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bmusic
Newsletter No.101
January 4th - January 10th 2004

Trust everybody made it through the New Year without too many headaches (headaches not being a figure of speech but literal). Still coming to terms with the fact that we're in 2004! Plenty of work to do for the new lines set to hit our shore earlier than normal this year it seems.
A busy weekend ahead for us here as we list all the newly released ESP Guitars and Basses for 2004. Some very exciting new specs on existing models as well as brand new models such as the 400 series and a couple of new signature models. By Sunday afternoon the whole range of ESP guitars and basses online at bmusic.com.au will be revised and completed with the prices of some models not yet available. Still gives people a good chance to check out the 2004 range, perhaps the most prolific of any range offered by ESP thus far and certainly one of the biggest ranges of any modern manufacturer. We're pumped for ESP 2004 so better get back to the job at hand so everybody else can see what we're on about.

All the regulars including Hot eBay Sightings, Feature Interview, Featured Product and more are all inside Issue 101 of the bmusic Newsletter.

Links in the Table of contents below will launch your browser, so you'll need to be online to view the newsletter. If you are unable to receive html format e-mails then copy and paste the following link into your browser's address bar to view the newsletter:
http://www.bmusic.com.au/links/whatsnew/newsletters/archives/newsno101.html

Thanks to everyone for reading, we'll see you next week!

TABLE OF CONTENTS (You will need to be on-line to use the Table of Contents to jump through sections)
  • Where Are They Now? - Stock, Aitken & Waterman (Updated)
  • Hot eBay Sightings of the Week
  • This week's Music Quote
  • Featured Product - Rocktron Xpression Guitar and Bass Effects
  • Vintage and Items of Interest Available
  • This week's Specials
  • This week's Feature Article
  • This week's Feature Artist - Red Pill Down
  • Musicians Wanted
  • Gear Wanted
  • Band Links
  • The Week Ahead In Music History
               Events
               Births
               Deaths
  • Give us your suggestions
  • Don't want the bmusic Newsletter?
  • Privacy Statement
  • See you next week

  • WHERE ARE THEY NOW? - STOCK, AITKEN & WATERMAN

    These three guys weren't exactly musicians as we would normally focus on here in the Where Are They Now? segment, yet they are just as important to the history of modern music (if not more so) than most of the musicians we've studied thus far. The fact of the matter is, depending on which way you look at it the team of Stock, Aitken and Waterman were either the saviors or the destroyers of modern pop music. They were the absolute architects of UK pop music in the Eighties and changed the industry of Western pop music forever.
    Below is a brief account of what Stock, Aitken and Waterman achieved as a team and what they've been up to since.
    Stock, Aitken and Waterman Stock, Aitken and Waterman (SAW) are names synonymous with late 1980s chart pop.
    There was Pete Waterman, the ideas man from a poor working-class background who was the trio's lyricist (despite being illiterate until his 40s) manager and general wheeler-dealer. Between making records he found time to present British channel ITV's late-night club program, The Hitman and Her, a precursor to the world of Ibiza Uncovered. Getting on with things in the studio were the multi-instrumentalists Mick Stock and Matt Aitken, writing, producing and playing the actual music.

    Waterman had a history as a Northern Soul DJ, following its development in US clubs into disco and then Hi-NRG, and had a vision of a British equivalent of Motown, producing uplifting, working-class dance music in a production line style. The Motown in-house writers and producers, Holland Dozier Holland, were his role models. Waterman boasted he had 'Woolworth's ears', a knack for spotting trends in clubs and recycling them as catchy, mass-market pop.
    He took what was then the most modern sound of New York gay clubs - pumping sequencer bass lines and relentless Linn drum machines, and married it with the perennial teenage hunger for colourful, glamorous poster stars. SAW started off in 1984 with gay-targeted singles like Hazel Dean's 'Whatever I Do, Wherever I Go', Divine's 'You Think You're a Man' and Dead or Alive's 'You Spin Me Round'. The trio then turned Bananarama into glamorous gay male-friendly divas, complete with the ubiquitous sexy boy dance troupe in every video. In 1986 they came up with the genius hairdresser duo of Mel and Kim and their four singles: 'Respectable', 'FLM', 'Showing Out (Get Fresh at the Weekend)' and 'That's the Way it is' had absolute appeal to the teenage market SAW were looking to capture.
    SAW discovered and groomed new singing stars like Brother Beyond and Rick Astley, or took already famous faces from the world of TV and tabloids like Kylie Minogue, Jason Donovan and Samantha Fox and moulded them into a processed vocal sheen that soon became as much part of the trademark SAW sound.
    Kylie and Co.
    Kylie Minogue's debut single, 'I Should Be So Lucky' represented the zenith of the SAW story, dominating the charts and irritating and delighting the nation in equal measures with its brazenly banal approach to pop songwriting. The trio actually release a few singles as SAW themselves, the single 'Roadblock' being one, but for all intents and purposes every record was really just SAW featuring Kylie, or Rick, or Jason.

