Return to bmusic.com.au home
Newletters
Return to bmusic.com.au home
A and R

Bands

Links

Product news

Marketing

Recording

Songwriting

Tech Tips

Theory

What's new
bmusic
Newsletter No.239
October 9th - October 15th 2006

I was reading a very interesting article regarding popular video sharing site YouTube and the challenges it faces with regards to copyright in the future. This was written to follow up on the recent content sharing deal announced between Warner Music Group and YouTube. YouTube users are effectively granted licence to post Warner Music videos, which includes material from their labels such as Atlantic, Warner Bros., Rhino and Sire, amongst others, and YouTube will, in return, ensure copyright restrictions are adhered to and royalties paid to Warner. Warner will also use the site to promote their artists by posting video clips themselves as well as other promotional videos and material.

You'd think, if considering the copyright issue briefly, that this applies to music videos and live footage of concerts etc., but consider it further and you begin to realise the enormity of what is at stake copyright-wise. If someone posts a clip of them playing along to their favourite song, or merely jumping on a trampoline in their backyard with a stereo on in the background, in the strict sense of the term they've breached the copyright to whatever song is playing in the background. Even performing a copyrighted song without backing to show the world how well you can play the saxophone or something is a breach.

Of course YouTube is an incredible tool for promotion for artists of all walks of life, and it's not exactly high quality sound and video, at least not at this stage of technology. So, as opposed to the Napster saga, YouTube is not necessarily seen as an alternative to buying CDs and DVDs. Technology, however, will evolve and this will change down the track. But for now, record companies have not been thrilled with YouTube, excepting Warner who have taken the smart step of harnessing it. However, it remains to be seen whether YouTube can afford to pay it's end of the deal which, for now, remains undisclosed. Either Warner is all for it and harnessing it as it appears from the outside, or it has an alterior motive to get all companies on board and cripple YouTube's ability to financially honour the deal in much the same way as the RIAA appears to have done with the Kazaa agreement.

So that's it from the Warner perspective. Universal Music Group, on the other hand, have a radically different feeling toward YouTube and similar sites if CEO Doug Morris' comments are anything to go by. "These new businesses are copyright infringers and owe us tens of millions of dollars". Pretty damning words, and understandable from a guy who is desperate to keep record companies as the powers that be over their artists and the buying public.

It's no secret I was anti-Napster and Kazaa but YouTube, at least until technology is at such a level where the file quality is of a much higher level, I see as the best promotional tool for everything from bands to macaroni & cheese since the internet itself began. No sooner do the RIAA, representing record labels in the States, tackle one problem before another presents itself with even more complications than the last. This is no different, and there'll be something after this, I'm sure. But it would appear that before too many more generations pass the music business will have undergone the biggest shake up since the inception of recorded music and the industry that grew around the distribution of it. Or, as some would suggest, the industry that attached itself parasite style to the aspirations of musicians.

All this as rumours surfaced in the last day or so that Google Inc. has speculated about buying YouTube for a reported US$1.6 billion. No confirmation that this is indeed true, but a lot of chatter has surfaced around the rumour in the past twelve hours or so. Not a bad price for a company with 60 employees, three founders and venture capitalist only pouring in around $13 million or so thus far. It wasn't so long ago that BMG Entertainment bought Napster for around US$8 million, essentially to pay out it's creditors after the record industry brought it to it's knees. Nowhere near the money they're talking for YouTube, but previous to it's troubles Napster was worth significantly more. It wouldn't take the Chairman of the New York Stock Exchange to work out that BMG would have had more success with their $8 million flushing it down the dunny. So, does Google buy YouTube on it's current value only to see the record industry get stuck into it, or does the record industry get stuck into it now and buy it for a song Napster style? All speculation of course, but there are so many adversities facing both YouTube in terms of copyright and the recording industry in trying to maintain their place in the game that there's sure to be some sort of showdown or extreme shift in the way things work very, very soon.

