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bmusic Newsletter No.239 October 9th - October 15th 2006 I was reading a very interesting article regarding popular video sharing site YouTube and the challenges it faces with regards to copyright in the future. This was written to follow up on the recent content sharing deal announced between Warner Music Group and YouTube. YouTube users are effectively granted licence to post Warner Music videos, which includes material from their labels such as Atlantic, Warner Bros., Rhino and Sire, amongst others, and YouTube will, in return, ensure copyright restrictions are adhered to and royalties paid to Warner. Warner will also use the site to promote their artists by posting video clips themselves as well as other promotional videos and material. You'd think, if considering the copyright issue briefly, that this applies to music videos and live footage of concerts etc., but consider it further and you begin to realise the enormity of what is at stake copyright-wise. If someone posts a clip of them playing along to their favourite song, or merely jumping on a trampoline in their backyard with a stereo on in the background, in the strict sense of the term they've breached the copyright to whatever song is playing in the background. Even performing a copyrighted song without backing to show the world how well you can play the saxophone or something is a breach. Of course YouTube is an incredible tool for promotion for artists of all walks of life, and it's not exactly high quality sound and video, at least not at this stage of technology. So, as opposed to the Napster saga, YouTube is not necessarily seen as an alternative to buying CDs and DVDs. Technology, however, will evolve and this will change down the track. But for now, record companies have not been thrilled with YouTube, excepting Warner who have taken the smart step of harnessing it. However, it remains to be seen whether YouTube can afford to pay it's end of the deal which, for now, remains undisclosed. Either Warner is all for it and harnessing it as it appears from the outside, or it has an alterior motive to get all companies on board and cripple YouTube's ability to financially honour the deal in much the same way as the RIAA appears to have done with the Kazaa agreement. So that's it from the Warner perspective. Universal Music Group, on the other hand, have a radically different feeling toward YouTube and similar sites if CEO Doug Morris' comments are anything to go by. "These new businesses are copyright infringers and owe us tens of millions of dollars". Pretty damning words, and understandable from a guy who is desperate to keep record companies as the powers that be over their artists and the buying public. It's no secret I was anti-Napster and Kazaa but YouTube, at least until technology is at such a level where the file quality is of a much higher level, I see as the best promotional tool for everything from bands to macaroni & cheese since the internet itself began. No sooner do the RIAA, representing record labels in the States, tackle one problem before another presents itself with even more complications than the last. This is no different, and there'll be something after this, I'm sure. But it would appear that before too many more generations pass the music business will have undergone the biggest shake up since the inception of recorded music and the industry that grew around the distribution of it. Or, as some would suggest, the industry that attached itself parasite style to the aspirations of musicians. All this as rumours surfaced in the last day or so that Google Inc. has speculated about buying YouTube for a reported US$1.6 billion. No confirmation that this is indeed true, but a lot of chatter has surfaced around the rumour in the past twelve hours or so. Not a bad price for a company with 60 employees, three founders and venture capitalist only pouring in around $13 million or so thus far. It wasn't so long ago that BMG Entertainment bought Napster for around US$8 million, essentially to pay out it's creditors after the record industry brought it to it's knees. Nowhere near the money they're talking for YouTube, but previous to it's troubles Napster was worth significantly more. It wouldn't take the Chairman of the New York Stock Exchange to work out that BMG would have had more success with their $8 million flushing it down the dunny. So, does Google buy YouTube on it's current value only to see the record industry get stuck into it, or does the record industry get stuck into it now and buy it for a song Napster style? All speculation of course, but there are so many adversities facing both YouTube in terms of copyright and the recording industry in trying to maintain their place in the game that there's sure to be some sort of showdown or extreme shift in the way things work very, very soon. Don't forget the current bmusic.com.au Seymour Duncan 2006 Australian Tour Commemorative Pickup Set Competition where every purchase from bmusic.com.au adds up to an entry to win the hand-wound, hand-engraved Seymour Duncan pickup set created to commemorate Seymour's recent tour of Australia. Click HERE if you've not yet checked out how you can go about winning this rare set of pickups valued at $800 IF you could actually buy them (which you can't)! While we're on winning stuff, check out www.joematera.com, site of our mate, renowned Australian rock journalist and guitarist and this week's Featured Artist, to win a copy of Jet or Iron Maiden's new albums. Simply click on the "Interviews & Reviews" link on the left hand menu of Joe's page for details on how to be in the running to win one of the 5 copies of each up for grabs. A repeat Where Are They Now? this week, one of the features we oft get the opportunity to update with new information thanks to subscribers and fans or friends of the guys letting us know. This week is no exception, new relevant information has been passed on to us and duly noted in the updated feature. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 239 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno239.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - UNCANNY X-MEN
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Tour Dates |
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FEATURED PRODUCT - JIM DUNLOP GUITAR STRINGS
THIS WEEK'S FEATURE ARTICLE - SETTING UP A SUCCESSFUL TOUR: PART 1
THE WEEK AHEAD IN MUSIC
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