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bmusic Newsletter No.220 May 29th - June 4th 2006 Some of you may recall we ran a little piece for a guitarist urgently wanted by a promo company in Adelaide last week. One of our fine subscribers, a professional player with years and years of experience, was on the ball straight away and, ultmately, scored the "gig". Now we haven't heard anything from said company to suggest they'd found someone through us running their ad, no thanks but we don't necessarily need thanks, maybe just a courtesy word to tell us they have someone. But that's no big thing, I never really expect anything from bookers, it's my developed nature :) But there is something that gripes me big time. Managers and bookers wonder why they get such a bad rap to this day despite the industry changing in many ways and a number of them working far more professionally than in the past. I'll tell you why, because our subscriber, the person we feel more loyal to than some promo agency who uses us for an ad out of the blue, walked into a debacle "organised" by this promotion company. THIS is what gives promotion agencies bad names for a start. The role these companies are asked to discharge is organising events, but so very often they do next to nothing and leave so much up to the musicians, the musicians who are being paid often very little to perform, not to do the job of the "promotion" company. In short, if you're in the game of booking or promotion, which I know a lot of you are, you're likely very good at what you do, take pride in what you do, and respect the people you have contracted to you, whether they be musicians or otherwise. I know for a fact this is true of some of the subscribers who are in that industry, the others I can only hope so. If you're not, or you're thinking of getting into the game, treat the people who do the work for you "in the field" with respect. Obviously this rant is directed at the repsect musicians in particular ought be given. Treat the musicians as the artists they are, if they're professional treat them in the same manner. If they're not, do what you want. But going into it with the attitude they're there to do everything you couldn't be assed doing is not right, nor is treating them like cattle. If you fail to do this you will continue to exacerbate the mistrust your industry unfortunately gets from a lot of artists. Some of my rants may indicate I have a healthy dislike for that side of the game, and I once did, very much so. It's been a long time now so my attitude has mellowed some, but things like this incident during the week in which our newsletter was used to advertise for the musicians required, chaps me big time as it's classic slack ass "promoter" taking their cut for doing next to nothing! Make sure you keep an eye on the ARIA charts released on May 29th, we have kept a copy of the May 22nd chart and will study the both in depth next week to see what changes came about due to Virgin/HMV and Sanity's sales figures no longer going toward making up the chart from this upcoming one. Might be very interesting. I understand the DVD charts have been this way for some time actually, i.e. reflecting no Brazin group (owner of Virgin, HMV and Sanity) sales. The ARIA charts can be found at www.ariacharts.com.au/pages/charts_home.htm. Musicians in Northern Adelaide take note. Subscriber Mark is running a new Jam Night at the Eureka Tavern in Salisbury. Here's the word from Mark: Whether you're an experienced pro or a shy beginner, all are welcome at a new jam night happening every THURSDAY NIGHT. It started earlier this month and has proved to be a great opportunity for upcoming musicians of all standards. All basic equipment is supplied (guitar/bass/drums/keyboard/microphones + amps etc.) with prizes to be won for performing, and drink specials for everyone. Where you ask? The Eureka Tavern (10 Park Tce - opposite Salisbury Train Station) in the front bar from 8pm onwards. You know it'll be fun, see ya there! Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 220 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno220.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections) Events Births Deaths |
FEATURED PRODUCT - CAPARISON 2006 ARRIVALS
THIS WEEK'S FEATURE ARTICLE - FIVE PATHS TO $100,000 PER YEAR: PART 2
FEATURED ARTIST - BLISTERED PALMS
THE WEEK AHEAD IN MUSIC
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