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bmusic
Newsletter No.210
March 13th - March 19th 2006

Readers may be able to help me with this. I know what I'm about to ponder has likely been pondered for centuries, but I think perhaps there are more intricacies related to the topic in the modern day. I've been thinking lately about the state of affairs commerical music sees itself in. Most generations hitherto have had a genre to embrace, a movement in music that galvanises the youth of the time, united in their rebellion against their forefathers and their own music. I've spoken about this a little before, when I looked at the Eminem phenomenon, something I had totally overlooked as the most influential artist to the present young generation. Not in terms of music, per se, but in a culture, sense of fashion, and an attitude. Blink 182 to a lesser extent for the echelon that was anti-rap. Blink 182's influence was a little more clean cut than Eminem's, but even Eminem, despite his lyricism, wasn't that over the top when compared to some of the artists who've come before him.

So to what I've been thinking about. It seems right now there is a confused mix of sub genres for one side of the music fence, and a wrestle against corporate control over pop and R 'N' B stuff on the other. The sub genre group includes the hardcore/heavy metal/emo/punk stuff that, by virtue of it's supposed rebellion, appeals to the disaffected (or wannabe disaffected) youth of the day. But as mentioned before, the one genre, hardcore, that has the opportunity to be the grunge of the day destroys itself from the inside out with sub genres determined to outdo or belittle one another. Metal will always have it's place but appears to be struggling under the weight of hardcore/punk at present. Metal will never really get the commercial promotion to bring it to the fore. One might question whether hardcore (I'm using this term as I've no friggin' idea what they want to label it as nowadays with all it's sub-genres) enjoys "commercial promotion", but it most certainly does. Not in the traditional sense of airplay, print advertising, and the like, but by the sheer amount of small time promoters pushing the genre and Murdoch's myspace being totally dominated by such groups networking. The genre is to be applauded for it's own promotion and scene it's developed, and the hard work has paid off handsomely for some, that is until their fans accuse them of "selling out" because they actually made a few bucks from their work. And I mean enough money to eat Macaroni & Cheese instead of 2-minute Noodles.

On the other side of the fence, I consider the rest of the commercial stuff, including the likes of Jet, Wolfmother, et al. These bands, in my opinion, are part of a popular music manipulation by the corporates without even knowing it. I mean, it started with The Vines, what's happened there? I don't see a record company getting behind these bands for more than one, maybe two, albums. We all know it's recycled stuff, that doesn't mean it's not good, but to a certain extent it's safe. I'm not trying to belittle the bands and their music, it just seems to be the style of choice for one aspect of commercial music that would have had no chance of breaking through the way it did unless the record companies had done what they've done for it. And they wouldn't be doing it for no reason, as we all know. I think record companies these days are looking for two things. Short term commitments to bands selling explosive numbers, and all sorts of cross merchandising opportunities and alternate income generators. The latter brings us to pop, R & B and rap. I would be very surprised if potential ringtone income didn't play a major part in the decisions of record companies these days. So ridiculous to think of it as such, but you'd have to consider it. So branding and image are even more important than they ever were nowadays, you're not necessarily going to sell someone a record after all, yet you might be able to gnerate some income from them in a raft of other ways.

Which, finally, brings me to my question proper. Where's music going to go next? What's going to be THE genre that galvanises a generation? Is there even going to be another grunge, another rock 'n' roll, another punk (Sex Pistols era please), or another New Wave? All these genres came about as the one before it either imploded, became redundant as another generation searched for their own voice, or became top heavy and irrelevant as the heavy metal of the early 90's did. You'd have to say that the current conditions are more than ripe for a new mass appeal genre to take over. But it's not happening, and I can't see it happening. Is this necessarily a bad thing? Could it be good for music as more styles and genres will have their place and their exposure in popular music? Or is it a bad thing as it indicates that not only this generation, but a generation to come have their musical destiny already written by corporate number crunchers and MTV?

Of course, all this pertains to "popular" and "commercial" music. Thankfully, as my offsider Mark says, "We don't have to despair as there will always be free thinkers who play and listen to what they want and not give in to a corporate edict". Any thoughts on the subject, feel free to drop me an e-mail or post on our forum HERE.

