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bmusic
Newsletter No.244
November 14th - November 20th 2006

Spotted an interesting set of figures from Live Performance Australia's 2005 survey on the issue. Most Australians amongst you will live in a State where poker machines have been around a while and if you're a performing musician or a fan of live music you've likely bemoaned the declining numbers of live venues over the past decade or so, thanks in no small part to poker machines. A lot of publicans have done away with their live rooms to make room for pokies to try and compete with the pokie barons in the past, but it appears as though things are changing. I do get that same impression from the live scene feedback I get from around Australia, the only sticking point maybe retarding further growth being the red tape of liability insurance and such in some states.

The Live Performance Australia 2005 survey found that revenue for live non-classical music was up 47.2 percent on 2004's figures, grossing around $287.2 million. In fact, contemporary live music (and that's contemporary as we see it - rock and pop etc., not how government's do when they're handing out Arts grants) contributed 34.4 percent of the total gross revenue ($834.3 million) for the live entertainment industry. Musical theatre was next with 21.3 percent, theatre 8.9 percent and classical 6.5 percent. The industry as a whole was up 21 percent on the previous survey year of 2004.

Anecdotally I've felt the resurgence was on, and now this survey confirms that. Very pleasing figures indeed. If we could get the same percent rises each year for a couple of years one could only imagine the vibrancy that would be back in the caper and the depth of talent it would spawn, not to mention the diversity! Here's hoping.

A new Aussie Where Are They Now? this week, one that might jog the brain cells of those who were young and impressionable back in this band's day. If you were being a young teen being flooded with your first heavy doses of testosterone back then there's little doubt you'll recall these ladies!
Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 244 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
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Thanks to everyone for reading, we'll see you next week!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Cheetah
  • This week's Music Quote
  • Featured Product - DigiTech® CF-7 Chorus Factory
  • This week's Specials
  • This week's Feature Article - Alternative Routes to Recording Success
  • This week's Feature Artist - Blow Up Betty
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Week Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next week

  • WHERE ARE THEY NOW? - CHEETAH

    The interweb thingamejig continues to offer up more and more excellent official bios of bands both past and present, and this Australian act of the 80's has one of their very own at , something I never expected to see. So, no point in us rewriting history. If you don't remember Cheetah or have never heard of them, check out that official site later for a visual and aural squiz at who and what they were. And if you do remember them, go back and revisit them, some great archival video stuff can be found there. First the bio as written by the Cheetah girls themselves and then our look at what they're up to now.

    The Hammond sisters, Chrissie and Lyndsay, were born in London and migrated to Australia in the early sixties.

    Starting their music careers as session vocalists, they appeared on many Australian albums including Jo Jo Zep, Jon English, Marc Hunter, Flash and the Pan and as a vocal duo toured with Stevie Wright, Norman Gunston, Daryl Braithwaite.

    Chrissie first came to prominence in the role of Mary Magdalene in the stage production of Jesus Christ Superstar. In 1975 she worked with the original lineup of Air Supply, before embarking on a career with her sister.

    Lyndsay fronted a group called Skintight for three years and toured with Renee Geyer before forming Cheetah with Chrissie.

    In 1977, Philips issued the single Love Ain't Easy To Come By and the following year Ian 'Molly' Meldrum produced Walking In The Rain for EMI, which reached #12 on the Australian charts in October 1978.

    Deeper Than Love (February 1979) also produced by Ian 'Molly' Meldrum, was the duo's follow up single for EMI. The record immediately charted in Germany and went on to sell 100,000 copies across Europe.

    Producers Vanda and Young turned the Hammond sisters on to AC/DC-styled hard rock. Their highly successful debut album, Rock & Roll Women, yielded a string of rock singles; Spend The Night (Sept 1980), Love You To The Limit (Feb 1981), Bang Bang (Aug 1981), and My Man (April 1982).

    Cheetah toured across Australia, the UK and Europe including appearances at Roskilde in Holland, the Nuremburg and Weisbaden Festivals in Germany and a show at the 1982 Reading Festival with Iron Maiden to an audience of 120,000 people.

    Chrissie and Lyndsay subsequently settled in London and although signed to a record contract with Atlantic in the USA, they were unable to capitilise on it.

    Lyndsay recorded and toured with Word of Honour and the Vagabonds and eventually returned to Australia to record her solo albums, The Raven and Red Dust Diva.

    Chrissie remained in London where she recorded and toured extensively with keyboard genius Rick Wakeman. She also played lead roles in "Cats" and "Chicago" in the West End.

    The current Cheetah revival has brought the sisters together again to tour Australia with the Countdown Spectacular in 2006 and Europe in 2007 (Ed. - this Countdown for Europe is pending and not yet set in stone as I understand it).

