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bmusic
Newsletter No.227
July 17th - July 23rd 2006

"The band are naturally very upset and sad to learn of Syd Barrett's death. Syd was the guiding light of the early band line-up and leaves a legacy which continues to inspire."

So said Pink Floyd in an official statement released this week following the news that Pink Floyd founding frontman Rooger (Syd) Barrett had passed away on July 7th. News of his death wasn't reported until a few days later that Syd had passed away as a result of complications from diabetes in the home he retreated to as a recluse more than 30 years ago in Cambridgeshire, England.

I've been considering this week Syd's story. I can't work out whether it's a rock tragic story, a sad story of an unwell man, the eccentricities of a genius, a tale of the perils of drug abuse, or just a story about a guy who really, truly wasn't where he wanted to be and dropped out to a better place as he saw it. Plenty of artists have dropped out of their scene spectacularly over the years, such as Fleetwood Mac's Peter Green's spectacular departure from public life, or our own Stevie Wright's huge fall from dizzying heights. But most come back, the two just mentioned included, at some stage to an appreciative and patiently waiting audience. But Syd Barret didn't, he never even looked like resembling anything even remotely close to returning to public life. But why? He must've had the opportunities presented him or his family for insane amounts of money to do something sometime in the last 30 years. The "why" I'm sure we'll never know, something that will no doubt cement Syd Barrett's story as a thing of mythology as much as it is an actual real life story.

You can't help but wonder what he did with his time, he painted, we know that much. But how often, if at all, did he pick up a guitar and strum a few tunes, did he compose for himself music that was heard but once and never to be heard again? He never revealed his painting, maybe he continued to make his music and kept that to himself too. Whether Syd was suffering from a mental illness before his drug use began or suffered an illness due to the drugs, or had an illness at all, may never be known.

It is sad to think of Syd Barrett waiting patiently on the side of the road in Southampton for his Pink Floyd bandmates to pick him up and take him to a gig. David Gilmour had been secured as a second guitarist and back up on vocals in case Syd went on a "bender" during a show, and this time the band couldn't go through another Syd bender. They never picked him up for that show, and it was the beginning of the end. Once again, we'll never know what Syd thought about that. Perhaps it's what he actually wanted, not comfortable performing and being who he was at that time.

It would be simple, and maybe true, who knows, to blame it all on drugs and thereby lay the blame squarely on the shoulders of Syd Barrett for everything that was to come in his life. But I'm quite sure there was something significantly more powerful at work. David Gilmour was quoted as saying in a recent documentary:

"It was a deep-rooted thing. But I'll say the psychedelic experience might well have acted as a catalyst. Still, I just don't think he could deal with the vision of success and all the things that went with it." Maybe Syd Barrett led a sad existence, maybe he led a very happy existence, maybe he's just like you and me and wanted to be just Roger Barrett of Cambridgeshire and nobody else. Syd Barrett took his secrets with him to the grave, and such is the legend of his story that the tale has had a befitting end.

There is a mass of resources on the internet if you'd like to learn a little more about Syd Barrett if you're not familiar with his work and his life. Google will give you an endless supply of such things of course, but there are a few to check out first if you've not already. There have been a few good documentaries made about him, one has been screening in recent times on Foxtel's Biography Channel and is well worth checking out if you get the opportunity. A VH1 special on Syd Barrett can be seen on YouTube HERE. Astral Planet is an excellent Syd Barrett fan site at www.sydbarrett.org. We've also included our Syd Barrett Where Are They Now? feature from a couple of years ago with the only updates we ever received this week, there are so many more words that could be written about the guy, and so many that have been far better than I can, but check out our feature that includes some excellent sleeve notes by Mark Paytress written for a 2001 "Best Of..." release.