A new Where Are They Now? by request this week with an excellent amount of very current information available on each former member.
Regulars including Feature Article, The Week Ahead in Music History, Featured Artist and more are all inside Issue 210 of the bmusic Newsletter.
Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno210.html

Thanks to everyone for reading, we'll see you next week!

TABLE OF CONTENTS (You will need to be online to use the Table of Contents to jump through sections)
  • Where Are They Now? - The Nolans
  • This week's Music Quote
  • Featured Product - Zoom G7.1ut Guitar Effects & Recording Interface
  • This week's Specials
  • This week's Feature Article - The Slice & Dice of Editing
  • This week's Feature Artist - Stigma
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Week Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next week

  • WHERE ARE THEY NOW? - THE NOLANS

    The Nolans lived in Dublin, Ireland until 1962 when they emigrated to Blackpool. The Nolan's parents were singers and gradually brought their offspring into the act. In 1963 the entire family debuted as the Singing Nolans. After moving to London, the group's personnel was Anne, Denise, Linda, Bernadette, and Maureen. Their act proved very popular on UK television and variety shows.

    After recording their second album in 1977, and touring America with Engelbert Humperdinck, Denise left a year later in order to pursue a solo career. The sisters signed to CBS and were widely tipped to represent the UK in the Eurovision Song Contest but lost out to Black Lace. After a minor hit single with "Spirit Body And Soul", Anne married and left the group for two years. She was replaced by the youngest sister, Colleen, and the quartet changed their name from the Nolan Sisters to the Nolans. A massive hit with the catchy "I'm In The Mood For Dancing" brought them worldwide renown and even topped the charts in Japan.

    The Nolans had further UK Top 10 hits with "Gotta Pull Myself Together" and "Attention To Me", and, with Anne's return, became a quintet for a while until Linda married former Harmony Grass drummer Brian Hudson and retired from the group. Phenomenal success for the Nolans in Japan and Eire coincided with further minor chart appearances in the UK, as well as best-selling albums. Coleen, Bernadette and Denise have each recorded solo singles, while Linda and Coleen enjoyed a minor hit as the Young And Moody Band with "Don't Do That".

    In 1994 Coleen left to have a baby, and a year later, Anne and Maureen became a Nolans duo when Bernadette, who had been the lead singer with the group since she was 13, decided to go solo.

    DENISE NOLAN
    In 1978 Denise left The Nolans to pursue a solo career. She was soon in demand touring regularly in cabaret and big band shows. Cruise ships have been a good source of revenue and as an in-demand pantomime star, her Christmas employment has never been in doubt. Nolan has been a solo artist for almost 30 years working all over the world. She has performed in two Royal Variety Shows at the London Palladium and played Nancy in the long-running national tour of "Oliver". Denise has appeared alongside artistes like Gladys Knight, Gene Pitney, Buddy Greco & Sir Cliff Richard and has earned a reputation as one of the country's finest big-band singers with shows at Ronnie Scott's and on BBC Radio 2 with the BBC Big Band. Denise followed her sisters, Bernadette and Linda into the West End musical Blood Brothers, playing the leading role of "Mrs Johnstone".

    These days Denise has a show named 'The Magic Of Judy Garland', not so much a tribute show as a story of Garland's life. The ochestrally backed show, and Denise's performance, has received great critical acclaim.

    BERNADETTE NOLAN
    After leaving the group in 1994 she immediately embarked upon her acting career. Her stage performances include the starring role in the musical adaptation of Dennis Wheatley's Tale of the Occult; The Devil Rides Out; and productions of City of Angels, The Sound of Music and My Fair Lady. She also played "Mrs Johnstone" in Blood Brothers for almost 3 years and made her West End debut in this production. Whilst touring Liverpool with the production she was offered the role of Diane Murray in the UK Channel Four soap, Brookside, which earned her several award nominations during her 2½ year stint with the show. In 2003 she joined the cast of ITV cult show The Bill, playing Sheelagh Murphy. She left the show late last year.

    Earlier this year she launched a fitness DVD, "40 and Fit For Life" and will be competing in the UK Channel Four show "The Games" before trekking through China with charity organisation The Children’s Society in May.

    Bernadette has been married for ten years to the father of her children.

