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bmusic Newsletter No.224 June 26th - July 2nd 2006 Last weekend saw Mark and I in Melbourne at the invitation of one of our key suppliers, Central Musical Instruments, to attend their annual Frontrunner Show for key dealers. Central Musical Instruments (CMI) are importers of many of the biggest brands in Australia at the moment including ESP Guitars and Basses, Washburn Guitars, Basses and Bluegrass Instruments, Monterey Guitars, Basses and Bluegrass Instruments, Lakland Bass Guitars, Parker Guitars and Basses, Randall Amplification, Hughes & Kettner Amplification, David Eden Bass Amplification, DigiTech® Guitars and Bass Effects, Wharfedale Pro PA, dB Technologies Wireless Technology and PA, HK Audio PA, Vinci Brass, Woodwind and Stringed Instruments, Italia Guitars and Basses, Jose Ortega Classical Guitars, Dean Markley Strings and Acoustic Pickup Technology, and more. Frontrunner is about educating dealers on new product developments as well as on existing product lines and this was done better than ever before thanks to the visiting representatives from many of the leading companies supplying CMI. There were also two phenomenal players who came in for the event, the first being clinician and Hughes & Kettner Sound Design expert, Germany's Thomas Blug, and ESP and Randall endorsee George Lynch. Thomas Blug was the 2004 European recipient of the Fender™ Strat™ Player of the Year. More about Thomas can be found at his official site HERE. George Lynch is a name synonymous with shred guitar for the past two decades. The ex-Dokken axemeister entertained assembled guests on Sunday evening with a set of incredible playing that spanned massively extended jams of some of the hits that have made him famous. George hung around most of the day with all the attendees and is one of the nicest blokes you'd ever want to meet, as was Thomas. George's official web site can be found at www.georgelynch.com. As part of the dinner and Lynch shows awards were given for Outstanding Sales and Support for four key CMI distributed brands, and bmusic was proud to receive the Australian ESP Dealer of the Year Award from ESP USA's Artist Relations man Allen Steelgrave, another of the international guests brought in for the conference. You might recall a few weeks ago the tale of Brian who scored a gig through a promotion company who had used our network of subscribers to advertise for the position. The gig was a massive farce and Brian shared the details with us, which we duly shared in the following week's newsletter and lambasted such agencies with some generalisations about their treatment of musicians. To date Brian has yet to be paid despite being informed by the promotions company he would have by now. In theory the company have up to 90 days to pay him, but rest assured, if they do not (which Brian thinks will be the case) we will be naming and shaming the promotions company without hesitation and getting in touch with them ourselves and giving them a serve like we've never done. They used us to get their contractor, they'll be hearing from us if they shirk on their responsibility to pay and will be duly informed that their name will be all over our site detailing the whole debacle. Some good news though for Brian that we were partly responsible for. We get a lot of feedback for our Musicians Wanted service and people seem to be hooking up gigs left and right through it, and we're really pleased to be able to help in this way. Brian is a professional soloist but has also picked up a gig in a group in SA through the Want Ads, and he'll be debuting with them at the Smithfield Hotel tonight (the 24th June), so if you're in the area check out Brian playing guitar for Skope. In more Musicians Wanted news, we had an update from Gareth, the subscriber who asked us to post the urgent "Bassist Wanted" ad we sent out as a separate subscriber e-mail on the 14th of this month. Seems within a few days the touring bassist spot was filled thanks to bmusic subscribers! Gareth, the band involved, and us very much thank everyone who took the time to read the ad and everyone who replied, enquiries for the position were still coming in this week, well after the initial cry for help. It's so very gratifying for us to be able to offer something like the Musicians Wanted pages as a free service and to have it so well patronised. We could never understand people feeling it necessary to charge people to advertise for musicians, musos have enough people trying to take their money without someone else trying to do so just so people can get together for the very art of making music in the first place. Rest assured, the service will always remain free, the only catch being having to sit through at least one of these newsletters! We have plenty of server space and bandwidth already in place for our commercial activities, there's never going to be a reason for us to not be able to spare some of it just to help out in our little way to get people together to make music. Within reason we are also more than willing to help out in extraordinary circumstances such as the one Gareth found himself in. And we can plug the odd event if it's something unique or newsworthy too, so don't hesitate to contact us if you think we can help. Of course, not everything can necessarily be obliged so please don't take offence if we aren't able to, we will let you know ahead of time either way. I don't know if anyone's been keeping an eye on the Brazin vs ARIA charts thing since Brazin (owner of Sanity, HMV and Virgin) pulled their sales figures from compilation of the ARIA chart a few weeks back and started their own rogue chart. There certainly are some significant differences that have been noted in the weeks of the two separate charts, most significant being some R & B type stuff being placed higher in the Brazin chart than in the ARIA, or even non-existent in the ARIA Top 20 yet getting near the top of the Brazin chart. Brazin's chart did place the ex-Idol mob "Divas" (or whatever they're called) Number One on debut whilst ARIA clocked them in at Number Three in the same week. Whilst I'm not a fan of the ARIA system, they get my vote there for keeping that throw together cash-in project off the top spot! In all seriousness though, originally I thought maybe Brazin would have the most realistic chart, but on reflection even though ARIA is significantly contributed to by department stores sales, another big player still contributing to it is JB Hi-Fi, and their range is far wider than that promoted by Brazin stores and their demographic far wider. Combine that with the independent stores still contributing and ARIAs ability to factor in weighting of non-contributing stores then, at this stage, you'd have to think ARIA has the edge. There's been no time this week to complete a new Where Are They Now? feature what with being away and all and all the new orders for new product to be done so another recap with the Archive this week. New subscribers can catch up on the past few years of features and long-time subscribers still might be able to find something they've not hitherto checked out thanks to the archive listings. Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 224 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno224.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
FEATURED PRODUCT - CMI FRONTRUNNER TRADE SHOW
THIS WEEK'S FEATURE ARTICLE - YOUTH AIN'T ALWAYS WASTED
THE WEEK AHEAD IN MUSIC
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