M 150W POWERED MONITOR - $449 save $140 off RRP
    WHARFEDALE PRO WD-600 300W COMPLETE PA SYSTEM - $1699 save $576 off RRP
    ZOOM H-4 HANDY DIGITAL RECORDER - $499 save $150 off RRP
    SHURE PGX-14 GUITAR WIRELESS SYSTEM - $799 save $100 off RRP
    dB PU-901 GUITAR WIRELESS SYSTEM - $479 save $100 off RRP
    dB PU-901 WIRELESS MICROPHONE SYSTEM - $499 save $100 off RRP
    dB PU-901 WIRELESS LAVALIER MICROPHONE SYSTEM - $499 save $100 off RRP
    dB PU-901 WIRELESS HEADSET MICROPHONE SYSTEM - $599 save $120 off RRP
    CASIO CTK-800 KEYBOARD - $299, optional adapter $20 with purchase
    PROMAX PD-635 5-PIECE DRUM KIT PACKAGE - $549 save $160 off RRP
    PROMAX PX-525 5-PIECE DRUM KIT PACKAGE - $499 save $150 off RRP
    PROMAX CONGA SET WITH STANDS - $369 save $80 off RRP
    THE GREAT AUSTRALIAN SONGBOOK - $19.95 save $5.00 off RRP
    ABSOLUTE BEGINNERS GUITAR DVD - Now just $19.95
    ABSOLUTE BEGINNERS KEYBOARD DVD - Now just $19.95
    ABSOLUTE BEGINNERS BASS GUITAR DVD - Now just $19.95
    All prices include GST

    Check out our Specials page for more info on these specials.


    BACK TO CONTENTS

    THIS WEEK'S FEATURE ARTICLE - YOUR STORY ON ONE PAGE

    Your Story On One Page by Meg Hansen points out some elementary tips for bands and artists when putting together their press kits. Despite how many pages you think your band deserves to truly explain what you're about, as with a job application the first page should say it all. Another important point is to keep your bio up to date, nothing more frustrating for a promoter or booking agent to only have an outdated bio to work with. Even the bios of some of the bigger names around the world could sorely use updating. This could cost them work and will almost certainly cost a fledgling band work. So take a look at your own bio and see if it checks out with the thoughts of Purple Dolphin Music A & R consultant Meg Hansen.
    Click HERE to read Your Story On One Page.

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    FEATURED ARTIST - BLOW UP BETTY

    Adelaide's premier original all-chick band Blow Up Betty have a come a long way since their inception in 2003. With various line up and musical style changes, Blow Up Betty have emerged from the brink of self-destruction to become one of Adelaide's highest regarded acts. Blow Up Betty deliver a total rock purists dream - full of attitude, sweet melodies, top-notch musicianship and kick ass rock. What else could one want?

    After winning 5 SAMI (South Australian Music Industry) awards (Best Pop Act, Best Alternative Act, Best Emerging Artist, Best Vocalist and Most Outstanding Drummer), claiming the number 2 position on Three D Radio's annual Top 100+1, touring Melbourne and the South East, playing shows with Grinspoon and Mach Pelican, playing the Adelaide Fringe and a slot on the Taste of Chaos tour in Adelaide in 2006, Blow Up Betty are poised for a big 2007 with the release of their new EP "Asking For Trouble" om April 14th. National touring is set to follow the release so keep an eye out for the Blow Up Betty juggernaut rolling through your neck of the woods some time soon.

    Visit the excellent Blow Up Betty official website at to see, hear and learn more about the grrrrls.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1958, Chuck Berry's "Johnny B. Goode" was released.

    In 1958, Eddie Cochran recorded the rock and roll classic "Summertime Blues".

    In 1964, The Beatles complete their global domination by occupying the top six spots on the Australian singles chart.

    In 1964, the Beatles became the first pop stars ever to be cast in wax by Madame Tassaud's Wax Museum.

    In 1967, at a London concert, Jimi Hendrix set his guitar on fire for the first time.

    In 1969, lead singer Jim Morrison of the Doors surrendered to the FBI in Los Angeles. He was charged with interstate flight to avoid prosecution on six charges of lewd behavior and public exposure at a concert in Miami.

    In 1969, the Beach Boys sued Capitol Records for more than US$2-million in royalties and producer's fees.

    In 1971, Ringo Starr's first solo single, "It Don't Come Easy" (produced by George Harrison), was released.

    In 1975, Led Zeppelin had all six of it's albums on the Top 100 chart simultaneously, something never achieved before in the history of the chart.

    In 1976, the Rolling Stones' tour of Britain drew more than one-million ticket applications. The tickets, moved by security men to specially guarded vaults, were awarded by a lottery.

    In 1976, the British punk group the Sex Pistols played their first show at London's 100 club, attracting only a reported 50 people to the venue where they began a weekly residency in June of that year.

    In 1978, Paul Simonon and Topper Headon of the British band the Clash were arrested in London for shooting pigeons from the roof of a rehearsal hall.

    In 1979, Eric Clapton married Patti Boyd, the ex-wife of his friend, George Harrison.