    LINDA NOLAN
    Linda left the group in 1983 and was dubbed the "Naughty Nolan" after posing for several "risque" pictures to announce her solo career. Her husband, Brian Hudson was the Nolans tour manager and departed that role to manage Linda's solo career which carried on with mixed success for many years. These days she has maintains a busy schedule performing on stage in musicals and pantomines. A number of her siblings had starred in Blood Brothers and Linda took a job in the West End production in 2001. She rejoined Blood Brothers on the UK tour last year as "Mrs Johnstone" and joined her sister Maureen in the role in the West End production during the tour in 2005.

    She recentlly underwent surgery for breast cancer and is recovering well. Her husband was diagnosed with skin cancer just last year.

    MAUREEN NOLAN
    Maureen continued an incarnation of The Nolans until around 2004 with Anne, together with Anne's daughter Amy, and Amy's cousin Julia. The cabaret act played throughout Europe and was popular in Japan. For all intents and purposes the group are still together but The Nolans girls are busy with other projects currently.

    Maureen is the current "Mrs. Johnstone" in the West End production of Blood Brothers in which no less than four Nolans sisters have starred in. She has had a stage career all her own for some years, interspersed with the last The Nolans incarnation.

    ANNE NOLAN
    Anne continued in The Nolans with her daugher Amy and Maureen as mentioned above, but also has her own prolific pantomine career. She is currently working on a solo act and is up for bookings! And I quote, "Anne has recently put together a new act with great songs: her own hits and cover versions of classics by some of today's top female artists".

    She underwent her own five year battle with breast cancer and helped her sister Linda through her recent diagnosis, sugery and recovery.

    COLEEN NOLAN
    After leaving the group Colleen undertook a career in television presenting on various UK shows. She has presented such shows as This Morning, alongside Twiggy. She has also been a panelist on The Wright Stuff and Loose Women and has taken part in the reality TV programs, Celebrity Fit Club and Have I Been Here Before?

    In 1990, she married actor Shane Richie and they had two children together. They divorced in 1999. In 2005, she caused controversy in the media when she admitted, live on Loose Women, that if her son, Shane junior, passed his GCSE exams, she would allow him to go to Amsterdam to sleep with a prostitute.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

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    THIS WEEK'S MUSIC QUOTE

    "I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed".
    - B.B. King


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    FEATURED PRODUCT - ZOOM G7.1ut GUITAR FX & RECORDING INTERFACE

    Zoom G7.1ut
    The Zoom G7.1ut Guitar Console takes the processing power of the Zoom G Series and adds a real tube to the signal path for authentic sounds. The real tube punches up drive and boosts volume. The G7.1ut features a drum machine, chromatic tuner, built-in expression pedal, USB audio interface and Cubase LE software. There is much, much more to learn about Zoom's newest guitar processor and recording interface.
    Click HERE to find out all about it.

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    SPECIALS AT bmusic

    ESP GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!
    We aren't the ones to "match" prices - we set 'em! Compare our LIST prices with any in Australia, good ol' bmusic.com.au is the cheapest hands down. You see, we don't need to price match when we are the thing other stores are trying to match. There's a lot to be said for taking the lead instead of following.

    SCHECTER GUITARS AND BASSES ON SALE ALL DAY EVERY DAY!

    Just like with our industry leading ESP prices and reputation, with our new Schecter dedicated site we are stepping up the profile and dropping the prices to never before seen levels with Schecter. We are also landing some of the only Schecter models of their type in Australia, and some of the very few anywhere in the world throughout 2005.