    So the girls have kept themselves busy and, unlike a lot of their peers, very visible and accessible also. There are a few other things they've been up to or some details from above that are worth delving deeper into. Firstly, Lyndsay does a few other things aside from those mentioned for a crust. She's is part of a cover duo with vocalist and keyboardist Trevor Courtney, a former session guy/producer/programmer/composer, called 2 Play. Sydney and New Zealand this month, Gold Coast, Brisbane and the Sunshine Coast next month, Tamworth at the start of 2007 and back to Queensland for February. They also play extensively throughout Asia, and even as far as London. Lyndsay also fronts another cover duo, expandable to a 5-piece, called The Great American Songbook.

    She starred in a four week run of a musical "Red Rust Diva" in Melbourne in 2005. The play is a comedy written by Alan Hopgood from a true story told to him by Lyndsay. The play also features Lyndsay's original music and the soundtrack is available from her site at www.lyndsayhammond.com. The play's blurb reads as follows:

    The story is based on a real-life encounter Lyndsay had with a character in Kalgoorlie called Tam, an eccentric artist, who, but for his love of the bottle, would have achieved international fame.

    Instead, he opted for the outback, boozing at the hotel, in between sorties into the outback, where he would sober up, drink only tea, take off all his clothes and paint.

    Tam had an impact on Lyndsay’s life, though the story takes a little licence and suggests that Lyndsay was creatively ‘stranded’ in Kalgoorlie and the encounter with this odd man set her career back on track.

    Alan Hopgood (writer of Alvin Purple, And The Big Men Fly and The Carer), who was approached to write the play that accompanies Lyndsay’s live performance of her music, said that he found himself intrigued by Lyndsay’s stories and a piece of music theatre has emerged, that has won over all who have encountered it.

    Chrissie is a little more elusive. Her extensive work with Rick Wakeman is widely known as is the London stage stuff. Her role in Cats was as Grizabella and that was in the 2003/2004 production, and it was in between Cats' commitments then that she starred in Chicago in London. I understand she revived the Chicago role in London from late last year to around April of 2006. Presumably following that she concentrated on the Countdown shows preparation. She and Lyndsay were to tour the UK in 2005 as Cheetah but I don't believe that ever eventuated.

    The Rick Wakeman albums Chrissie has provided vocals for are:
    Can You Hear Me?
    Cirque Surreal
    Don't Fly Away b/w After Prayers
    Fields of Green
    Light Up The Sky
    No Expense Spared
    Phantom Power
    Prayers
    Softsword
    Themes
    Vignettes

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

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    THIS WEEK'S MUSIC QUOTE

    "Music is love in search of a word".
    - Sidney Lanier


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    FEATURED PRODUCT - DIGITECH® CF-7 CHORUS FACTORY

    DigiTech CF-7 Chorus Factory
    Inspired by 7 of the world's most sought after chorus pedals.
    The new DigiTech® CF-7 Chorus Factory features models based on both classic and the latest modern chorus pedals including the DigiTech® Multi Chorus™*,Voodoo Lab Analog Chorus*, TC Electronic® Stereo Chorus/Flanger*, Fulltone® Choralflange™*, Boss® CH-1 Super Chorus™*, EH® Small Clone® and Boss® CE-5 Chorus Ensemble™.
    Plug in a CF-7 and get ready for takeoff. You’ve got a whole world of choruses and mod effects to discover. Click HERE to learn all about the CF-7 Chorus Factory in detail.

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    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    "Special" Specials appear from time to time in the "Buy & Sell" section of our forum also. The Buy & Sell can be found HERE

