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bmusic Newsletter No.251 February 26th - March 11th 2007 Just when you thought the delivery of music via the internet for commercial interests was starting to settle down and become somewhat normalised, French telecommunications giant Alcatel-Lucent dropped a bombshell of sorts with a court ruling in their favour this week. Alcatel-Lucent acquired Lucent Technologies Inc. last year, a company which once had the interest Bell Labs, the original developed and original patent owner of MP3 technology. Those patents, now owned by Alcatel-Lucent, were used in a lawsuit against Microsoft Corp. that saw a San Diego jury this week rule in the French company's favour, to the tune of US$1.52 billion for infringing those patents!!! That opens up a whole can of worms for the likes of RealNetworks' Real Player and Apple's iTunes, amongst countless others. At the same time, a Canadian online music company has started to lift DRM (Digital Rights Management) restrictions which restrict the copying and the manner in which the MP3 files can be legally used off much of the digital files in their catalogue (mostly those controlled by large indies and the like) and a number of like sellers, including Apple's iTunes which restricts their files to play only on iPods, have stated similar intentions with their catalogues. The big four, Sony-BMG, EMI, Warner and Universal, have no known intentions to allow any such lifting of DRM from the catalogues they control. This could leave those companies on the outer and further alienated from the very audiences they have been busting their humps to try and recapture in recent years. In short, what we thought was starting to become a re-stabilised industry is in the throes af the biggest shake up it's seen yet. There are just so many legal actions before the courts and competing interests that we are in danger of being right back where we started all those years ago when the music internet phenomenon exploded and was turned on it's head by the likes of Napster. it could be argued that the indie musician has never been in a better position to write, record and release their music all with a very small budget thanks to the incredible advances in home recording technology and the ease with which one can deliver that music to the masses with the internet. But thanks to that earlier mentioned court ruling of this past week, what will become of the very format by which most everyone delivers and receives their music online?! Theoretically one would think that the rights paid to the patent holders of MP3 technology that are part of the cost of the recording software one uses to put their work together would cover this. But does it? That court ruling has raised more questions than I can even comprehend. So is it time for the independent musician to be linked inexorably to what could be described as the "indie computer programmer"? The Open Source computer code community could be the provider of a new compression format that the indie musician can use confidently without fear of the format itself collapsing under the weight of corporate interest and continue to deliver their work to the world. It never ends. As always, and with more industries than just this one in which we're a part of as musicians and music lovers, interesting and, no doubt volatile, times ahead. This week's Where Are They Now? feature's a bloke who most everyone would tag as a "one hit wonder", and even compilation tapes list him as just that, but there's a whole lot more to this artist's story. Regulars including Feature Article, The Weeks Ahead in Music History, Featured Artist and more are all inside Issue 251 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno251.html Thanks to everyone for reading, we'll see you next issue! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - DAN HARTMAN
FEATURED PRODUCT - DIGITECH® 2007 RP GUITAR MODELING PROCESSOR RANGE
THIS WEEK'S FEATURE ARTICLE - SONGWRITING: PROSODY AND METER
THE WEEK AHEAD IN MUSIC
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