    Specials this week include:
    DIGITECH® EX-7 EXPRESSION FACTORY - $499 save $100 off RRP
    FRAMUS COBRA GUITAR HEAD - $3795 save $600 off RRP
    HUGHES & KETTNER ZENTERA HEAD - $4595 save $1100 off RRP
    HUGHES & KETTNER ALEX LIFESON TRIAMP - $4759 save $836 off RRP
    HUGHES & KETTNER TRIAMP MK II - $4275 save $1020 off RRP
    HUGHES & KETTNER TRILOGY HEAD - $2495 save $504 off RRP
    HUGHES & KETTNER PURETONE HEAD - $2795 save $700 off RRP
    HUGHES & KETTNER WARP-T HALF STACK - $3259 save $740 off RRP
    HUGHES & KETTNER MATRIX 100 HEAD - $725 save $170 off RRP
    HUGHES & KETTNER MATRIX 100 COMBO - $999 save $200 off RRP
    JIM DUNLOP ZAKK WYLDE WAH - $269 save $50 off RRP
    DIGITECH® SCOTT IAN BLACK-13 PEDAL - $339 save $60 off RRP
    WARWICK TAKE 12 80 WATT BASS COMBO - $789 save $210 off RRP
    ROCKTRON GAINIAC 2 PREAMP - $339 save $60 off RRP
    ROCKTRON XPRESSION GUITAR EFFECTS - $679 save $120 off RRP
    ROCKTRON BLUE THUNDER BASS EFFECTS - $759 save $140 off RRP
    ROCKTRON PROPHESY PREAMP - $2359 save $540 off RRP
    ROCKTRON VOODU VALVE PREAMP - $1359 save $240 off RRP
    ROCKTRON HUSH SUPER C - $339 save $60 off RRP
    ROCKTRON VELOCITY 100 POWER AMP - $479 save $70 off RRP
    All prices include GST

    Check out our Specials page for more info on these specials.


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    THIS WEEK'S FEATURE ARTICLE - THE SLICE & DICE OF EDITING

    This week's Feature Article is an interesting look at the ins and outs of editing music for film or TV. If you've ever considered composing for these mediums check out The Slice and Dice of Editing to learn a few tricks of the trade. One important point the article makes is that producers will look for songs that require minimal editing to fit into their work. Composing for film or TV one needs to bear in mind the importance of their material "keeping out of the way" of the visual aspect of the medium.

    To read the article click HERE.

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    FEATURED ARTIST - STIGMA

    Stigma is a band from Trondheim, Norway with their 5th album, "The failure of me", out now. Their music is a kind of melodic, melancholic metal with some progressive parts in it. Stigma find it hard to describe themselves as they "can't think of any band that sound similar to them".
    Stugma's fans has always been loyal and the band always try to give them what they want. Stigma say they've discovered over the years that it's more important to focus on what you want to do rather then constantly developing and then eventually end up changing your style completly.
    This is Stigma back where we started in 2000. Stigma do what they do best rather than trying to please the reviewers. Members of the band: Stig Rune Robertsen on guitars and vocals, Endre Hindhammer on bass and backing vocals and Marius Skaugen on drums.

    Click HERE to check out the band's official site in both Norsk and English.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

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    GEAR WANTED

  • 1980s Roland 60 Watt Bas Cube Amp:
    1980's Roland 60 watt bass cube in good condition. The guy after one of these amps can collect or arrange freight to Melbourne. Contact us for more information.

  • Guitar promo catalogues:
    A good friend of ours here at bmusic is after any old catalogues from days gone by. At the moment he's particularly keen to get a hold of any Washburn catalogues from the late '70's. Those that feature the Washburn Wing Series of basses and guitars would be of particular interest.

  • Second-hand saxes, clarinets and flutes. We are looking for good quality, good condition, saxophones, clarinets and flutes to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models.


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1955, Elvis Presley signed Colonel Tom Parker as his manager. Parker's former clients included country artists Hank Snow, Eddy Arnold and Gene Autry. Parker managed Presley all his professional life and continued to manage affairs after Elvis' death.

    In 1957, Elvis Presley purchased a 23-room manor at 3764 South Bellevue Boulevard in Memphis for US$100,000. The home's original owner, Ruth Moore, christened the home Graceland after her great-aunt Grace.

    In 1958, the duo of Tom and Jerry released their first single, "Our Song." They later became known as Simon and Garfunkel.

    In 1965, the Rolling Stones ended a British tour by urinating on a petrol station wall in Essex, England. They were fined five pounds each for insulting behavior.

    In 1967, the Grateful Dead's self-titled first album was released by Warner Brothers. It was not a commercial success.

    In 1968, Otis Redding was awarded a gold single for "(Sittin' On) The Dock of the Bay," three months after his death in a plane crash.

    In 1970, a bomb exploded at the Electric Circus nightclub in New York. Seventeen people were hurt.