    Their reputation made them highly sought producers for anyone after a guaranteed hit. By 1989, Donna Summer, Cliff Richard and even Sigue Sigue Sputnik required their services. In 1990 their sound evolved along with Kylie's new 'sexy dance diva' phase with 'Better the Devil you Know', which was officially SAW's 100th hit, 'Step Back In Time', 'What Do I Have To Do' and 'Shocked'. But the new sound, though suave, complex, and more timeless, lacked the SAW homogenous identity, and for the first time a SAW artist upstaged her producers.
    When Aitken left the partnership in 1991 and Stock followed suit a year later, their hegemony of the charts was over. Factors for the break-up included Stock and Aitken's frustration that their sound no longer seemed relevant to the changing pop market place. Their last creation, an all-girl group called Boy Krazy, failed to deliver the kind of success they were used to. Moreover, disagreements between the musical duo and Waterman over division of royalties and major label business deals, had reached a head. High Court legal battles worth millions of pounds ensued throughout the 1990s, and the collaboration as a trio was over.
    The royalties disputes spent years in court with Stock and Aitken claiming Waterman breached an 1985 verbal deal to share all profits. Waterman denied there was an agreement and claimed Stock and Aitken were entitled to cash only for production work and songwriting. He denied they had a continuing interest in SAW work. He also claimed they had rejected a chance to be co-owners of PAL Productions, the record label all three set up in 1986.
    Stock and Aitken were ordered to pay £70,000 for Watermans's legal costs when the High Court trial finally settled. A trial which lasted only five days yet the action had been ongoing for some years.
    Other legal battles continued, one of which seemed to see Waterman suing his own company. Waterman claimed that was owed more than £1 million in royalties from records spanning eight years. Waterman alleged that Stock, Aitken and Waterman, the company in which he has a one-third share, had failed to account for the money. Waterman was quoted as referring to the legal action he had brought about a "technicality".
    Stock and Aitken continued to produce 'bill-paying' hits for the likes of Robson and Jerome for their label 'Love This Records'. Meanwhile, Pete Waterman was not fairing as well as he once had.
    Waterman had led a far more lavish lifestyle than his colleagues at the height of their careers, owning 18 classic Jaguars and Ferraris, which he kept at his £500,000 mansion in Cheshire. In 1990, Waterman founded his own rail company, Waterman Railways, with Sir William McAlpine during the privatisation of British Rail but it is believed to have swallowed much of his £60 million fortune. It was Waterman's childhood dream to own his own railway.
    Stock and Aitken 'Love This Records' was scoring hits on the gay-disco scene with club classics like Tatjana's 'Sante Maria' and Newton's 'Sky High'. In 1997, Mike Stock took part in Roger Cook's attempt to expose the illegal hyping of singles to gain chart hits, using Debbie Currie, daughter of the politician Edwina Currie, as the singer for their test single. The scam backfired and failed to result in a hit. The following year saw Stock launch a sizable compensation lawsuit against London Underground, whose nearby tunneling for the new Jubilee Rail Line Extension had allegedly ruined the soundproofing of his studio and damaged his livelihood. The duo returned to making chart hits in 1999 with the Steps-like group, Scooch.

    Waterman was facing a grim future with his fortune dwindling and his staff, once over 40 people, down to just two after ploughing all his money into the rail venture. Things were obviously not panning out with Waterman Railways as, in the latter half of the Nineties, he returned to the world of production.
    He was soon back on top with his massively successful creation, Steps. He also produced chart-toppers for Westlife and N-Trance, among others. Waterman was back and in October 2000, he published his autobiography, I Wish I Was Me.

    The bitterness between the trio continues to this day, with the duo of Stock and Aitken having nothing to do with Pete Waterman. It is said Waterman always caused resentment because he was so flash and often took the credit for everything the three did. A source close to the three was once quoted as saying "It is true that they all drink in the same pub, but one drinks in the public bar, the others in the saloon bar. They refuse to acknowledge each other. It is 99 per cent ego and one per cent money. But you cannot deny that Pete's vision got their projects off the ground in the beginning. He had a magic ear - he selected all Kylie's songs and chose 90 per cent of their hits." Aitken himself once said, "If you are successful and boast about it, people won't like you for it. And Pete was always in the newspapers."

    UPDATE
    PETE WATERMAN
    Waterman still maintains the highest of profiles of the former partners. After being seen in the UK spin-off series Popstars - The Rivals and subsequently managing the winning group One True Voice he was a judge on the recent World Idol show featuring South Australian Guy Sebastian. After all the bagging and bitching that the judges on the show undertook Waterman actually complimented Australian Guy with his comments "Singing's about entertaining people - and you certainly entertain people. Will you win this competition? I think you're in with a strong chance, young man." Waterman had been on the judging panel for World Idol because of his role on the recent second series of the UK version Pop Idol. He was the wanker judge who walked out after the fuller figured Glaswegian Michelle was voted the winner. Waterman had made ignorant comments regarding her size that you'd expect from a bloke who was one part of a trio who helped to bugger up popular music for the better part of a decade.
    Waterman and the rest of the World Idol judges showed just how switched on they are to the community when the competition winner turned out to be the recipient of ugly jibes from the other British twat judge Simon Cowell. Norway's Kurt Nilsen took out the comp ahead of the U.S. favourite Kelly Clarkson and the Belgian rocker who gave as good as he got from the judges, Peter Evrard. Evrard let Waterman have it when he accused him of being a fake for appearing on the show singing a Nirvana tune. "Who are you to judge me to be real?" retorted Evrard and preceded to let Waterman have it about the industry making it necessary for him to appear on a "fake" show if he wanted to get anywhere. Touché, Waterman had more influence in screwing up the industry to become what it is today than any other individual on that judging panel and, from the way Evrard spoke, I'm sure he understood the score perfectly well. Good on him!

