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bmusic Newsletter No.246 November 27th - December 3rd 2006 It was only a few weeks ago we mentioned the YouTube file sharing deal inked with Warner Bros. and similar agreements reportedly in place with CBS, Vivendi's Universal Music Group and Sony BMG Music Entertainment. We also noted Universal's chief stated that YouTube and MySpace combined owed his combined owed his company "tens of millions of dollars", presumably if the letter of the law on copyright were clearer. In light of events of the past week Universal (the company most vocal in recent times on the subject of the copyright infringement questions such sites raise) would appear to have negotiated their deal with YouTube with something a little more going on behind the scenes. You see, this past week Universal sued MySpace for infringing copyrights of thousands of its artists' works. This comes, reportedly, a day after negotiations with MySpace's owner News Corp (presumably not dissimilar to those Universal had with YouTube) broke down. It also came a day after the News Corp executive who led the US$580 million acquisition of MySpace, Ross Levinsohn, resigned from News Corp. Earlier the same day Universal filed suit MySpace unveiled a new system that purportedly allows owners of copyrighted material easier access to having unauthorised material removed from MySpace. They claim the Universal suit is "meritless litigation" and that their procedures for removing illegal uploads complied with current regulations. Universal issued a statement saying, "Businesses that seek to trade off on our content, and the hard work of our artists and songwriters, shouldn't be free to do so without permission and without fairly compensating the content creators." Quite the showdown looks like ensuing. It takes guts for a company to take on the behemoth of MySpace. Not in the sense of the financial commitment no doubt required to do so, but for the publicity backlash that could result from taking on an entity that is the social network of tens of millions of a record companies potential customers! If Universal have any sort of victory it could make News Corp's pockets ache, with maximum statutory damages for each copyrighted work, of which Universal claims there are tens of thousands of links to that exist on MySpace, at US$150,000 a piece! And if they do win, will the artist's get that money? Universal has recently filed similar suits, suggesting similar bucks at stake, against Sony Pictures Entertainment's "Grouper" and independent site Bolt.com. Some might say Universal don't like the fact that artists of the future, with sites like all those mentioned above in existence, mightn't need record companies help to promote their releases, and therefore won't need record deals. Maybe they'd be right.....Will watch this one with acute interest indeed. A lot of what is likely to be behind any judgments, if it gets that far, is the whole thing about liability of sites versus of it's actual users. Is the site responsible for the content it's user's post, or is the user themselves. There have been judgments that go both ways in cases that could draw parallels, such as with bloggers and Internet Service Providers or hosting services. The US tends to lean to the originator of the content but European law seems to go more for the ISP, for instance. I'm no lawyer but I would expect the same sort of rulings would need to be considered in the case of the lawsuits such as those currently in question. Received an e-mail during the week that gave us the opportunity to post some new information on a band we last visited more than four years ago. At the time at least one of the members had been MIA but, thanks to our kind reader, we now have more idea about what became of him. New developments have also taken place in the lives and careers of a few more so we've added all we've learnt this week in a long overdue update. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist, our new Feature Guitar section, and more are all inside Issue 246 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno246.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - HOT CHOCOLATE (UPDATED)
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In 1969 while demoing a slight reggae version of the John Lennon song 'Give Peace a Chance' with a group of friends, Jamaican-born vocalist Errol Brown changed the lyrics of the number but he was informed that he could not change Lennon's song without his permission.
So a copy of the demo was sent to the Beatles record label, 'Apple' with fingers crossed. Amazingly John Lennon loved the
version and it was released on the 'Apple' label. Errol and his friends were given the name, 'The Hot Chocolate Band', a
name thought up by a secretary at the company. Towards the end of 1969 Mickie Most of RAK Records signed Errol and the cofounder of the group, Trinidadian Tony Wilson as writers and recorded their songs with Mary Hopkins, Julie Felix and Herman's Hermits before encouraging them to come up with a song for themselves. 'Love Is Life' took them into the UK Top Ten. The completed line-up featured guitarist Frankie De Allie, drummer Ian King, Nassau-born keyboardist Larry Ferguson, Grenadian-born percussionist Patrick Olive, with Tony Wilson playing bass and Errol Brown singing. |
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Founder and singer, Errol Brown, left Hot Chocolate in 1987 to release his first solo album 'That's How Love Is'. The album
flopped as audiences were unaware of Errol Brown outside of Hot Chocolate. A follow-up album, 'Rendezvous' also failed to
impress. Brown spent the next few years working sporadically with keyboardist Larry Ferguson and living off
Hot Chocolate royalties. He has released a few forgettable albums and made appearances on 'ho hum' TV productions like
the 1998 Miss World contest in Seychelles. 1987 and '88 were two particularly good years for Brown and the rest of Hot Chocolate
when their song 'You Sexy Thing' was used in the British film 'The Full Monty'. Brown received a great deal of work
promoting a Greatest Hits package released to cash in on the film's success. The last known work of Brown's was his appearance
in a television and cinema campaign in then UK for Cadbury's 'Highlights'. He also completed a 69-date solo tour of the UK. By this time Tony Wilson was heavily into behind-the-scenes work producing and releasing live BBC recordings of the Buzzcocks, Budgie, Gentle Giant and Atomic Rooster. One of his most interesting pieces of work was his production of Iron Maiden's massive 1988 album 'Seventh Son Of A Seventh Son'. He also played on occasion, most notably on some of bluesman Albert Lee's recordings. Remaining Hot Chocolate members, Harvey Hinsley, Patrick Olive and Tony Connor, kept the band going with new vocalist Greg Bannis. The group tours the oldies circuit throughout Europe to this day. They continue to write and record but none of their releases has made it anywhere near a chart. |
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FEATURED GUITAR - ESP CUSTOM SHOP ECLIPSE 30TH ANNIVERSARY
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THIS WEEK'S FEATURE ARTICLE - YOUR STORY ON PAGE ONE
FEATURED ARTIST - BRETT GARSED
THE WEEK AHEAD IN MUSIC
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