Don't forget the current bmusic.com.au Seymour Duncan 2006 Australian Tour Commemorative Pickup Set Competition where every purchase from bmusic.com.au adds up to an entry to win the hand-wound, hand-engraved Seymour Duncan pickup set created to commemorate Seymour's recent tour of Australia. Click HERE if you've not yet checked out how you can go about winning this rare set of pickups valued at $800 IF you could actually buy them (which you can't)!

While we're on winning stuff, check out www.joematera.com, site of our mate, renowned Australian rock journalist and guitarist and this week's Featured Artist, to win a copy of Jet or Iron Maiden's new albums. Simply click on the "Interviews & Reviews" link on the left hand menu of Joe's page for details on how to be in the running to win one of the 5 copies of each up for grabs.

A repeat Where Are They Now? this week, one of the features we oft get the opportunity to update with new information thanks to subscribers and fans or friends of the guys letting us know. This week is no exception, new relevant information has been passed on to us and duly noted in the updated feature.
Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 239 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno239.html

Thanks to everyone for reading, we'll see you next week!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Uncanny X-Men
  • This week's Music Quote
  • Featured Product - Jim Dunlop Guitar Strings
  • This week's Specials
  • This week's Feature Article - Setting Up A Successful Tour: Part 1
  • This week's Feature Artist - Joe Matera
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Week Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next week

  • WHERE ARE THEY NOW? - UNCANNY X-MEN

    When I had a request to check out the Uncanny X-Men for a Where Are They Now? feature recently I had to check our archives. I was positive we'd covered them but found we hadn't. I later deduced that the reason I thought I'd already featured them is I basically knew what they were all doing in my old scone, not to mention I have quite a bit of contact and daily recently, with one of the former X-Men. Some of the former members have been part of other bands we have covered, such as Horsehead and Kings Of The Sun. It also dawned on me that someone told me recently the Channel Seven Where Are They Now show had also checked them out. From what I was told of the episode they did a pretty good job, but only covered one main line-up. The stoory of the Uncanny X-Men could be a long one if everything about them was covered and there is some funny, funny stuff that could be discussed, some of it not necessarily all that wholesome. But at the end of the day there wasn't a massive discography or any worldwide domination to cover so we'll go for the concise option so we can get to what the guys are up to these days.

    Vocalist Brian Mannix, guitarist Ron Thiessen, bassist Michael Helms and drummer Nick Manthandos started the Uncanny X-Men as a cover and originals outfit out of Melbourne's Western Suburbs, playing venues such as the Pier Hotel, the Chevron in Sydney and the Doncaster Inn. Where bassist Helms exits and another bassist, Steve Harrison entered is not clear. Another guitarist, Chuck Hargreaves, had also joined in this early period to double up wiith Thiessen.

    The first X-Men recording was their EP, "Salive One", recorded live on November 2nd 1982 which featured one of their crowd favourite tracks, "Pakistan". Mushroom Records signed the group immediately after the live EP was recorded and released it. Within three weeks the EP had cracked the Top 40 on the national chart. They toured as a support act with Joan Jett in December 1982 and then released the single "How Do You Get Your Kicks" in April 1983. That single made it to Number 9 on the Melbourne domestic chart. Another single, "Time Goes So Fast", was released a few months later.

    By now the Uncanny X-Men camp were getting serious and the line-up was solidified with Mannix, Thiessen and Hargreaves now joined by bassist John Kirk and drummer Craig "Max" Waugh. Their next release was another live EP, recorded at Sydney's Chevron Hotel on June 17, 1984. That release contained the single "Everybody Wants To Work". That song was really getting them noticed and they toured in early '85 with Rod Stewart, coinciding with their first full length release, "Cos Life Hurts", which featured the singles "The Party" and "50 Years". Both were huge singles for the band, the former making it into the National Top 15 and the latter doing even better, making it into the Top 5. "Everybody Wants To Work" (titled as "Work") featured on the new album too. The album made it to the Number Three slot on the National chart within a couple of months of it's release, behind heavy overseas hitters The Eurythmics and Dire Straits, and eventually peaked at Number Two.