Many words have been written and blogs posted since the news of Syd's death came out, most of it excellent, but I picked one quote out that seemed very apt and wonderfully well crafted. It was from the UK's Daily Guardian site and written by Caroline Sullivan:

"Enigmatic to the last, Barrett was one of the few pop stars about whom almost nothing is known beyond the fact that he had it all, and gave it all away."
On a lighter note, RockStar's into it's second week and, if you caught last week's monster issue, you'll know I'm right into the current series. Some performers seemed to try to be a little more ROCK than perhaps they are this week, actually a lot of them did. I'm sure that will be tempered over time and some even redeemed themselves in their bottom three second performances. The best news is our Aussie contender Toby Rand got selected to do the encore performance of his piece. In my opinion, and I have to say though that I don't know a lot of Toby's work before this, that even he fell prey to getting just that little bit more "rock gravelly" than perhaps he ordinarily is toward the end of his tune, but it came off better to me than the week before's "Knockin' On Heaven's Door". Not that he performed it poorly, not at all, but there was that slightest hint of 'Shannon Noll' in his tone on that. Everyone that's been getting this lil' old newsletter for any amount of time also will know I'm not the world's biggest Shannon Noll fan. I think maybe it wasn't so much Toby had that 'Noll' thing going on, but that his Australian influences from the same people who influenced Noll, such as Jimmy Barnes et al, come through more glaringly in a performance when it's packaged with a bunch of American performers. And a ballad like he had to perform makes such influences even more apparent, whether they're favourite performers of his or not, he is an Aussie at the end of the day and he would be influenced in one way or another by Australian musicians like Barnes & co. If I'm wrong and that is what Toby is as a singer in terms of the real heavy kind of rock thing my apologies of course, I guess I'll find out more about that as the series progresses. For the record I like it pretty heavy myself and have listened to a lot of heavy singers for a long time now, it would be a tough thing to deliver to a guy like Jason Newsted in particular, he and a certain frontman he used to play with are about as heavy as they came once upon a time, and big influences over the genre itself ever since. Either way, I liked Toby's performance this past week more than the last, and he did throw in the good ol' "How ya g'arn?". Nice one mate! Oh, and apparently the ladies dig him, that can't hurt his chances. For the record, I've no position on that side of Toby Rand! More on RockStar next week.

Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 227 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno227.html

Thanks to everyone for reading, we'll see you next week!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - Syd Barrett (Updated)
  • This week's Music Quote
  • Featured Product - Hughes & Kettner Tube Tools Pedals
  • This week's Specials
  • This week's Feature Article - Mastering: What It Is And Why You Shouldn't Do It In Your Garage
  • This week's Feature Artist - Truth Corroded
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Week Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next week

  • WHERE ARE THEY NOW? - SYD BARRETT (UPDATED)

    Syd Barrett Now
    One of the most amazing tales in rock 'n' roll history is that of legendary Pink Floyd founder, Syd Barrett, and his complete disassociation with the music industry and society itself. Syd Barrett Then
    In April, 2001 a 'Best Of...' album was released featuring the work of Syd Barrett. Some of which had never before been released. But Barrett's contribution to the album was complete decades ago. Permission to use the Barrett-owned material on the 2001 album was given by Syd Barrett’s family who manage his affairs. Royalties for early Pink Floyd releases run into six-figure sums each year for Barrett but it is not known what, if anything, is done with the income.

    Syd Barrett was last interviewed, briefly, in April of 2001 just before the release of the Best Of album. He simply muttered, “I think you had better leave it. I don’t do that any more”.

    David Gilmour was the last person to say they'd heard anything about Barrett. In a January 2002 webchat Gilmour was asked, "What's the latest on Syd? Have you heard anything?" To which he replied, "The last I heard of Syd was when the producer of the documentary that was on telly a few weeks ago had received a letter from Syd's sister Rosemary saying Syd had enjoyed the program".

    The following is taken from an EMI press release regarding the 2001 release along with the splendid sleeve notes written by Mark Paytrass from the same album.
    SYD BARRETT
    'Wouldn't You Miss Me? The Best Of...'
    Release Date: April 16th 2001
    Catalogue No.: 532 3202

    Titled 'Wouldn't You Miss Me? The Best Of', this 22 track CD contains a selection of Syd's 'best' work culled from his two studio albums, 'Madcap Laughs' and 'Barrett' and the rarities album, 'Opel', together with the previously unreleased and much sought after, 'Bob Dylan Blues' (an outtake from 1969, which has made its appearance due to Syd's longtime friend and fellow Pink Floyd member, Dave Gilmour giving EMI permission to use the track). Also included is a BBC session track, 'Two Of A Kind'.