    Regular specials this week include:
    ESP M-10 ELECTRIC GUITAR PACKAGE - $499 save $150 off RRP
    ESP F-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP Viper-10 ELECTRIC GUITAR PACKAGE - $549 save $150 off RRP
    ESP B-10 BASS GUITAR PACKAGE - $549 save $150 off RRP
    WASHBURN X-10 ELECTRIC GUITAR PACKAGE - $369 save $100 off RRP
    WASHBURN I-14 ELECTRIC GUITAR PACKAGE - $399 save $100 off RRP
    WASHBURN T-12 BASS GUITAR PACKAGE - $449 save $100 off RRP
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    RANDALL RG75R 75W GUITAR COMBO WITH REVERB - $549 save $150 off RRP
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    RANDALL RH150G3 150W VALVE DYNAMIC GUITAR HEAD - $799 save $200 off RRP
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    HUGHES & KETTNER EDITION BLUE 15 COMBO - $229 save $70 off RRP
    HUGHES & KETTNER EDITION BLUE 30 COMBO - $349 save $100 off RRP
    HUGHES & KETTNER EDITION BLUE 60R COMBO - $479 save $120 off RRP
    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    DIGITECH™ GNX-3000 - $749 save $200 off RRP
    DIGITECH™ GNX-3 - $649 save $250 off RRP
    DIGITECH™ GNX-4 - $1099 save $300 off RRP
    DIGITECH™ RP-250 - $349 save $80 off RRP
    DIGITECH™ EX-7 EXPRESSION FACTORY - $449 save $150 off RRP
    DIGITECH™ CF-7 CHORUS FACTORY - $249 save $50 off RRP
    DIGITECH™ DF-7 DISTORTION FACTORY - $229 save $70 off RRP
    DIGITECH™ ERIC CLAPTON CROSSROADS - $249 save $50 off RRP
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    WASHBURN D-10S SOLID TOP ACOUSTIC - $329 save $70 off RRP
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    WASHBURN D-8 ACOUSTIC/ELECTRIC PACKAGE - $299 save $100 off RRP
    WASHBURN HB-32DM HOLLOW BODY ELECTRIC - $549 save $120 off RRP
    WHARFEDALE PRO SVP-12M 150W POWERED MONITOR - $449 save $140 off RRP
    WHARFEDALE PRO WD-600 300W COMPLETE PA SYSTEM - $1699 save $576 off RRP
    ZOOM H-4 HANDY DIGITAL RECORDER - $499 save $150 off RRP
    SHURE PGX-14 GUITAR WIRELESS SYSTEM - $799 save $100 off RRP
    dB PU-901 GUITAR WIRELESS SYSTEM - $479 save $100 off RRP
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    CASIO CTK-800 KEYBOARD - $299, optional adapter $20 with purchase
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    PROMAX PX-525 5-PIECE DRUM KIT PACKAGE - $499 save $150 off RRP
    PROMAX CONGA SET WITH STANDS - $369 save $80 off RRP
    THE GREAT AUSTRALIAN SONGBOOK - $19.95 save $5.00 off RRP
    ABSOLUTE BEGINNERS GUITAR DVD - Now just $19.95
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    ABSOLUTE BEGINNERS BASS GUITAR DVD - Now just $19.95
    All prices include GST

    Check out our Specials page for more info on these specials.


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    THIS WEEK'S FEATURE ARTICLE - ALTERNATIVE ROUTES TO RECORDING SUCCESS

    This week's feature is from an outside source and is actually mostly Steve Albini's "The Problem With Music" article, though I don't think the author realised it at the time. What it has got though, is an extension to that article in which it studies the major label band, as in Albini's famed article, but also compares that to an indie band. Some very interesting figures indeed and likely very eye opening if it's not something you've considered in detail before.

    Click HERE to read "Alternative Routes to Recording Success".

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    FEATURED ARTIST - BLOW UP BETTY

    Adelaides own, all original chick band Blow Up Betty rock out with a diverse range of heavy fun pit rock guaranteed to shake up the room strawberry style! Guitar driven, bass bellowing tunes with attitude! Would you like cream with that? Having only been around for just over two years, Blow Up Betty continue to make waves on the Australian music scene. Their debut five track self titled EP was recorded at Soundhouse Studios with Anj in Feburary 2005, and features the perfect hybrid of rock, pop and punk Blow Up Betty are quickly becoming known for. Citing a varied ranged of influences the girls--Kim (vocals/guitar), Lynda (drums/vocals), Sacha (guitar/vocals) and Yonna (bass/vocals)--create unique brand of heavy fun pit rock complete with catchy choruses, melodic hooks and sincere lyrics accompanied by a high energy, rockin live show!

    Blow Up Betty are easily one the countries most promising new acts and their growing list of achievements proves this. 2005 was a big year for the girls, with the release of their debut EP, a sellout launch at Enigma Bar, airplay on Three D Radio, Nova and Triple J, the debut at number one on the AWESAM local sales charts of their EP, a spot at the Jim Beam National Campus Battle of the Bands State Final and a place on the bill at the Victor Harbour Schoolies festival with a host of other local and national music acts.

    With the start of 2006, things haven't slowed down. Their EP reached number two on the Three D radio Top 100+1 countdown of 2005 and the girls picked up all 5 SAMI awards they were nominated for! Their first trip to Melbourne saw their debut show on the east coast sell out, and their return home saw their first appearence at the Adelaide Fringe Festival and first support slot with Mach Pelican (VIC) and 50 Kaintenz (JAP) on their national tours.

    Having just won through to the Jim Beam National Campus Battle of the Bands State Final (third year in a row), the Betties are preparing for some big shows in the coming months, including a support slot with Grinspoon. The Betties will be recording their long-awaited second EP in December 2006, with a release date touted for February 2007. So stay tuned to www.blowupbetty.com/, cause things are about to get hotter!

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1969, Janis Joplin was arrested on charges of using "vulgar and indecent language" at her concert in Tampa, Florida. After being arrested in her dressing room, Joplin was released on $504 bond. All charges were eventually dropped.

    In 1970, Carlos Santana's "Black Magic Woman" was released.