    Brian Mannix was an extremely enigmatic and controversial frontman and his appearances all over the tele didn't hurt the band's popularity. Even the bad press for the classic rock 'n' roll excesses didn't hurt. But the classic line-up oof the Uncanny X-Men was about to come to an end. Ron Thiessen left the band to join Kings of the Sun, a band formed out of the ashes of The Young Lions which featured Bob Spencer who left that group to take up his post in The Angels. At this point ex-Taste guitarist Joey Amenta was brought in but and was responsible for writing and recording two tracks off the next slated Uncanny X-Men album, "I Am" and "Don't Wake Me". But Joey's tenure was shortlived with Brett Kingman next taking up the guitar role and completing the studio recording for their next long player "What You Give Is What You Get", following on with Joey's already completed tracks.

    "What You Give Is What You Get" was released in October of 1986. The first two singles lifted from the album, "I Am" and "Don't Wake Me", both broke into the National Top 20 singles chart with the third single, "Start Believing", fairing only slightly worse. The album still managed gold sales status (35,000 units in Australia) but was far behind the near double platinum status (platinum being 100,000 units sold in Australia) of the first release. The changing music scene and a huge fascination with overseas artists by the buying public had robbed the Uncanny X-Men of their earlier success and, before long, members had begun to drift away to other projects. They regrouped for a final show at Melbourne's Annandale Hotel on December 20, 1987.

    BRIAN MANNIX
    Where to start!? Brian's post-Uncanny X-Men is an exhaustive one. The easiest thing to do if you'd like to know about his TV, movie and theatre acting, writing, producing or directing is to check out the fan page HERE.

    Most recent movements for Brian start with the Channel Seven Where Are They Now piece followed by his appearance on the Countdown tour last month. He has now followed that up with a tour throughout October, November and December with "Absolutely 80s", a show in a similar vein to the sporadic "Idols of the 80s" shows he's been a part of for the past few years. If you're interested in the current tour, which also features Scott Carne, Ron Martini and Paul Norton, check out some of the Tattersals venue dates for this month and beyond. You might have even caught them at Canterbury Hurlstone Park RSL last night, Friday October 6th!

    Tour Dates

     

    Venue

    Dates

    Phone Number

    Suburb

    Abruzzo Club

    Friday 27 October

    Ph: 9387 5955

    Brunswick

    Furlan Club

    Saturday 28 October

    Ph: 9484 0477

    Thornbury

    York On Lilydale Taverner

    Saturday 4 November

    Ph: 9736 4000

    Mount Evelyn

    Dandenong Workers Club

    Friday 10 November

    Ph: 9792 5064

    Dandenong

    Yarraville Club

    Saturday 11 November

    Ph: 9689 6033

    Yarraville

    Essendon Football Club

    Thursday 16 November

    Ph: 9230 0335

    Essendon

    Hotel Shoppingtown

    Friday 17 November

    Ph: 9848 6811

    Doncaster

    Chelsea Heights Hotel

    Saturday 18 November

    Ph: 9773 4453

    Chelsea Heights

    The Club

    Thursday 23 November

    Ph: 8390 2445

    Caroline Springs

    Croxton Park Hotel

    Friday 24 November

    Ph: 9480 2233

    Thornbury

    Ferntree Gully Hotel

    Friday 1 December

    Ph: 9758 6544

    Ferntree Gully

    Daiseys Club Hotel

    Saturday 2 December

    Ph: 9870 6021

    Ringwood East

    Watsonia RSL

    Thursday 7 December

    Ph: 9435 4883

    Watsonia

    Cheltenham / Moorabbin RSL

    Friday 8 December

    Ph: 9583 1775

    Cheltenham

    Taylors Lakes Hotel

    Saturday 9 December

    Ph: 9390 8122

    Taylors Lakes


    RON THIESSEN
    Ron continued with Kings of the Sun but, as we found with our Kings of the Sun Where Are They Now? feature, essentially dropped off the map after this. He now works as a set designer and did appear on the Channel Seven Where Are They Now show where the group played an old X-Men track together.