    Syd Barrett's music has influenced many artists - this compilation not only serves as an excellent reminder of a genius at work, but makes the perfect sampler for a whole new generation wishing to hear who it was that influenced some of their favourite bands, and of course a chance for fans to hear the unreleased track for the first time - a pure gem!

    SLEEVENOTES BY MARK PAYTRESS

    There are magnificent cult heroes shrouded in the stuff of infamy and legend ... and then there is Syd Barrett. Syd the unforgotten hero of the early Pink Floyd, who virtually set the parameters for British psychedelia with his fanciful songs and space-age improvisation. The summer of love's prize bloom who soon wilted under the gaze of the pop world's plastic eye. The sacrificial lamb of the love generation's wilder excesses who simply forgot to sing or play his guitar. The self-styled' Vegetable Man' who re-emerged with two solo albums that bore the scars of hippie innocence and the acid experience with a shocking unselfconsciousness. It's the best of these two remarkable records - and out-takes recorded during the sessions - that are now available on "Wouldn't You Miss Me", the first ever Syd Barrett compilation.

    Syd's genius, and its subsequent fragmentation, seems a dream and a nightmare away from a potentially idyllic upbringing as a middle class son of one of Britain's most prestigious and cultured cities. As a Cambridge child, Barrett (born Roger Keith Barrett on 6 January 1946) listened attentively to stories read by his mother Winifred, tales that instilled in him a thirst for escape and invention, an otherworld he continued to inhabit as an a student at Camberwell Art School during the mid-60s. Inevitably, music too, inspired him, typically The Beatles, Bob Dylan and - most of all - the gritty, hostile sounds of R&B epitomised by The Rolling Stones. Another, more general influence was the emerging post-Beat subculture, which aspired to a new way of life where poetry, art, literature, music and recreational drug use provided an antidote to artless suburban convention. This provided the perfect environment in which the ever-imaginative Barrett could flourish.
    Syd Barrett Now
    It was Syd's peculiarly acute imagination that transformed the early Pink Floyd from a promising R&B group with lofty ambitions into the UK's premier acid-rock combo. Barrett's fragmented, glissando guitar-playing added an otherworldly gloss to the band's extended jams, while his shorter songs conjured up a magical, idyllic backdrop to flower-power's technicolor dreams. In 1967, when half of the western world appeared to turn on, tune in and at least fantasise about dropping out, these were indeed admirable qualities.

    After the debut 45, "Arnold Layne", scraped into the charts, the impeccable psych-pop follow-up, "See Emily Play", took the band into the Top 5, onto 'Top Of The Pops' and around the country's ballroom circuit. By August 1967, and with the band's debut album, "The Piper At The Gates Of Dawn", poised for release, The Pink Floyd were on the cusp of a real breakthrough. Unfortunately, it was the moment when Syd decided to absent himself for a few days; worse still, he returned a changed man. Always erratic, now his behaviour seriously undermined the group's future. His ability to translate his raw songwriting into finished studio creations left him; on stage, he often stood motionless contributing nothing more than provoking looks of bewilderment on the faces of his colleagues. After a second guitarist, Syd's old Cambridge buddy Dave Gilmour, was added to the line-up, Barrett became virtually dispensable to the band. On 26 January 1968, the group that had once relied so much on his contributions, set off for a concert without him.