    In 1979, British singer and songwriter Kate Bush made her concert debut at a theatre in Liverpool, England. Her 1978 single, "Wuthering Heights," was a number-one hit in Britain.

    In 1980, Ronald Selle, a Chicago antique dealer and part-time musician and songwriter successfully sued the Bee Gees claiming their hit "How Deep Is Your Love" had plagiarised two sections of a song he composeed, recorded and sent to eleven record companies. The Bee Gees claimed they had never heard Selle's song "Let It End" and that the whole thing was a conincidence. The Bee Gees successfully appealed the decision three years later.

    In 1982, The Doobie Brothers announced their break-up. The band started in the '70s with the #11 hit "Listen to the Music."

    In 1982, David Crosby was arrested in Los Angeles for possession of Quaaludes and drug paraphernalia, driving under the i nfluence of cocaine and carrying a concealed pistol.

    In 1986, Van Halen played its first show with Sammy Hagar as lead singer, in Shreveport, Louisiana.

    In 1987, U2 performed a free, hour-long concert on a rooftop in downtown Los Angeles. Parts of the performance were included in the video of "Where the Streets Have No Name."

    In 1988, soul singer James Brown turned himself in to police in Aiken, South Carolina to face charges that he beat his third wife with a pipe and fired a gun into a car she was sitting in.

    In 1989, 23 people were arrested after several thousand fans without tickets tried to crash a Grateful Dead concert at the Pittsburgh Civic Arena. An estimated 15,000 non-ticketholders had camped outside the arena. A similar incident occurred at a Dead concert in Irvine, California later in the month.

    In 1990, Lou Gramm left the group Foreigner. Gramm had already begun a solo career several years earlier, scoring a hit in 1987 with "Midnight Blue." Foreigner's guitarist Mick Jones said Gramm's solo efforts conflicted with his band commitments.

    In 1992, Billy Idol pleaded no contest to punching a woman in the face. He was fined and told to make public service announcements against alcohol and drug use.

    In 1993, Ray Charles became the first performer to have hits on the U.S. charts in six different decades when his version of Leon Russell's "A Song For You" entered the U.S. Billboard Hot R'n'B singles chart.

    In 1993, the U.S. Supreme Court announced it would use a case involving 2 Live Crew to decide whether copyright holders can ban song parodies. The Miami rappers later won their dispute with the holders of the rights to Roy Orbison's "Oh, Pretty Woman", which the band had parodied.

    In 1996, rapper Hammer (formerly known as M.C. Hammer) filed for bankruptcy.

    In 1996, Phil Collins announced his departure from Genesis to concentrate on his solo career.

    In 1997, the Notorious BIG's "Life After Death" topped the Billboard album chart three weeks after the rapper was gunned down in Los Angeles.

    In 2000, Jimmy Page received an undisclosed figure in damages after he sued Ministry magazine for claiming he contributed to the death of former Led Zeppelin bandmate John Bonham. The magazine published an article claiming Page contributed to Bonham's death by wearing a Satanic robe and chanting spells while the dying drummer was choking on his vomit. Page donated all of the money to Action for Brazil's Children Trust.

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  • Births In 1915, bluesman Muddy Waters, whose real name was McKinley Morganfield, was born in Rolling Fork, Mississippi.

    In 1922, singer and actress Doris Day.

    In 1930, Rolf Harris, famous the world over for "Jake The Peg" and "Tie Me Kangaroo Down Sport", was born.

    In 1932, singer-actress Debbie Reynolds.

    In 1939, Motown hitmaker Marvin Gaye was born in Washington, DC. "Stubborn Kind of Fellow" was his first hit, in 1962. Gaye's biggest hit was his 1969 chart-topper "I Heard It Through the Grapevine."

    In 1942, Graeme Edge, drummer with the Moody Blues, was born in Staffordshire, England.

    In 1943, jazz guitarist Larry Coryell.

    In 1945, guitar legend Eric Clapton was born in Ripley, England.

    In 1946, bassist Ronnie (Plonk) Lane of the Faces was born in London. Lane and Steve Marriott formed the group, at first called the Small Faces, in 1966. They had hits with "Itchycoo Park" and "Lazy Sunday." Singer Rod Stewart joined the group in 1970, about the same time the "small" disappeared from the band's name. Ronnie Lane died on June 4th, 1997, of multiple sclerosis at his home in Colorado.

    In 1947, British pop musician Robin Scott, who recorded the number-one single "Pop Muzik" in 1979 under the pseudonymn "M."

    In 1947, country singer Emmylou Harris was born in Birmingham, Alabama. She first hit the country charts in 1975 with a remake of the Louvin Brothers "If I Could Only Win Your Love," which went all the way to number one.

    In 1948, Mick Ralphs, guitar player with Mott the Hoople and Bad Company.

    In 1950, Agnetha Anna Faltskog of the Swedish vocal group Abba was born.

    In 1950, Genesis keyboard player Tony Banks.

    In 1954, Rick Richards, guitarist with the Georgia Satellites.

    In 1954, the late Toto drummer Jeff Porcaro.

    In 1959, INXS keyboardist Andrew Farriss.

    In 1959, AC/DC guitarist Angus Young.