    MAX WAUGH
    Max went on to play in a few groups at a time for the next few years. RAW was a supergroup of sorts, the name meaning Ross, Andrew and Waugh. Ross being Ross Wilson. This was only shortlived as each member had other things going on. Dentist Drill was a band Max was playing in with Brett Kingman and a couple of other blokes who had crossed his path during the previous few years. It was essentially a cover outfit with a very popular and unscripted live show that was paying the bills for the emerging Horsehead he was also in. This band featured Brett Kingman's younger brother Scott.

    Since all that Max is spotted pretty regularly drumming in good times cover stuff and blues outfits throughout Melbourne and drives a truck during the day delivering furniture and all manner of stuff from what we know.

    CHUCK HARGREAVES
    Allan "Chuck" Hargreaves moved on to play guitar for Daryl Braithwaite through the 90s at the peak of Braithwaite's success, "Higher Than Hope" and such. Nowadays he works as a welder! He has played in the "Idols of the 80s" shows Mannix has been involved with over the past few years from time to time but whether he plays or not in a group regularly we don't know. He also made the line-up for the Channel Seven feature recently.

    UPDATE
    Our good friend Nick alerted me to the fact he played in a band in Perth with Chuck about four years ago.
    "Worked in a cover band with him around 4 years ago. Second best guitar player I worked with. Stu Fraser definitely my favourite!"
    I wouldn't mind being second place to Stu Fraser! Nick also tells us the last he heard Chuck was working as a storeman for a Perth company, he wasn't aware he was a welder as reported in the Channel Seven show, but there you go. He also tells us Chuck used to make some pretty good guitars of his own once upon a time.

    JOHN KIRK
    We don't know anything of John's post-Uncanny X-Men movements aside from Channel Seven's show reporting that he's now a Holden car salesman. He too played in the line-up on the Seven show recently.

    UPDATE
    Mykl of AURA Records contacted us with some great iformation regarding John's post-X-Men movements. Of significant interest, and I quote Mykl, "John Kirk is Brisbane Lion's Footy MAD!!!!!!!". And further, "John moved to the Gold Coast because his Melbourne team the Lion's became the Brisbane Lion's and moved north -- This is no joke!!!! Never misses being at a game or watching a TV replay of the Lion's game......."
    Mykl went on to tell us some more about John.
    John Kirk now lives on the Gold Coast with his wife and family. Yes he does look after the fleet side of cars sales here.
    John and I used to play in several bands back in Melbourne. He crossed over to Country Rock and we founded the band "Crackajak" with Harry Nanos. He also played with me in "Roughcut" the country rock version of the long running band "The Vincent's". I also introduced him to his now wife.


    Great info and we really appreciate Mykl taking the time to get in touch with us.

    JOEY AMENTA
    Joey is a quite busy guitarist and has been since his short tenure in the X-Men. He currently plays in a couple of duo and trio type projects and sessions a bit.

    BRETT KINGMAN
    Brett has also kept busy as a working guitarist and has spent some years now writing, touring and recording with James Reyne. On the recent Reyne and Braithwaite co-headlining tour he actually played for both of them. His day jobs have included a lot of work as a product specialist for Melbourne musical instrument import companies and he is now employed in that role concentrating on computer based recording and production and such for Sound & Music Distribution in Moorrabin, one of our newest suppliers here at bmusic. ESP guitar fans might be interested to know that, without Brett in a role he held in another company until recently, we may have missed out on such a great range and supply of ESP guitars here in Australia!