    Despite this apparent humiliation (though Barrett already seemed past caring), all was not lost. Pink Floyd's co-managers Andrew King and Peter Jenner chose to dissolve their relationship with the band, and Jenner - who once described Syd as "the most creative person I'd ever known" - became Barrett's manager and producer. But while the Floyd steadily rebuilt their career through constant gigging and an infinitesimal attention to detail in the recording studio, Syd became more difficult than ever. Recording sessions for his first solo album, "The Madcap Laughs", began in May 1968 and continued intermittently until October 1969, overseen by a number of increasingly exasperated producers and engineers. "Initially, these were booked as demo sessions just to see if Syd had any songs worth recording," recalls Peter Mew, who engineered several of the tracks on the first record. "It was all a bit chaotic - do a bit, then go off and have a smoke - and Syd wasn't totally compos mentis. He wasn't temperamental, just not on the same planet as the rest of us. A lot of the songs had potential and you thought, "If the guy pulls himself together, you've got something here." After stints with Jenner and EMI staffer Malcolm Jones handling production duties, the Floyd's Dave Gilmour and Roger Waters were drafted in to salvage something from the sessions.

    Syd's work with Pink Floyd had been ornate and sophisticated. The arrangements on 'The Madcap Laughs" - threadbare, slapdash even - couldn't have been more different. The effect was both unsettling and inspiring, for here was pitiable estrangement and unharnessed imagination, unrefined and nerve-tinglingly raw. On "Feel", one of the record's more despairing songs, Barrett complains: "I want to go home..." Early in 1970, around the time of the album's release, that's exactly what he did, leaving his central London flat and returning to the family home in Cambridge, where he famously took up residence in the cellar.

    Between February and July that year, he was tempted back to London for intermittent work on a second solo album, "Barrett", a marginally more conventional - though less inspired - affair thanks to the involvement again of Dave Gilmour. "Dave showed incredible amounts of patience," says Jerry Shirley, who played drums on the sessions. "We never knew what time Syd would start or finish. He might not even turn up at all. The only predictable thing about Syd at that point was that he was totally unpredictable, as nutty as a fruitcake."

    On these solo records, Syd's working methods took the psychedelic model of spontaneous creativity to the extreme. "The one thing Syd could still do was to write a decent, unusual song," says Shirley. "But even they got so unpredictable that even he couldn't remember them. If you didn't record a new song right away, it would be gone." After getting several of Syd's new songs down on tape, the musicians - who also included Floyd keyboard player Rick Wright and Gilmour himself - would overdub the parts afterwards, no mean feat given Syd's erratic sense of timing. "He found it extremely difficult to play as part of a band by this time," maintains Jerry Shirley. "it was just all over the place." Despite this obvious limitation, Shirley and Gilmour nevertheless braved an appearance with Syd for a comeback concert at the Olympia, London, in June 1970. Four songs into the set, Barrett simply put his guitar down and walked off. By the end of the year, he'd returned to Cambridge for good, largely oblivious to the enormous cult that was growing, and continues to grow around him.

    One of many latter-day celebrity Barrett devotees is Blur guitarist Graham Coxon, who once donated a vast, Syd- inspired sculpture to a charity auction. "I think Syd made a decision, although a very twisted one, that a musician's lifestyle wasn't for him," he says. "I like to think of him being happy, painting and going for strolls in the park. I don't think he misses the pop circus. I think he overdosed on it and chose a more pastoral existence." And the reason why the Barrett milieu is so enduring? "There is a little bit of Syd in everyone," he insists. "It's that sensitivity and vulnerability."

    UPDATE - 8th February 2004
    24 th March 2003 saw the release of "The Pink Floyd and Syd Barrett Story" on DVD. The DVD includes:
  • Roger Waters on Syd Barrett
    Extended interview of Roger Waters talking about Syd Barrett, which includes Syd’s musical influences, his illness, the last time he saw Syd. Running time approx 10 minutes.
  • Dave Gilmour on Wish You Were Here
    Extended interview of Dave talking about how Wish You Were Here was written. Running time approx 4 minutes.
  • Robyn Hitchcock performing Dominoes
    Singer/ songwriter of 60’s influenced guitar pop group Soft Boys Dominoes is from Syd Barretts solo album Barrett released in November 1970. Running time approx 3 minutes.
  • Robyn Hitchcock performing It Is Obvious
    It Is Obvious is from Syd Barretts solo album Barrett released in November 1970. Running time approx 3 minutes.
  • Graham Coxon performing Love You
    Love You is from Syd Barretts solo album The Madcap Laughs released in January 1970. Running time approx 3 minutes.
  • Biography
    Detailed biography of Syd Barrett

  • UPDATE - 8th February 2004
    There is a four page feature on the downfall of Syd Barrett in the latest UK magazine, Q. Nothing new to the well read fan but a good collection of resources pieced togehter for the article.

