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bmusic Newsletter No.240 October 16th - October 23rd 2006 So the worst kept secret in in the internet caper was officially let out of the bag last weekend when Google did in fact buy YouTube, for a reported US$1.65 billion! YouTube will apparently still be operated by the team who has done so to date, but what will become of the fastest growing online entertainment site ever? Google, at the end of the day, is an online advertising broker. Despite all the claims to the contrary and positive spin the YouTube and Google marketing people have put on the buyout over the past week, something has to change so they can earn back their squillion bucks. Then there's the issue we raised last week regarding YouTube's future and copyright. It was widely reported that the site had done a deal with Warner Bros for content and for control of copyrighted work, but we've since learnt that YouTube now also has agreements in place with CBS, Vivendi's Universal Music Group and Sony BMG Music Entertainment as well. What these agreements entail we don't know, but they're likely at the simplest an agreement for YouTube to police the company's copyrighted works. They may have similar agreements with content sharing as to the deal with Warner, but we haven't seen any evidence of that when it comes to the other Big Three record companies at least. Bear in mind, Universal's chief is in no way a fan of such sites, judging from his recent comments, so what they have agreed on is anyone's guess. The whole copyright argument gets even more complex than what we initially thought and discussed last week. You see, YouTube has relied on the safe harbour provision of the US Digital Millenium Copyright Act of 1998 as a shield against lawsuits. This, as detailed by the YouTube user agreement which is likely read by next to none of it's contributors, puts the onus on the individual responsible for posting material to ensure copyright is recognised. So, in theory, if the record companies wanted to get down and dirty they could sue individual users much like it did in it's early days of bringing down Kazaa with litigation. But then, and I'm no lawyer, would YouTube be immune from a contributory copyright infringement lawsuit, the type that they went after, and succeeded, Napster with??? So will YouTube change? Will artists be able to get the exposure they were hitherto offered? Only time will tell. mp3.com users suffered from commercialisation, myspace's front page and major promo targets hardly feature "unknown" acts these days. Getting on the front page of YouTube was essential for mass success of a music video or some such, me thinks the front page space offered to non-financial contributors will fast disappear under the new ownership. But only time will tell I guess. I really wish I knew how the power brokers that dropped US$1.65 billion on this thing think. Maybe I'd be a squillionaire. Or could this be the worst $1.65 billion ever spent in history (not including government spending!) Don't forget the current bmusic.com.au Seymour Duncan 2006 Australian Tour Commemorative Pickup Set Competition where every purchase from bmusic.com.au adds up to an entry to win the hand-wound, hand-engraved Seymour Duncan pickup set created to commemorate Seymour's recent tour of Australia. Click HERE if you've not yet checked out how you can go about winning this rare set of pickups valued at $800 IF you could actually buy them (which you can't)! A repeat Where Are They Now? this week, with significant and very recent updates. We've not run this band's feature since it's original in mid-2003 and have received many updates since, including the latest excellent round of news we received this past week on some of the member's movements of late. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 240 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno240.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - KILLING TIME (UPDATED)
FEATURED PRODUCT - USB STEALTH PLUG™
THIS WEEK'S FEATURE ARTICLE - ROUGH = FAST; QUALITY = SLOWER
THE WEEK AHEAD IN MUSIC
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