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

    BACK TO CONTENTS

    THIS WEEK'S MUSIC QUOTE

    "It is incontestable that music induces in us a sense of the infinite and the contemplation of the invisible".
    - Victor de LaPrade


    BACK TO CONTENTS

    FEATURED PRODUCT - JIM DUNLOP GUITAR STRINGS

    Jim Dunlop Strings
    Jim Dunlop have long been the largest guitar accessory company in the known universe, estimates suggesting that 98% of all guitarists worldwide use some sort of Jim Dunlop product. But they've strangely never moved into the highly competitve guitar string market. That was until five years ago when they started work on something that has only just been realised, Jim Dunlop strings.

    Jim Dunlop guitar strings are made in their state of the art facility in Benicia, California, the only guitar strings made in California and one of very few companies still producing their strings in the US. Part of the string's development was road testing by some of the world's most famous guitarists and, without giving anything away, once the Jim Dunlop strings are released worldwide (Australia being one of a handful of countries to have the pleasure of getting the strings first, even before the US) then some very, VERY big names will be a part of the Jim Dunlop endorsee family as users of the new strings.

    To check out more about your string of choice simply click on the respective link below:
    Jim Dunlop Electric Guitar Strings
    Jim Dunlop Acoustic Guitar Strings
    Jim Dunlop Bass Guitar Strings

    BACK TO CONTENTS

    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    Specials this week include:
    RANDALL RM100M MTS GUITAR HEAD - $1849 save $401 off RRP
    RANDALL V2 300W GUITAR HEAD - $2209 save $486 off RRP
    RANDALL RH150G3 150W VALVE DYNAMIC GUITAR HEAD - $849 save $150 off RRP
    RANDALL RH300G3 300W VALVE DYNAMIC GUITAR HEAD - $1099 save $200 off RRP
    RANDALL RG75DG3 75W GUITAR COMBO WITH DIGITAL EFFECTS - $889 save $160 off RRP
    RANDALL RX120DHS 120W GUITAR HEAD & QUAD BOX PACKAGE - $1250 save $245 off RRP
    RANDALL RX50D 50W GUITAR COMBO WITH DIGITAL EFFECTS - $599 save $100 off RRP
    RANDALL RG75R 75W GUITAR COMBO WITH REVERB - $599 save $100 off RRP
    FRAMUS COBRA GUITAR HEAD - $3795 save $600 off RRP
    HUGHES & KETTNER ZENTERA HEAD - $4595 save $1100 off RRP
    HUGHES & KETTNER TRIAMP MK II - $4275 save $1020 off RRP
    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    HUGHES & KETTNER PURETONE COMBO - $2795 save $700 off RRP
    HUGHES & KETTNER MATRIX 100 HEAD - $725 save $170 off RRP
    HUGHES & KETTNER MATRIX 100 COMBO - $799 save $200 off RRP
    ROCKTRON PROPHESY PREAMP - $2359 save $540 off RRP
    All prices include GST

    Check out our Specials page for more info on these specials.


    BACK TO CONTENTS

    THIS WEEK'S FEATURE ARTICLE - SETTING UP A SUCCESSFUL TOUR: PART 1

    The best way for an artist to create a buzz and sell records is to simply take his music to the people. And that, my friends, means touring.
    Getting out on the road is a tradition for everyone even remotely associated with the entertainment industry. Authors go out on book tours, movie stars visit every major late-night talk show, others pop in on radio broadcasts, do print interviews to promote an opening of a play or concert, and some, those who are really hungry for success, do it all!
    Touring is a very costly proposition, both financially and organizationally. It takes money to finance the travel and lots of time and planning to put it together. TAXI, in its never-ending efforts to help the performing musician, has asked Kenny Kerner to put together some tips on how you can set up a successful tour on your own.
    To read the two part "Setting Up A Successful Tour" by Kenny Kerner, Director of the Music Business program at Musicians Institute, click HERE.

    BACK TO CONTENTS

    FEATURED ARTIST - JOE MATERA

    www.joematera.com is the official website of Australian based music journalist and rock guitar player Joe Matera.