    In 1961, Mark White of the group ABC.

    In 1963, rapper Hammer (ex MC Hammer), whose real name is Stanley Kirk Burrell.

    In 1964, singer/songwriter Tracy Chapman.

    In 1968, Canadian singing mega-star Celine Dion.

    In 1969, Perry Farrell of Jane's Addiction and Porno For Pyros.

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  • Deaths In 1917, Scott Joplin, the "King of Ragtime," died in a mental institution in New York City. Joplin fell into a deep depression - which eventually led to insanity - after the failure of his opera "Treemonisha."

    In 1974, the author of Elvis' hit "That's All Right (Mama)", bluesman Arthur "Big Boy" Crudup died of a stroke at the age of 69.

    In 1984, Motown recording star Marvin Gaye was shot to death by his father, Marvin Gay Senior, in Los Angeles. Although he rarely performed in concert, Gaye was one of Motown's most consistent hitmakers throughout the 1960s and '70s.

    In 1985, Jeanine Dekers, the former Singing Nun, and her female companion committed suicide in Wavre, Belgium. Dekers was 52.

    In 1987, legendary jazz drummer Buddy Rich died in Los Angeles of a heart attack at age 69. Two weeks earlier he had undergone surgery for a brain tumor. Rich played with many big bands in the 1930s and '40s, including those of Artie Shaw and Tommy Dorsey.

    In 1992, Paula Kelly, the former lead singer of the Modernaires, died in Costa Mesa, California at age 72. The vocal group was featured on many Glenn Miller recordings, including the 1941 million-seller "Chattanooga Choo Choo."

    In 1990, legendary jazz singer Sarah Vaughan, known as the "Divine One," died in Los Angeles of lung cancer eight days after her 66th birthday.

    In 1995, Tejano music star Selena was shot to death at a motel in Corpus Christi, Texas, by a former president of her fan club, Yolanda Saldivar.
    Saldivar had allegedly embezzled money from a boutique she ran for the singer, and the two had arranged to meet to discuss the matter. Saldivar was convicted of murder and sentenced to life in prison.
    Selena, whose full name was Selena Quintanilla Perez, was only 23 when she died, but already had begun to expand the popularity of Tejano beyond its core audience in Texas. Tejano, sung in both Spanish and English, mixes the sound of the accordion and 12-string guitar, and developed in southern Texas in the early 1900s. Almost four months after Selena's death, her album "Dreaming of You" debuted at number one on the Billboard chart.

    In 1995, producer Paul Rothchild, renowned for his work with the Doors, Janis Joplin and other icons of the 1960's, died in Hollywood, California of lung cancer at the age of 59. He produced the Doors' six studio albums, Joplin's "Pearl," as well as albums by the Paul Butterfield Blues Band and Love. In later years he worked with Bonnie Raitt and produced the soundtracks to Bette Midler's "The Rose" and Oliver Stone's "The Doors."

    In 1998, one half of disgraced pop duo Milli Vanilli, Rob Pilatus died from a drug and alcohol overdose at the age of 32.

    In 1999, composer of one of rock and roll's original hits, "Shake, Rattle & Roll", Jesse Stone (aka Charles E. Calhoun), died from long term kidney and heart problems at the age of 97.

    In 1999, composer Lionel Bart died at the age of 69. Bart wrote the musical "Oliver" as well as writing Cliff Richard's "Living Doll" and songs for other artists such as Shirley Bassey and Anthony Newley.

    In 2001, Theodore M. "Ted" McCarty died at the age of 90. McCarty was a former president of the Gibson Guitar Company where he helped bring to life the Les Paul, the Explorer and the Flying V guitars. He also owned the Bigsby Company, which manufactures vibratos for guitars.

    In 2002, singer B.J. Baker (Betty Jane Phillips) died after complications from a stroke. She worked with Elvis Presley ("I Can't Help Falling In Love With You"), Frank Sinatra ("That's Life"), Jackie Wilson ("Baby Workout"), The Righteous Brothers ("You've Lost That Lovin' Feeling"), Sam Cooke ("You Send Me"), Lloyd Price ("Stagger Lee") and Bobby Darin ("Dream Lover"). Baker was married to Mickey Rooney, composer Buddy Baker and guitarist Barney Kessel.

    In 2003, soul singer/songwriter Edwin Starr, author of the political hit "War" brought to mass prominence Bruce Springsteen, passed away at the age of 61. The Iraq war had begun and Starr's song was as relevant when he died as the day it was written.

    In 2005, former Split Enz and Crowded House drummer Paul Hester. Paul, battling personal demons that belied the wonderful persona that was outwardly observed by most Australians, took his own life on March 27th 2005. He is survived by his two young daughters.

    In 2006, Rose Tattoo guitarist Pete Wells passed away after a long battle with prostate cancer.

    In 2006, one of pop music's originals, Gene Pitney, passed away on April 5th, 2006. He was found dead in his Cardiff hotel room after suffering a suspected heart attack. Gene was found just hours before he was due to hit the stage as part of his UK tour. Not too many blokes still touring like he was at age 65. He is survived by his wife and their three sons.

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