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bmusic Newsletter No.133 August 15th - August 21st 2004 Diane Warren is a name you may or may not have heard. If you've frequented our Resources pages at bmusic.com.au you may have come across songwriting articles or interviews with her as the subject. If you've seen the credits for the forthcoming Cosima DeVito album you also will have come across the name of Diane Warren. For the uninitiated Diane Warren is one of the world's most successful songwriters. She has written hits for Michael Bolton, Gladys Knight, Joe Cocker, Cheap Trick, Dusty Springfield, Whitney Houston, Celine Dion, Kenny G., Peabo Bryson, Aaron Neville, Ace of Base, Chicago, Belinda Carlisle, Meat Loaf, Cher, Patti LaBelle, Taylor Dayne, Gloria Estefan, Roberta Flack, Elton John, Aretha Franklin, Toni Braxton, Barbra Streisand, Heart, and many, many more top artists. Her music has also appeared in more than 50 top motion pictures. Her awards and accolades are endless and she is, arguably, the most sought after hit songwriter in recent history. Whether they are newly commissioned tunes Cosima DeVito is releasing or re-runs of former Warren hits is a mystery at this stage as her album is not due for release until October. What is known is that they sure wouldn't have been cheap to record. There is some serious money behind this upcoming Cosima release but there is something even more remarkable about the album. Cosima DeVito and her parents ponied up around a million clams to set up a record label and to produce and release the album. In this day and age it's a very, very gutsy move. It also begs the question, "Why?" It sort of supports my conspiracy theory I've had since the day Cosima left last year's Australian Idol series. My theory (it's only a theory, nothing to support it besides my own cynicism) is that Cosima refused to sign the contract presented to her as she made it to the final stages of that Australian Idol series when she looked to have a good chance to snagging the top prize. She had been courted by the industry before and had some experience with the business side of it, even having a development deal in the U.S. I believe. Is it possible she knew what the contract would ultimately spell out for her? Refusing to sign the contract meant she couldn't continue and the vocal cord nodules story for her leaving the show was presented to the public. If this wasn't the case why is she forming her own label with her parents (at considerable expense and risk of financial ruin) rather than having a nice, juicy Sony or BMG contract? It's likely that the contracts have been forthcoming since she left the show but perhaps they have been no more favourable than the initial Australian Idol contract. The one that, in my theory, she initially passed on. If one reads the excellent article HERE that gives significant insight into the "American Idol" series producers, and studies clauses from an actual contract, it's not hard to see why someone even with a basic understanding of the business of music would pass on signing such a deal. Did you know, for instance, that Amrican Idol winner Kelly Clarkson, after millions of albums sold and so forth, was paid US$1,400 to appear on the "World Idol" show last year. That figure was contracted from the word go, the document signed right back at the audition stage for the American Idol show she featured in. No wonder she didn't look like she was much into it! It's all food for thought. I really hope Cosima succeeds seeing as she's gone about it this way, but it's not going to be easy at all. Bear in mind, she will be a competitor to the labels she was probably courted by before taking the decision to finance the project independently. I can't see them not wanting to fight for the consumer dollar in the demographic they've dominated in recent years. And one last tidbit of info from the DeVito camp. Her current single, the cover of Cold Chisel's "When The War Is Over", will NOT be on the forthcoming album. It's a one-off for her "fans". Interesting move that's for sure. It will be intriguing to see what somes out as the lead single from the album. No doubt it will be a Warren-penned number but I'm very curious to find out whether, as I mentioned, they are all new Warren tracks or reincarnations of hits Warren has had elsewhere in the world. This week ahead in music history sees the passing of the greatest name in rock 'n' roll history Elvis Presley. The King passed away in 1977, an event that has been mourned by millions ever since. A Where Are They Now? by request this week, the subject being one very busy bloke. Regulars including Feature Article, Featured Product and more are all inside Issue 133 of the bmusic Newsletter. Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter: http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno133.html Thanks to everyone for reading, we'll see you next week! TABLE OF CONTENTS (You will need to be on-line to use the Table of Contents to jump through sections) Events Births Deaths |
WHERE ARE THEY NOW? - HOWARD JONES
FEATURED PRODUCT - MORE NEW ESP MODELS ARRIVE
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This week we take a detailed look at four of the most anticipated new models from ESP's 2004 line-up, complete with some
large, up-close "real life" eye candy of each.
ESP Standard Series guitars are made by the regular ESP production line in Japan under the same policies and techniques cultivated by 30 years of superior Custom Shop work from ESP Japan. This makes the affordability of these guitars far greater than those hand-crafted in the Custom Shop but still featuring the same attention to detail and exceptional playability. Four of the newest models to arrive this week include the Eclipse I CTM in new Vintage Black, M-II Urban Camo, (both of these the first to be available anywhere outside Japan) Eclipse II FM, and Horizon NT Ash Body. These models have been amongst the most anticipated of the new models and have seen unprecedented pre-order interest. Each model will be available throughout 2004, stock permitting. We have flown many of these in and are actually on our second exclusive air freight shipment in a fortnight to be the first store outside Japan to be able to offer some of these models. Actually, as they are ESP Export Series guitars, only for sale outside Japan, it's likely they are the first available anywhere in the world. Click HERE for the low down on each of this outstanding guitars, but if you're an ESP fan we suggest you proceed with caution. By the time you've finished checking out these bad boys you're guaranteed to be suffering from some sever GAS. For the uninitiated that's Guitar Acquisition Syndrome. The pictures and specs will speak for themselves. |
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THE WEEK AHEAD IN MUSIC
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