    As a guitar player Joe is a veteran of countless original and covers outfits and currently leads his band Double Vision as lead guitarist doing covers of 1970s and 1980s rock classics. His guitar playing work has also graced several recordings including a guest appearance on legendary UK metallers Atomkraft's forth coming studio album release titled "I Couldn't Give A F**k!" as well as the band's new EP called "'Are You Lookin' At Me?".

    As a rock journalist, Joe Matera's many interviews and features have appeared and continue to appear in countless music magazines around the world from Australian Guitar, Blunt and Australian Musician in Australia to Classic Rock, Guitar & Bass, Metal Hammer, Bass Guitar Magazine, Total Guitar, Kerrang! and Record Collector in the U.K to Guitar World, The Big Takeover and Maximum Ink in the U.S to Snaggletooth in Canada. He also provides exclusive interviews to Ultimate-Guitar.Com.

    In his capacity as music journalist, Joe has interviewed a who's who of the music world as well as spent time on tour with numerous artists. Artists the calibre of Slash (Guns 'N' Roses, Velvet Revolver), Kiss, Status Quo, Bon Jovi, Def Leppard, Korn, Motorhead, Deep Purple, Judas Priest, Cheap Trick, Toto, The Cars, The Scorpions, Smashing Pumpkins, Queen, Nickelback, Alice Cooper, Blondie, Yes, HIM, The Buzzcocks, John Mayer and many, many others.

    Joe Matera also added author to his credentials when his first book, entitled "NIRVANA : 1989 - 1996" (Classic Rock Productions), was released in the UK on November 21, 2005 as part of a series of DVD/Book packages.

    To find out more about Joe, his playing, his writing and his fantastically entertaining diary documenting his multitiude of star meetings, interviews and gigs attended from day to day visit his official website www.joematera.com.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

    BACK TO CONTENTS

    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

    BACK TO CONTENTS

    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

    BACK TO CONTENTS

    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

    BACK TO CONTENTS

    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1955, nineteen-year old Buddy Holly and his sidemen, Larry Welborn and Bob Montgomery, opened a concert in Lubbock, Texas for Bill Haley & the Comets. Eddie Crandell, a Nashville talent agent, was in the audience and within weeks had Holly record his first demo.

    In 1955, one day after opening for Bill Haley & the Comets, nineteen year-old Buddy Holly opened for Elvis Presley in the same town.

    In 1957, Little Richard, after finishing a concert in Sydney, Australia, announced he wanted to give up rock and roll. "If you want to live for the Lord, you can't take rock and roll too. God doesn't like it", he explained. Clifford Burks, the sax player in Richards touring band, asked him to prove his new-found faith in God and to prove it Little Richard threw four diamond rings valued at US$8,000 into the Hunter River. The next day he flew to Los Angeles and was baptised a Seventh Day Adventist so he could "prepare for the end of the world".

    In 1964, Rolling Stones drummer Charlie Watts married Shirley Ann Arnold in secret.

    In 1969, three people were killed and blues legend Muddy Waters injured in a serious road accident outside Chicago, Illinois.

    In 1971, in the Los Angeles District Court, Arco Industries, the music publishing firm that owned copyrights on all material released on Specialty Records, filed a US$500,000 lawsuit against Creedance Clearwater Revival singer/songwriter John Fogerty. The suit claimed that Fogerty's song 'Travelin' Band' "contains substantial material copied from the music of the song 'Good Golly, Miss Molly'". The suit was eventually dropped.

    In 1972, Creedance Clearwater Revival issued a statement announcing the group's break-up. The statement read "We don't regard this as breaking up. We look at it as an expansion of our activities. We will devote our time to individual rather than group projects."

    In 1972, Joe Cocker, along with six of his bandmates, was arrested in Adelaide, South Australia on drug charges. Police claimed that, in an after-show raid, they confiscated marijuana, heroin and hypodermic syringes. Cocker was released on bail and given four hours to leave the country.

