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bmusic Newsletter No.227 July 17th - July 23rd 2006 "The band are naturally very upset and sad to learn of Syd Barrett's death. Syd was the guiding light of the early band line-up and leaves a legacy which continues to inspire." So said Pink Floyd in an official statement released this week following the news that Pink Floyd founding frontman Rooger (Syd) Barrett had passed away on July 7th. News of his death wasn't reported until a few days later that Syd had passed away as a result of complications from diabetes in the home he retreated to as a recluse more than 30 years ago in Cambridgeshire, England. I've been considering this week Syd's story. I can't work out whether it's a rock tragic story, a sad story of an unwell man, the eccentricities of a genius, a tale of the perils of drug abuse, or just a story about a guy who really, truly wasn't where he wanted to be and dropped out to a better place as he saw it. Plenty of artists have dropped out of their scene spectacularly over the years, such as Fleetwood Mac's Peter Green's spectacular departure from public life, or our own Stevie Wright's huge fall from dizzying heights. But most come back, the two just mentioned included, at some stage to an appreciative and patiently waiting audience. But Syd Barret didn't, he never even looked like resembling anything even remotely close to returning to public life. But why? He must've had the opportunities presented him or his family for insane amounts of money to do something sometime in the last 30 years. The "why" I'm sure we'll never know, something that will no doubt cement Syd Barrett's story as a thing of mythology as much as it is an actual real life story. You can't help but wonder what he did with his time, he painted, we know that much. But how often, if at all, did he pick up a guitar and strum a few tunes, did he compose for himself music that was heard but once and never to be heard again? He never revealed his painting, maybe he continued to make his music and kept that to himself too. Whether Syd was suffering from a mental illness before his drug use began or suffered an illness due to the drugs, or had an illness at all, may never be known. It is sad to think of Syd Barrett waiting patiently on the side of the road in Southampton for his Pink Floyd bandmates to pick him up and take him to a gig. David Gilmour had been secured as a second guitarist and back up on vocals in case Syd went on a "bender" during a show, and this time the band couldn't go through another Syd bender. They never picked him up for that show, and it was the beginning of the end. Once again, we'll never know what Syd thought about that. Perhaps it's what he actually wanted, not comfortable performing and being who he was at that time. It would be simple, and maybe true, who knows, to blame it all on drugs and thereby lay the blame squarely on the shoulders of Syd Barrett for everything that was to come in his life. But I'm quite sure there was something significantly more powerful at work. David Gilmour was quoted as saying in a recent documentary: There is a mass of resources on the internet if you'd like to learn a little more about Syd Barrett if you're not familiar with his work and his life. Google will give you an endless supply of such things of course, but there are a few to check out first if you've not already. There have been a few good documentaries made about him, one has been screening in recent times on Foxtel's Biography Channel and is well worth checking out if you get the opportunity. A VH1 special on Syd Barrett can be seen on YouTube HERE. Astral Planet is an excellent Syd Barrett fan site at www.sydbarrett.org. We've also included our Syd Barrett Where Are They Now? feature from a couple of years ago with the only updates we ever received this week, there are so many more words that could be written about the guy, and so many that have been far better than I can, but check out our feature that includes some excellent sleeve notes by Mark Paytress written for a 2001 "Best Of..." release. Many words have been written and blogs posted since the news of Syd's death came out, most of it excellent, but I picked one quote out that seemed very apt and wonderfully well crafted. It was from the UK's Daily Guardian site and written by Caroline Sullivan: On a lighter note, RockStar's into it's second week and, if you caught last week's monster issue, you'll know I'm right into the current series. Some performers seemed to try to be a little more ROCK than perhaps they are this week, actually a lot of them did. I'm sure that will be tempered over time and some even redeemed themselves in their bottom three second performances. The best news is our Aussie contender Toby Rand got selected to do the encore performance of his piece. In my opinion, and I have to say though that I don't know a lot of Toby's work before this, that even he fell prey to getting just that little bit more "rock gravelly" than perhaps he ordinarily is toward the end of his tune, but it came off better to me than the week before's "Knockin' On Heaven's Door". Not that he performed it poorly, not at all, but there was that slightest hint of 'Shannon Noll' in his tone on that. Everyone that's been getting this