    In 1971, The Allman Brothers recorded their groundbreaking album "Live At The Filmore East".

    In 1976, David Bowie and Iggy Pop were arrested for possession of six ounces of marijuana at a Rochester, New York hotel. They were released on bail and later fined.

    In 1981, Eric Clapton was admitted to hospital in St. Paul, Minnesota after a serious attack of bleeding ulcers, forcing him to cancel a 60 date tour in the United States.

    In 1982, David Crosby was arrested in Los Angeles for possessing Quaalude and drug paraphernalia, driving under the influence of cocaine and carrying a concealed weapon. The case dragged on for more than three years.

    In 1985, Bruce Springsteen showed up at Neil Young's last Australian show in Sydney, and played Stephen Stills' guitar part on "Down By the River."

    In 1987, "Heat of the Night" by Canada's Bryan Adams became the first commercially-released cassette single in the US.

    In 1996, a man claiming to have a bomb held a radio station manager hostage in the New Zealand city of Wanganui. He was demanding to hear "Rainbow Connection," a recording by muppet Kermit the Frog. The bomb was found to be fake and the man was charged with kidnapping.

    In 1997, thousands of people lined the streets in the Bedford-Stuyvesant section of Brooklyn to watch the funeral procession for rapper The Notorious BIG. He was killed nine days earlier in a drive-by shooting in Los Angeles. The crowd cheered as the funeral cortege passed and skirmishes later broke out with police. Officers used pepper spray and arrested nine people on disorderly conduct charges.

    In 1997, the Recording Industry Association of America announced that the Eagles "Greatest Hits" album had tied Michael Jackson's "Thriller" as the all-time best-selling album in the US. Each had sold more than 24 million copies. "Thriller" was still the top-seller worldwide, with estimated sales of 46 million copies.

    In 1997, Paul McCartney's custom-made bass guitar went for $200,000 US and a grey suit that John Lennon wore on stage sold for $35,000 at an auction of Beatles memorabilia in Tokyo. Lennon's son Julian bought his father's black cape and an afghan coat he wore on the cover of "Magical Mystery Tour." His manager announced the items would go to the Rock and Roll Hall of Fame in Cleveland.

    In 1999, a Marilyn Manson concert in California was cut short after Marilyn fell and injured himself part way through the show.

    In 2003, bmusic.com.au announced it would be launching a new, improved web site. To date this has not yet happened :)

    In 2003, this newsletter ran an issue announcing the elimination of the "Week Ahead In Music History" section. The decision lasted fully one week after popular demand was for it's re-introduction!

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  • Births In 1685, Johann Sebastian Bach, one of the greatest and most influential composers in the Western world, was born in Eisenach, Germany.

    In 1902, blues vocalist and guitarist Eddie (Son) House was born in Riverton, Mississippi. House has been cited as a major influence by such artists as Muddy Waters and Bob Dylan.

    In 1917, Nat (King) Cole was born in Montgomery, Alabama.

    In 1930, jazz alto saxophonist Ornette Coleman, who revolutionized jazz in the 1960's by ignoring regular harmonies and rhythms, was born in Fort Worth, Texas.

    In 1930, composer and lyricist Stephen Sondheim.

    In 1938, Charley Pride, the most successful black entertainer in country music, was born in Sledge, Mississippi.

    In 1939, singer and songwriter Neil Sedaka was born in Brooklyn, New York.

    In 1940, Phil Lesh, bassist for The Grateful Dead.

    In 1941, Beach Boy Mike Love.

    In 1941, Wilson Pickett, one of the great soul singers of the 1960's, was born in Prattville, Alabama.

    In 1943, singer and guitarist George Benson was born in Pittsburgh.

    In 1944, guitarist and founder of Sly And The Family Stone, Sly Stone.

    In 1947, B.J. Wilson, drummer with the '70s classical rock band Procul Harum.

    In 1947, Harry Vanda, lead guitarist and singer with the 1960's Australian band the Easybeats, and with Flash and the Pan.

    In 1948, rock singer Eddie Money.

    In 1948, composer Andrew Lloyd Webber was born in London.

    In 1950, John Hartman, drummer with the Doobie Brothers.