    In 1975, Neil Young underwent surgery to have something scraped from his vocal cords that had been "bothering" him. Young resumed work in the studio soon after but by mid-1976, during his US tour with Stephen Stills, Young was forced to rest his vocal cords again because of the strain he had put on them.

    In 1977, the classic Fleetwood Mac album 'Rumours' was released.

    In 1978, singer Steve Tyler and guitarist Joe Perry of Aerosmith were injured in Philadelphia when a cherry bomb was thrown on stage. For some months following the incident Aerosmtih performed from behind a cyclone fence.

    In 1979, Ian Anderson of Jethro Tull suffered a minor eye injury when a fan throws a rose at him and one of the thorns pierces his eye. Two shows after the Madison Square Garden gig had to cancelled before Tull could resume the tour.

    In 1980, AC/DC's 'Back in Black' was certified platinum in the US.

    In 1992, Guns N'Roses guitarist Slash married model Renne Suran.

    In 1992, the US Supreme Court ruled not to reinstate lawsuits against Ozzy Osbourne citing his songs as responsible for the suicides of two American teenagers.

    In 1992, Irish singer Sinead O'Connor was booed off the stage at a show honouring Bob Dylan at Madison Square Garden. The crowd was reacting to O'Connor's attack on the Pope two weeks earlier on TV show Saturday Night Live. During the SNL show O'Connor tore up a picture of the Pope.

    In 1995, Tupac Shakur was released from jail after serving eight months for groping and fondling a woman in a New York hotel room.

    In 1996, Motley Crue drummer Tommy Lee was charged with attacking a cameraman. The cameraman was trying to take pictures of Lee and his, then, wife Pamela Anderson Lee outside an L.A. club.

    In 1998, the Crossroads addiction recovery center centre in Antiqua, which was founded with US$6.5 million underwritten by Eric Clapton, opened.

    In 2004, Dicko quit his judging job on Australian Idol after quitting his BMG role earlier in the year. Perhaps Dicko saw the writing on the wall for Australian Idol, he was a record company exec after all, if he didn't know what the industry is planning to do next then no one would.

    BACK TO CONTENTS
  • Births In 1935, Sam Moore of soul group Sam & Dave.

    In 1942, singer/songwriter/multi-instrumentalist Paul Simon.

    In 1942, former Temptation, the late Melvin Franklin.

    In 1943, Bachman Turner Overdrive bassist Fred Turner.

    In 1944, Chicago keyboardist and vocalist Robert Lamm.

    In 1946, Moody Blues vocalist Justin Hayward.

    In 1947, ex-Ronnie Montrose and ex-Van Halen vocalist Sammy Hagar.

    In 1947, Grateful Dead guitarist/vocalist Bob Weir.

    In 1949, Daryl Hall of Hall & Oates fame.

    In 1955, former Van Halen singer, David Lee Roth.

    In 1962, Red Hot Chili Peppers bassist Flea.

    In 1991, Shane Cody Fogerty was born to proud parents John and Julie Fogerty.

    BACK TO CONTENTS
  • Deaths In 1969, Leonard Chess died of a heart attack. Leonard and his brother Phil founded Chess Records in the early 50's.

    In 1978, Nancy Spungen, the girlfriend of Sex Pistols bassist Sid Vicious, was found dead of abdominal knife wounds in the couple's room at Chelsea Hotel in New York. Vicious, nearly unconscious due to the effects of several different drugs, was charged with her murder, jailed, then soon after released. Months later, he died of a heroin overdose before the case ever went to trial.

    In 1985, B-52's guitarist Ricky Wilson died of complications from AIDS at the age of 32.