    Besides that there is nothing new to report on Syd Barrett, no sightings and no confirmed news. There was talk he had been ill late last year and was admitted to a Cambridgeshire hospital but there has been no confirmation of this "rumour". There was also talk that he'd been seen at the latest Wimbledon tennis tournament but we suspect that is unlikely. We'll keep an eye out for any news but Syd Barrett has to be one of the most mysterious figures in music history. His reclusiveness in itself is a thing of legend, not to mention the man and his music.

    UPDATE - 14th JULY 2006
    Syd passed away on July 7th at his home in the Cambridgeshire home he retreated to as a recluse more than 30 years ago. It was confirmed by his family that Syd suffered painful stomach ulcers and diabetes and it was as a result of complications from the latter he passed away at the age of 60. Syd Barret's name will forever live on through his work, the tributes to him by his one-time bandmates Pink Floyd, and in the countless musicians past, present, and in years to come who drew inspiration from Roger (Syd) Barrett.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

    BACK TO CONTENTS

    THIS WEEK'S MUSIC QUOTE

    "After years of consideration I've come to the conclusion that, within limits, gear is more important as a topic of conversation than as a way of making music. It's just not that important"
    - Chris Smither (US Roots & Blues Player)


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    FEATURED PRODUCT - HUGHES & KETTNER TUBE TOOLS PEDALS

    Hughes & Kettner Tube Tools
    Hughes & Kettner Tube Tools
    Widely regarded as the absolute best, no compromise pedals of their kind in the world, the Hughes & Kettner Tube Tools range currently provides four high end pedals:

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    Click HERE for pricing and availability of Hughes & Kettner's Tube Tools pedals at bmusic.com.au or visit Hughes & Kettner's Tube Tools pages to Test Drive each pedal by clicking HERE.

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    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    Specials this week include:
    RANDALL RM100M MTS GUITAR HEAD - $1849 save $401 off RRP
    RANDALL V2 300W GUITAR HEAD - $2209 save $486 off RRP
    RANDALL RH150G3 150W VALVE DYNAMIC GUITAR HEAD - $849 save $150 off RRP
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    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    HUGHES & KETTNER PURETONE COMBO - $2795 save $700 off RRP
    HUGHES & KETTNER MATRIX 100 HEAD - $725 save $170 off RRP
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    Check out our Specials page for more info on these specials.


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    THIS WEEK'S FEATURE ARTICLE - MASTERING: WHAT IS IT AND WHY YOU SHOULDN'T DO IT IN YOUR GARAGE

    Ron Boustead speaks about the importance of having your work professionally mastered in his excellent article, "Mastering: What It Is And Why You Shouldn't Do It In Your Garage". As Ron points out, you've lived with your music from Day One, the professional mastering engineer can bring much needed fresh ears to your vision and has the necessary skills to allow you to hear more than perhaps you even thought possible. As far as the actual process goes, as Ron states, "it's trickier than squashing the life out of it with massive amounts of compression." Never a truer word was written!

    Click HERE to read Ron Boustead's "Mastering: What It Is And Why You Shouldn't Do It In Your Garage".

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    FEATURED ARTIST - TRUTH CORRODED

    Adelaide thrashers Truth Corroded launched its Australian tour in Mid May in support of their latest album ‘Our Enemy is the Weapon’. The tour will cover Adelaide, Melbourne, Brisbane, The Gold Coast, Perth, Sydney and Tasmania. This will be an opportunity for many to see Truth Corroded for the first time as the band head to new destinations and for others a first time to witness the bands new line up and brutal new sound.

