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bmusic Newsletter No.229 July 31st - August 6th 2006 So Kazaa, the file sharing peer to peer software that operates out of Australia, has given in to the record company and film industry's continued legal assault and settled with US$115 million worth of payouts. But the story doesn't end there, Kazaa will now go "legit", offering licenced content and paying royalties to the record and film industry. And these industries will also be given a 20% share in any sale of the company, although they are not required to contribute funding to the company for this stake. I imagine that's part of the settlement. Good luck Kazaa, many file sharing networks that have been shut down for facilitating the transfer of copyrighted material have made the same grandiose claims about going legit and working side by side with the industries who shut down their illegal caper. Almost none have made it as far as relaunching, and those that did, such as iMesh, have been dismal failures. How a company that built it's wealth on providing a program that helps people who do not want to pay for the music and film they consume think they're going to convince their considerable user base to suddenly start paying is beyond me. Not to mention the capital needed for licencing fees and further promotion outside their current users. Surely after dishing out US$115 million and who knows how much in legal fees Kazaa (Sherman Networks being the actual company) couldn't have much left in the coffers to fund a move to legitimacy. No wonder the settlement didn't call for the record and film industries putting any cash back into Kazaa too get their 20% share of any potential future sale. History has proven that they'll likely get 20% of bugger all. Napster was bought out with much fanfare and promoted to be going legit, bet the blokes that put up the dosh for that purchase were more than a little peeved at the losses they would have taken on that little acquisition. Those users who partake in the transfer of copyrighted material have been moving toward bit torrent technology in droves for some time. The end of a commercial operation facilitating the illegal transfer of copyrighted material has come. As well it should. I'm not a fan of any of the illegal file sharing, but I'm pleased that someone at least isn't profiting from it with advertising revenue and, in the more insidious cases, spyware and adware. No matter what your position is on the transferring of such material, surely one can't seriously justify a company making oodles of cash out of advertising and such when they've used thousands, and in some cases millions, of pieces of material someone else owns to do so. Material they've not paid a dime for. Same goes for guitar tablature sites. I've heard all sorts of arguments lamenting the end of freely distributed copyrighted sheet music in tablature form, even the "free speech" card has been pulled out. Freedom of speech?! How someone correlates freedom of speech when discussing the illegal reproduction of guitar tablature I don't know. But I digress. Once again, sites who made significant amounts of revenue from advertising were not only using someone else's notation of a song, but the song a publisher or artist owned the rights to. They were making their money from no work of their own besides the very simple site structures they maintained. And somehow these sites have been seen by many of their users as unfairly treated. They made plenty of dough, and they didn't pay their way like everyone else being lawful has to. Quite rightfully they have and continue to be targeted. I've no doubt the owners of these sites no full well what wrongs they've committed too, smart ones would have known from the start there would be a time their golden gooses were taken away. RockStar: Supernova is a little uninspiring at present, just going through the motions of cutting the wheat from the chaff. Some chaff still remains, one in particular I think is still there thanks only to a solid Week One performance. The band will soon get tired of waiting for that performace to be repeated and that contender will be out for mine. There are still a couple of stand outs that are, at present, far and away better performers than their competition. There is still time for the rest to match it, but it will be difficult. For the record, the two stand outs for me thus far are Storm Large and Dilana, whether Supernova are up for a female out front remains to be seen. Storm maybe has a bit much "cabaret" in her at times, but there's no questioning her vocal ability and awesome stage presence. Dilana is something else, a unique voice and incredibly captivating performances thus far. Interestingly, she looks a lot more hardcore than what she looked like even in recent times. Don't know whether being selected for the show sparked that or not. I've seen her performing a rendition of "Landslide" with her band prior to RockStar and I wonder whether she might pull that gem out if she's ever in a Bottom Three position or has a free choice week. I'd love to see her do that in full, a great showcase song for her vocal ability. A new Where Are They Now? this week, a blast from the pop past. At the time of publication it's near completion and will be added over the weekend so check back soon if you're receiving this on release day, Saturday. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 229 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno229.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - SHEENA EASTON
| 1982 | Single You Could Have Been With Me makes US #15. She is nominated and wins the Grammy® Award for the 1981 Best New Artist. LP You Could Have Been With Me makes US #47. When He Shines makes US #30. Machinery makes UK #38. LP Madness, Money and Music peaks at UK #44. Machinery peaks at US #57. LP Madness, Money and Music peaks at US #85. I Wouldn't Beg For Water peaks at US #64. She finally does a worldwide tour and performs to standing room only audiences all around the world, including ones in Europe, the Far East and the U.S. Her concert, filmed at the Palace in Hollywood, California, during her first national tour, is released on video and is entitled "Live At The Palace". |