    In 1990, jazz drummer Art Blakey (Abdullah Ibn Buhaina) died at the age of 71. Blakey was the leader of the Jazz Messengers and had also worked with many of the jazz greats of his time. Artists he'd performed or recorded with included Lee Morgan, Wayne Shorter, Freddie Hubbard, Johnny Griffin, Jackie McLean, Donald Byrd, Bobby Timmons, Cedar Walton, Benny Golson, Joanne Brackeen, Billy Harper, Valery Ponomarev, Bill Pierce and many others.

    In 1993, Savatage guitarist and singer Criss Oliva was killed when a drunk driver struck his car head on.

    In 1995, jazz musician Don Cherry (Donald Eugene Cherry) died of liver failure from hepatitis. Cherry recorded with Ornette Coleman and John Coltrane, among others, and was a member of The New York Contemporary Five, Codona and The Jazz Composer's Orchestra. Don Cherry is the father of contemporary musicians Neneh and Eagle Eye Cherry.

    In 1996, founding Australian Crawl guitarist Brad Robinson died after a battle with cancer. After Australian Crawl Robinson became a presenter with the 'Page One' current affairs show, then worked as a presenter and co-producer of documentaries. In the 1990s he managed James and David Reyne, and worked as an agent for the Advantage Sports Management Group.

    In 1997, singer/songwriter John Denver was killed in a plane crash when the 2-seater he was piloting crashed into Monterey Bay.

    In 1998, Zulu musicians West Knosi died in a car accident. Nkosi was the saxophonist and producer of Mahlathini And The Mahotella Queens and with the group had worked with Paul Simon and Sting.

    In 1999, guitarist Bruce Cameron committed suicide. Cameron had recorded with Jack Bruce, Mitch Mitchell, Ken Hensley, Buddy Miles and Billy Cox.

    In 1999, slide guitarist Thomas Durden, who co-wrote "Heartbreak Hotel" with Mae Axton, died at the age of 79.

    In 2001, US Songwriters Hall Of Fame Inductee Jay Livingston died of pneumonia at age 86. Livingston collaborated with Ray Evans to write "Mona Lisa" and "Que Sera, Sera". The pair also wrote the television theme songs for "Bonanza" and "Mr. Ed".

    In 2001, Australian singer Peter Doyle died after a long battle with throat cancer. Early in Doyle's career he was a member of The Virgil Brothers and The New Seekers, and later went on to sing for Standing Room Only and Regis. The latter part of Doyle's career saw him writing advertising jingles for products such as Ribena and Sugar Puffs.
    In the '70's Doyle was actually offered the role of vocalist for the Little River Band by Glenn Wheatley when the group was being put together.

    In 2002, Derek Bell, pianist for Ireland's legendary Chieftains, died in the USA after recovering from minor surgery. 67 year old Bell was a member of the Irish group for 30 years and had played on more than 30 Chieftains albums.

    BACK TO CONTENTS

    NEWSLETTER SUGGESTIONS

    If there's a segment or something you think bmusic should include in it's weekly newsletter just let us know. Drop us a line. After all, the newsletter is for you. If you have a story or an article you'd like to have considered for inclusion just e-mail it to FEEDBACK

    BACK TO CONTENTS

    DON’T WANT THE bmusic NEWSLETTER?

    If you’re sick of our boring newsletter, or you have wrongfully been placed on the Subscription list for bmusic, simply reply to this e-mail and replace the subject line with UNSUBSCRIBE and we won’t hassle you anymore.

    BACK TO CONTENTS

    PRIVACY

    You can rest assured that your e-mail address and any other details bmusic has about you will never be forwarded to parties outside the bmusic organization. We are as sick as you are of getting unauthorised, crap e-mails from some mail list. Credit card numbers are not stored by bmusic.

    BACK TO CONTENTS

    SEE YOU ALL NEXT WEEK!

    A free service brought to you by www.bmusic.com.au Copyright © 2006 bmusic.

    To receive the bmusic weekly e-newsletter simply click Here and send the e-mail.

    If you've missed a newsletter simply visit the bmusic newsletter Archive.

    BACK TO CONTENTS

    Copyright © 2006