    Since Truth Corroded reformed in mid 2003 they have supported international heavyweights Sepultura, Chimaira and In-Flames, as well as performing alongside some of Australia’s best up and coming and established metal and hardcore bands. In 2005 Truth Corroded released ‘Our Enemy is the Weapon’ on the bands own label ‘Truth Inc. Records’ (Through MGM). The latest album consolidates Truth Corroded’s new line up and heavier, faster, more confronting sound.

    Check out the band's official website at www.truthcorroded.com for more info, pics and to listen to the metal that is Adelaide's Truth Corroded.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1965, Mick Jagger, Keith Richards and Bill Wyman of the Rolling Stones were fined five pounds each for insulting behavior after urinating on the wall of a London gas station. The owner had refused to give them the key to the men's room.

    In 1967, Jimi Hendrix either quit or was fired as opening act for the Monkees' U-S tour after only five days. His replacement was Vanilla Fudge.

    In 1967, the openineg act for the Monkees Forest Hills Tennis Stadium show in New York was the Jimi Hendrix Experience.

    In 1968, Iron Butterfly's "In-a-Gadda-da-Vida", featuring the 17-minute title track with one of the longest drum solos in rock history debuted on the U.S. charts.

    In 1968, the animated Beatles' film "Yellow Submarine" premiered at the London Pavilion, with John, Paul, George and Ringo in attendance.

    In 1969, the Spencer davis Group disbanded.

    In 1969, John Sinclair, manager of hard-rock band MC-5, was sentenced to a maximum ten years in jail on marijuana possession charges. Sinclair was also head of the radical White Panther Party.

    In 1972, a deliberate dynamite explosion destroyed around 30 speakers stored in a Rolling Stones tour truck at Canada's Montreaux Forum. Many people caled local radio stations claiming responsibity for the bombing but no arrests were ever made and the crime went unsolved.

    In 1974, Joey Ramone stepped out from behind the drum kit to take on the job as lead vocalist for The Ramones.

    In 1974, the Moody Blues opened a 32 track recording studio in London. The studio was the first in Britain to be equipped for quadraphonic recording.

    In 1974, John Lennon was ordered out of the U.S., the U.S. Immigration and Naturalization Service denying him an extension of his non-immigrant visa as a result of Lennon's guilty plea to U.K. possession of marijuana charges in 1968.

    In 1976, pioneering rockers Deep Purple broke up (for the first time).

    In 1977, Led Zeppelin drummer John Bonham, Zeppelin manager Peter Grant and two bodyguards were arrested for beating up three employees of promoter Bill Graham following a show in Oakland, California. The four pleaded guilty to misdemeanors and settled out of court for about US two-million dollars in damages.

    In 1978, Sex Pistol singer John Lydon, aka Johnny Rotten, formed Public Image Limited.

    In 1978, Gerry Rafferty, former Stealers Wheel member, earnt a U.S. gold record solo hit with his song "Baker Street".

    In 1979, guitarist Gary Moore left Thin Lizzy and was replaced in the band by Midge Ure.

    In 1984, dozens of people from an 18,000 strong crowd collapsed from heat exhaustion during a concert by Huey Lewis and the News and Juice Newton in North Dakota.

    In 1986, Jon Moreland stabbed himself repeatedly with an 18 cm hunting knife during a Los Angeles concert by The Cure. Moreland told police he did it because he couldn't have the woman he loved. The 18,000 fans thought the stabbing was part of the show and cheered Moreland on.

    In 1987, a jury in New York ruled that Morris Albert's 1975 composition "Feelings" was plagiarised from "Pour Toi," a song written in 1956 by French composer Lou Lou Geste. It was ruled Geste was owed at least US$500,000 from the success of "Feelings".

    In 1987, Rolling Stones guitarist Keith Richards signed a solo deal with Virgin Records.

    In 1988, CBS Records and Ozzy Osbourne successfully defended an appeal brought against them in the California appeals court that disputed an earlier decision by a lower court. Both courts dismissed the case brought against them that involved claims Ozzy Osbourne's song "Suicude Solution" contributed to the 1984 suicude of a teenage boy.