lil' old newsletter for any amount of time also will know I'm not the world's biggest Shannon Noll fan. I think maybe it wasn't so much Toby had that 'Noll' thing going on, but that his Australian influences from the same people who influenced Noll, such as Jimmy Barnes et al, come through more glaringly in a performance when it's packaged with a bunch of American performers. And a ballad like he had to perform makes such influences even more apparent, whether they're favourite performers of his or not, he is an Aussie at the end of the day and he would be influenced in one way or another by Australian musicians like Barnes & co. If I'm wrong and that is what Toby is as a singer in terms of the real heavy kind of rock thing my apologies of course, I guess I'll find out more about that as the series progresses. For the record I like it pretty heavy myself and have listened to a lot of heavy singers for a long time now, it would be a tough thing to deliver to a guy like Jason Newsted in particular, he and a certain frontman he used to play with are about as heavy as they came once upon a time, and big influences over the genre itself ever since. Either way, I liked Toby's performance this past week more than the last, and he did throw in the good ol' "How ya g'arn?". Nice one mate! Oh, and apparently the ladies dig him, that can't hurt his chances. For the record, I've no position on that side of Toby Rand! More on RockStar next week. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 227 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno227.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - SYD BARRETT (UPDATED)
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Syd Barrett was last interviewed, briefly, in April of 2001 just before the release of the Best Of album. He simply muttered, “I think you had better leave it. I don’t do that any more”. David Gilmour was the last person to say they'd heard anything about Barrett. In a January 2002 webchat Gilmour was asked, "What's the latest on Syd? Have you heard anything?" To which he replied, "The last I heard of Syd was when the producer of the documentary that was on telly a few weeks ago had received a letter from Syd's sister Rosemary saying Syd had enjoyed the program". The following is taken from an EMI press release regarding the 2001 release along with the splendid sleeve notes written by Mark Paytrass from the same album. |
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SYD BARRETT 'Wouldn't You Miss Me? The Best Of...' Release Date: April 16th 2001 Catalogue No.: 532 3202 Titled 'Wouldn't You Miss Me? The Best Of', this 22 track CD contains a selection of Syd's 'best' work culled from his two studio albums, 'Madcap Laughs' and 'Barrett' and the rarities album, 'Opel', together with the previously unreleased and much sought after, 'Bob Dylan Blues' (an outtake from 1969, which has made its appearance due to Syd's longtime friend and fellow Pink Floyd member, Dave Gilmour giving EMI permission to use the track). Also included is a BBC session track, 'Two Of A Kind'. Syd Barrett's music has influenced many artists - this compilation not only serves as an excellent reminder of a genius at work, but makes the perfect sampler for a whole new generation wishing to hear who it was that influenced some of their favourite bands, and of course a chance for fans to hear the unreleased track for the first time - a pure gem! SLEEVENOTES BY MARK PAYTRESS There are magnificent cult heroes shrouded in the stuff of infamy and legend ... and then there is Syd Barrett. Syd the unforgotten hero of the early Pink Floyd, who virtually set the parameters for British psychedelia with his fanciful songs and space-age improvisation. The summer of love's prize bloom who soon wilted under the gaze of the pop world's plastic eye. The sacrificial lamb of the love generation's wilder excesses who simply forgot to sing or play his guitar. The self-styled' Vegetable Man' who re-emerged with two solo albums that bore the scars of hippie innocence and the acid experience with a shocking unselfconsciousness. It's the best of these two remarkable records - and out-takes recorded during the sessions - that are now available on "Wouldn't You Miss Me", the first ever Syd Barrett compilation. Syd's genius, and its subsequent fragmentation, seems a dream and a nightmare away from a potentially idyllic upbringing as a middle class son of one of Britain's most prestigious and cultured cities. As a Cambridge child, Barrett (born Roger Keith Barrett on 6 January 1946) listened attentively to stories read by his mother Winifred, tales that instilled in him a thirst for escape and invention, an otherworld he continued to inhabit as an a student at Camberwell Art School during the mid-60s. Inevitably, music too, inspired him, typically The Beatles, Bob Dylan and - most of all - the gritty, hostile sounds of R&B epitomised by The Rolling Stones. Another, more general influence was the emerging post-Beat subculture, which aspired to a new way of life where poetry, art, literature, music and recreational drug use provided an antidote to artless suburban convention. This provided the perfect environment in which the ever-imaginative Barrett could flourish. |
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