    In 1953, Billy Sheehan of the David Lee Roth band.

    In 1954, guitarist Nancy Wilson of the rock group Heart was born in San Francisco.

    In 1959, singer-actress Irene Cara.

    In 1960, Adam Clayton of U2.

    In 1962, Terence Trent D'Arby.

    In 1963, singer and former Miss America Vanessa Williams.

    In 1964, singer Tracy Chapman.

    In 1966, Jerry Cantrell, guitarist with the alternative metal band Alice in Chains.

    In 1972, Melissa Auf Der Maur, bassist with Courtney Love's band, Hole, in Montreal. Later went on to become bassist for a short time with the now defunct Smashing Pumpkins.

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  • Deaths In 1970, Motown singing star Tammi Terrell died at the age of 24.
    Three years earlier, while performing with Marvin Gaye at a college concert in Virginia, she had collapsed on stage. It was discovered she had a brain tumor, and her death came after a series of operations.

    In 1975, Aaron (T-Bone) Walker, the first bluesman to exploit the electric guitar, died in Los Angeles of bronchial pneumonia. He was 64.

    In 1976, British blues rock guitarist Paul Kossoff died of a heart attack aboard a plane en route to New York. He was only 25. Kossoff was known to have a drug problem. He was a member of the group Free and later formed Back Street Crawler.

    In 1976 Gary Thain, bass guitarist with the hard rock band Uriah Heep died after a drug overdose. Thain was nearly killed two years earlier when he suffered an electric shock on stage in Dallas, Texas. He later complained that the rest of the band didn't care what happened to him. The conflicts intensified to the point where Thain was asked to leave Uriah Heep in 1975.

    In 1980, Hugh Farr, an original member of the Sons of the Pioneers, died at age 76. The Pioneers, whose members also included Roy Rogers and Bob Nolan, did much radio and recording work in the 1930s and '40s. Their biggest hits were "Tumbling Tumbleweeds" and "Cool Water." Roy Rogers soon left the group to concentrate on his movie career, and the Sons of the Pioneers appeared in many of his films.

    In 1982, several members of rocker Ozzy Osbourne's entourage, including the brilliant, young guitarist Randy Rhoads, were killed in a freak accident near Orlando, Florida.
    Rhoads and two others were in a light plane which buzzed Osbourne's tour bus, clipped a wing and crashed into a house.
    Osbourne and most of his band were on the bus and were not injured. Rhoads was replaced within a few weeks, and the show went on.
    Osbourne released a Randy Rhoads tribute album in 1987.

    In 1982, Samuel George, lead singer of the Capitols, was stabbed to death in a family argument in Detroit. The Capitols had a top-ten hit in 1966 with a dance tune called the "Cool Jerk."

    In 1991, seven members of country singer Reba McEntire's band and her road manager were among 10 people who died when their private jet crashed in California just north of the Mexican border. McEntire, who had given a private concert in San Diego for IBM employees the night before, was not on the plane.

    In 1991, songwriter Jerome "Doc" Pomus died in New York of cancer. Pomus wrote many hits, including "A Teenager In Love" for Dion and "Save The Last Dance For Me" for the Belmonts and the Drifters.

    In 1993, pop singer and songwriter Johnny Cymbal died in Nashville of an apparent heart attack at age 46. His novelty song "Mr. Bass Man" reached the U.S. Top 20 in 1963.

    In 1994, soul and R & B singer Ephraim Lewis died after jumping or falling from a balcony in Birmingham, England. Lewis was being chased by police at the time.

    In 2001, founder and leader of The Journeymen, which later was renamed to The Mamas And The Papas, "Papa" John Phillips died at the age of 65. Phillips was also a producer who worked with Scott McKenzie, Janis Joplin, The Electric Flag, Otis Redding and Jimi Hendrix. His daughters, Mackenzie and Chynna, also forged careers in the music industry.

    In 2002, artist Mad Marc Rude, responsible for album covers from The Offspring, The Misfits, Social Spit, and many more.

    In 2002, guitarist for The Teddy Bears with Phil Spector, Marshall Philip Leibovitz (Marshall Leib). The Teddy Bears biggest hit was "To Know Him Is To Love Him".

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