    In 1990, about 200-thousand people gathered at a site in East Berlin where the Berlin Wall once stood for a benefit concert that included an all-star cast performing Pink Floyd's "The Wall."

    In 1991, the revamped Lynyrd Skynyrd opened its world tour in Baton Rouge, Louisiana. Fourteen years earlier, the band was on its way to a concert in Baton Rouge when their private plane crashed, killing three members of the group, including lead singer Ronnie Van Zant. Van Zant's brother, Johnny, fronted the new Lynyrd Skynyrd which also included several original members including guitarist Gary Rossington.

    In 1991, former Guns n' Roses drummer Steven Adler filed suit against the band claiming they had forced him to use heroin, then made him quit the band while he tried to kick his drug habit.

    In 1994, the IAU (International Astronomical Union) named an asteroid orbiting between Mars and Jupiter after Frank Zappa, who had died in December, 1993

    In 1995, a judge in Los Angeles threw out a lawsuit against Michael Jackson by five of his former security guards. The guards had claimed they were fired for knowing too much about nighttime visits by young boys to Jackson's estate.

    In 1995, Al Hendrix, father of the late Jimi Hendrix, regained the rights to his Jimi's music. Al Hendrix paid an undisclosed amount to companies that had controlled the rights for 20 years.

    In 1995, Elvis Presley's former doctor lost his licence when the state of Tennessee decided he over-prescribed addictive drugs to patients, including Jerry Lee Lewis.

    In 1996, days after their touring keyboardist, Jonathan Melvoin, was found dead of a heroin overdose, the Smashing Pumpkins fired drummer Jimmy Chamberlain. Chamberlain was arrested on drug charges following Melvoin's death and was beieved to have been partying with the keyboardist on the night he ost his life. Chamerblain was rehired for the final incarnation of the Smashing Pumpkins a few years later after cleaning up his act.

    In 1996, Scottish folk singer Donovan was forced to postpone a comeback tour of the US because of a 30-year-old marijuana conviction in Britain.

    In 2002, Oasis' Noel Gallagher had a shot at the Rolling Stones on the eve of their upcoming Stones world tour. Gallagher said the Stones only ever made one good album, 'Let It Bleed', and reckons, "The rest of them, I just can't sit through all that nonsense". Knowledgeable Noel said it was time the Mick Jagger and co. should give it away, "They should just call it a day. I would like to say to them, 'Have you got anything better to do?' I mean, surely to God!"

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  • Births In 1942, Spencer Davis, leader of the Spencer Davis Group, was born in Swansea, Wales.

    In 1947, legendary Queen guitarist Brian May was born in Hampton Hill, England.

    In 1948, Grateful Dead keyboardist Keith Goodchaw.

    In 1940, vocalist George Clinton from funk groups Parliament and Funkadelic, was born in Kannapolis, North Carolina.

    In 1944, vocalist and keyboards player with Supertramp, Rick Davies, was born in England.

    In 1947, singer and songwriter Cat Stevens, whose real name is Steven Georgiou, was born in London. After the 70's Stevens dropped out of music and became a Muslim, adopting the name Yussuf Islam. In 1989, he attracted some controversy by supporting Ayatollah Khomeini's call for the execution of Salman Rushdie, author of "The Satanic Verses."

    In 1947, Don Henley, vocalist and drummer with the Eagles, was born in Gilmer, Texas.

    In 1947, British singer and actor David Essex.

    In 1947, Carlos Santana was born.

    In 1950, Blair Thornton, guitarist with Bachman-Turner Overdrive, was born.

    In 1951, Rob Halford, former Judas Priest frontman.

    In 1954, jazz fusion guitarist Al Di Meola.

    In 1955, singer and record buff Elvis Costello.

    In 1955, Van Halen and Sammy Hagar bassist, Michael Anthony, was born.

    In 1961, guitarist Jim Martin, formerly of Faith No More.

    In 1961, Martin Gore of British group Depeche Mode.

    In 1961, Paul Geary, drummer with Extreme.