| 1983 | We've Got Tonight, a duet with Kenny Rogers, hits US #6 and goes to #1 on the US country charts. We've Got Tonight makes UK #28. Sheena stars in her own NBC-TV special Sheena Easton...Act One. During one of Kenny's concerts, filmed for video release, Sheena appeared at the venue and they performed the duet live. Telefone (Long Distance Love Affair) makes US #9. LP Best Kept Secret makes US #33 and UK #99. This album is a change of direction for Sheena. The music is a bit younger and the songs are more dance oriented. She changes producers and is now working with Greg Mathieson. |
| 1984 | Almost Over You peaks at US #25. Devil In A Fast Car peaks at US #79 She marries agent Rob Light, an agent. The marriage lasts 1 1/2 years. She records Todo Me Recuerda A Ti an album, sung in Spanish, of her greatest hits and a few originals. She doesn't understand Spanish but learns the words phonetically. The album does very well going gold, selling more than 500,000 copies, in many Latin American countries. Harriett Wasserman becomes her manager and has remained so ever since. Strut hits US #7 |
| 1985 | LP A Private Heaven peaks at US #15. The album goes platinum, selling over 1 millions copies, and becomes the best selling album of her career. This album continues Sheena on the course of more dance oriented music. She wins the Grammy ® Award for Best Mexican-American Performance for Me Gustas Tal Como Eres, a duet with Luis Miguel on the Todo Me Recuerda A Ti album. Sugar Walls, written by Prince, under the pen name Alexander Nevermind, peaks at US #9 and #3 on the US R&B charts. Due to the controversy over the lyrics, the single is the most talked about single of her career. There is severe criticism from the Family Resource Center, a group lead by Tipper Gore, due to what they deemed sexually explicit in content. She and other artists defend their right of artistic expression and disagrees with the group's assessments of the lyrics. The heated discussions die down. She is honored as the only artist in history to have Top 5 hits on Billboard's five major charts: Pop, R&B, Country, Adult Contemporary, and Dance. She records the theme song for the Dudley Moore film Santa Claus - The Movie, It's Christmas All Over The World. Do It For Love reaches US #29. LP Do You is produced by Nile Rodgers and reaches US #40. |
| 1986 | Jimmy Mack peaks at US #65. She records two songs for the Demi Moore & Rob Lowe film About Last Night, working with Narada Michael Walden. The songs are So Far So Good and Natural Love. So Far So Good makes US #43 |
| 1987 | Eternity single is released. EMI America is bought out by Manhattan records. Sheena is unhappy with the new record label and is able to break her existing contract. As a result, the album Sheena had recorded, No Sound But A Heart, is not released in the US. It is, however, released in the Far East, where it does well despite the lack of promotion. |
| 1989 | The Lover In Me makes US #2, #1 on US R&B charts, and UK #15. LP The Lover In Me makes US #44 and UK #25. Days Like This makes US R&B #36 and UK #43. 101, written by Prince, makes US R&B #2 and UK #54. The Arms Of Orion, a duet with Prince, appears on the Batman soundtrack and makes US #36 and UK #12. Lyrics written by Sheena. |
| 1991 | What Comes Naturally makes US #19. LP What Comes Naturally makes US #90. She begins a national tour of the musical revival of Man Of La Mancha. |
| 1992 | Man Of La Mancha makes its way to Broadway. She records A Dream Worth eeping, a song from the soundtrack for "FernGully", an animated feature, which is played during a key scene. She becomes a citizen of the United States of America. |
| 1993 | She is seen (during a cameo performance) in a feature film, Indecent Proposal. The film stars Robert Redford, Demi Moore, and Woody Harrelson. The Nearness of You, the song she performs during the cameo, is featured on the Indecent Proposal Soundtrack. LP No Strings is released. It is a compilation of jazz/blues songs, a departure from her usual pop and contemporary material. |
| 1994 | She adopts a baby boy, Jake. She joins James Ingram, Peabo Bryson, and Roberta Flack for The Colors Of Christmas, an annual tour for the holiday season. |
| 1995 | LP My Cherie is released. The album does very well in Japan, with the My Cherie single reaching the Top 10. |
| 1996 | She adopts a baby girl, Skylar. She makes her feature film acting debut as the voice of the Irish setter in the animated feature, All Dogs Go To Heaven 2. She begins a national tour, ending on Broadway, of the musical revival of Grease. |
| 1997 | LP Freedom is released in Japan. The Official Sheena Easton Website is launched on the internet in June. She, once again, tours in The Colors Of Christmas. This time she appears with James Ingram, Peabo Bryson, and Patti Austin. |
| 1998 | The Colors of Christmas CD is released. Her songs include The Lord's Prayer and The Gift, a duet with Jeffrey Osborne. |
| 1999 | home CD is released in Japan. |
| 2000 | fabulous CD released in U.K. |
| 2001 | She tours in The Colors Of Christmas with Oleta Adams, Michael McDonald and Peabo Bryson. |
| 2002 | Starts a year long gig headlining at the Las Vegas Hilton from January 2002-January 2003 |
| 2003 | Starts a new task as co-host of a Las Vegas morning TV show. For now, it is only viewable in Vegas. The show began airing on Monday, November 3rd. She is co-hosting with Clint Holmes. She and Clint are the permanent hosts. She tours in The Colors Of Christmas with Peabo Bryson, Christopher Cross and Jon Secada. |
| 2004 | On October 31, 2004, she is inducted into the Casino Legends Hall of Fame at the Tropicana Resort & Casino. |
| 2005 | She joins the cast of “Young Blades," PAX TV’s new primetime series, as Queen Anne. The action-adventure series follows a new generation of swashbucklers inspired by the legendary Three Musketeers. |
FEATURED PRODUCT - ELECTRO-HARMONIX PEDALS & PROCESSORS


THIS WEEK'S FEATURE ARTICLE- LEARNING WHERE THE MONEY COMES FROM
FEATURED ARTIST - DOUBLE DRAGON
THE WEEK AHEAD IN MUSIC
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