    In 1970, Myra Brown and Jerry Lee Lewis divorced in Memphis, Tennessee. Brown claimed the marriage "had turned into a nightmare" since they married when she was just 14. She was also Lewis' cousin.

    In 1970, The Godfather of Soul, James Brown, married Deidre Yvonne Jenkins on the front porch of her Barnwell, South Carolina house.

    In 1987, U2 opened an LA concert for itself, appearing as country-rock group 'The Dalton Brothers'.

    In 1990, Milli Vanilli producer Frank Farian publicily admitted Fabrice Morvan and Rob Pilatus never sang a note on the hit Milli Vanilli album.

    In 1990, David Crosby suffered multiple fractures in an accident on his motorcycle in LA. Police said Crosby was speeding and not wearing a helmet at the time of the accident.

    In 1990, Paul McCartney's birth certificate sold at auction for US$18,000.

    In 1992, Ozzy Osbourne performed in Costa Mesa announcing the show as his last. Former Black Sabbath members Tony Iommi, Geezer Butler and Bill Ward joined him on stage for the supposed last show. Of course Ozzy didn't stay true to his word and returned to the live stage not long after.

    In 1994, David Crosby successfully underwent liver transplant surgery.

    In 1995, the Rolling Stones became the first act to broadcast a concert on the Internet.

    In 2001, Justin Timberlake broke his foot while rehearsing for the Smash Hits Poll Winners Party and has had to cancel his next two weeks of appearances.

    In 2001, Michael Jackson stirred worldwide outrage when he dangled his infant child over the balcony of his Berlin hotel in a motion to fans. The dangerous move sparked unprecedented debate over Michael Jackson's ability to parent his children responsibly.

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  • Births In 1937, singer/songwriter Barry McGuire.

    In 1938, singer/songwriter Gordon Lightfoot.

    In 1941, Byrds vocalist Gene Clark.

    In 1942, 'Spirit In The Sky' man, Norman Greenbaum.

    In 1946, Allman Brothers and Derek and the Dominos guitarist Duane Allman.

    In 1947, Joe Walsh, guitarist and vocalist for the James Gang and the Eagles.

    In 1960, Guns 'n ' Roses and Cult drummer Matt Sorum.

    In 1965, Beastie Boy Mike D (Michael Diamond).

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  • Deaths In 1972, Allman Brothers bass player Berry Oakley was killed in a motorcycle accident just three blocks from the site where Duane Allman was also killed. He was thrown thirty metres from his motorcycle. Attendants at the scene believed Oakley had escaped serious injury but he died from a brain tumour 20 minutes after being admitted to hospital.

    In 1972, former singer/songwriter for Neil Young's 'Crazy Horse', Danny Whitten, died of a heroin overdose. Neil Young's anti-drug album, "Tonight's the Night", released in 1975, memorialised Whitten.

    In 1979, former Jethro Tull recording bass player, John Glascock, died of Endocarditis from a tooth abscess in London at the age of 26. Though he recorded with Jethro Tull, Glascock's long battle with heart disease kept him from touring with the band.

    In 1979, Bluegrass banjo and mandolin player Bobby Napier was crushed by a falling rock. He was a member of The Lost Creek Boys Bluegrass Band.

    In 1980, legendary vaudeville actress Mae West died of natural causes at 87. West fits into the category of music as she actually recorded a rock LP with such songs as "Twist And Shout" and "Shakin All Over".

    In 1983, Badfinger member Tom Evans hung himself. He was 36.

    In 1992, keyboardist John Cascella, a member of John Mellencamp's band, was found dead in his car in Indiana after having suffered a suspected heart attack while he was driving.

    In 1994, swing and scat king Cab Calloway died after never fully recovering from a stroke suffered six months earlier. He was 86 years old when he died.

    In 1995, manager and promoter Peter Grant died of a heart attack. Grant had managed, among others, Led Zeppelin, The Yardbirds, Jeff Beck, The Animals and Chuck Berry.

    In 1998, guitarist Seth Dogramajian aged 48. Dogramajian had been a member of Long Island Sounds with Gene Simmons before Simmons' KISS days. Seth was also a member of the Lynx, later renamed The Missing Links.

    In 1999, Gene Vincent & His Blue Caps member Grady Owen. He played rhythm guitar, bass and sang.

    In 2001, jazz pianist Tommy Flanagan died of complications linked to an aneurysm he'd suffered ten years earlier. Flanagan had worked with Ella Fitzgerald, Tony Bennett, John Coltrane (on his "Giant Steps" album), Yusef Lateef, Sonny Rollin, Barry Harris, Miles Davis, Donald Byrd and more. He died aged 71.

    In 2001, Scott Murray, drummer for Australian band 28 Days, was killed when a car struck him as he was crossing a street in Melbourne.

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