    In 1961, Gary Cherone, former Van Halen and Extreme vocalist.

    In 1963, ex-Soundgarden and current Audioslave vocalist, Chris Cornell.

    In 1965, guitarist Slash, real name Saul Hudson, of Guns n' Roses.

    In 1967, Pat Badger, bassist for Extreme.

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  • Deaths In 1974, Louisiana bluesman Lightnin' Slim, whose real name was Otis Hicks, died in Detroit of a stomach tumor. He was 61.

    In 1977, Robert Plant's six year-old son, Karac, died suddenly of a respiratory ailment.

    In 1977, Gary Kellgren, operator and part owner of two of the most popular recording studios on the West Coast of the USA, the Los Angeles Record Plant and the Sausalito Record Plant, drowned in a Hollywood swimming pool. He had engineered and produced albums by Jimi Hendrix, John Lennon, Ringo Starr, George Harrison, Rod Stewart, Barbara Streisand and Sly & the Family Stone. He was 38.

    In 1980, Keith Godchaux, former keyboards player with the Grateful Dead, was killed in a car accident in California. Godchaux and his wife, Donna, a background vocalist, had been with the Dead from 1971 until 1979, when they were asked to leave.

    In 1984, blues singer Willie Mae (Big Mama) Thornton died in Los Angeles of a heart attack at age 57. She is best known for recording the original version of the Elvis Presley hit "Hound Dog."

    In 1984, Michael Osborne, guitarist with metal band Axe, was killed in a car crash.

    In 1989, Steve Rubell, one of the men behind Studio 54 in its late 1970's heyday, died at age 45 of complications from hepatitis and septic shock.
    Rubell and Ian Schrager built Studio 54 into the most famous disco in North America. Both men were sentenced to 3 1/2 years in prison in 1979 after being convicted on tax evasion charges.

    In 1990, Brent Mydland, who replaced Keith Godchaux as keyboardist for the Grateful Dead, was found dead of a drug overdose in his home in Lafayette, California. He was 37. The original keyboard player for the Dead, Ron (Pig Pen) McKernan, died in 1973 at age 27.

    In 1990, singer Bobby Day, who had the 1958 hit "Rockin' Robin," died of cancer in Los Angeles. He was 60.

    In 1992, singer of Motown's first number-one record, "My Guy," Mary Wells, died in Los Angeles of cancer. She was 49. Wells released "My Guy," in 1964.

    In 1995, two teenagers drowned in a river during an REM concert at an Irish castle northwest of Dublin. The show which attracted 70,000 people was not interrupted.

    In 1995, country singer Charlie Rich died in Hammond, Louisiana of a blood clot in the lungs. He was 62. Rich began as a rockabilly artist for Sun Records in 1958.

    In 1995, Laurindo Almeida, one of Brazil's greatest guitarists, died in Los Angeles at age 77. He had lived in the US for nearly 40 years.

    In 1995, Hungarian born, Academy Award-winning composer Miklos Rozsa died in Los Angeles at age 88. One of the three scores Rozsa won Oscars for was the epic "Ben Hur".

    In 1996, Chas Chandler, bassist for The Alan Price Trio and The Animals, as well as being Jimi Hendrix's manager died from an aortic aneurysm.

    In 1996, Rob Collins, keyboard player with UK band, The Charlatans, died in a car accident in Wales. The band was working on its fifth album at the time.

    In 1998, be-bop jazz guitarist Tal Farlow died of esophageal cancer at age 77.

    In 2002, 59 year-old Gus Dudgeon. and his wife Sheila died tragically when their Jaguar XK8 ran off the M4 near Reading, England. The car fell 20ft, crashing into a concrete embankment. Dudgeon was the producer of some of Elton John's classic hits.

    In 2003, three members of punk band The Exploding Hearts were killed when their tour band left the road and rolled in Oregon. Those killed were Matthew Fitzgerald (aka Matt Lock), Jeremy Gage (aka Kid Killer), and Adam Cox (aka Baby). Each of the members were aged in their very early twenties.

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