    As for PWL ( www.pwl-empire.com ) Waterman has continued to pump out the same sort of drivel he would've had from World Idol if he had his way. Keep an eye out for Duel, surprisingly two young, attractive (I assume they're attractive - I wouldn't know about that) men singing what are sure to be classics of the modern era seeing as Waterman discovered them personally. (Sarcasm doesn't read well in text so I'm hopeful this time is an exception). He has also hosted a four-part documentary on the British Railway system very recently, demonstrating his continued passion for rail transport. As far as a financial interest in the rail industry since his failed Waterman Railways venture, he now owns an engine refurbishing and maintenance business in Crewe.

    PWL, the "empire" as it's known, is currently building a lavish new production facility and offices on the banks of the River Thames so it seems Pete Waterman has no intention of slowing down the "hit factory" soon.

    MICK STOCK and MATT AITKEN
    Stock and Aitken have pursued their own careers since the very late Nineties. Mike Stock now operates Better The Devil Records, his latest project being the Fast Food Rockers "I Love Christmas" album. Don't go looking to the Fast Food Rockers for any dark, deep, heartfelt music - Stock is still doing what he did best.

    Matt Aitken seems to have gone into hibernation since about 2000 so if you know anything of his movements please drop us a line and fill us in.

    Drop us an e-mail if you'd like us to track down some of stars of the past for you and feature them in Where Are They Now? or if you have anything to add or correct from one of our features.

    BACK TO CONTENTS

    HOT eBay SIGHTINGS OF THE WEEK

    Another relatiively quiet eBay.com.au week this one. Even the "dumber than belief" scammers seem to have taken a few days off. Maybe I'll go for a gander over on ebay.co.nz and see if they've moved over there to get away from the likes of ace eBay vigilante nedkelly1961. Won't take long to check the New Zealand eBay, let me assure you. Anyhow, here's a few of the notables we've found this past week on eBay.com.au.

    I hardly think it's necessary to over inflate retails when selling privately (laws and morales stop retailers engaging in such conduct). This seller disagrees. He claims he is selling the Kirk Hammett EMG pickup set. He may be selling the two pickups that make up part of the set but the actual set also comes mounted on a custom pearloid pickguard as in the Limited Edition ESP KH-4 Signature guitar. That set is around $600. This guy is simply selling two pickups, not a set, more than $100 price difference. Hasn't stopped him using the retail price of the actual Kirk Hammett EMG set, known as the EMG KH21 Pro Series Set ( http://www.bmusic.com.au/prod1968.htm - that's retail - always negotiable). Oh, and I like how he mentions EMG active pickups turned his Epiphone LP into a Gibson. Got news for him, the sound of a Gibson LP and a guitar with active pickups could not be more different. I guess when you know you're crapping people about the price you may as well crap on about everything else:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2370497376&category=2384

    Here's a classic from the world of amplifiers. A 1966 Goldentone Valve Amp with extension cabinet. Gotta have a bit of a soft spot for these. Plus, you never know what speakers you might find in some of these old numbers:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2370488431&category=10171

    Here's something you don't see every day. This seller bought his Ibanez RG7420 Electric Guitar from an eBay seller in his state about 3 months ago for $720, a fair bit of money for an "out of favour" seven string guitar. Now, what do you know, he's got 24 bids and $760 with a full day to go! Good on him, I understand he was actually trying to get rid of the guitar as soon as he originallly bought it because he figured he didn't really need it and then he was asking less than what he'd paid:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2368393273&category=2384

    OK, I am SICK AND TIRED of seeing Commemorative Pick Sets. Fair enough, they are a legitimate product, but if this seller is paying people like the Jimi Hendrix Experience Company royalties for all the logos and images he's using I'll go jump. I couldn't even begin to imagine what sort of money you'd be up for to legally use the image of people like the great Jimi Hendrix. One thing I do know, you wouldn't be selling pick sets for $50 or $60 if you were paying the dues you're obliged to pay:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2368527396&category=20831

    Spelling people, please! I know I may make the odd blue here and there but this listing's title is beyond a joke:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2368534981&category=14984

    Dependant upon the reserve this Selmer Bundy II Student Tenor Sax could prove to be a good buy. Anything under $500 and you probably couldn't go too wrong, even if a service is required. A good starter sax:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2370015073&category=624

    This 1982 Ibanez Artist will certainly generate some interest. Great guitars that are fast become very collectable worldwide:
    http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItem&item=2370283792&category=2384

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    THIS WEEK'S MUSIC QUOTE

    "I've outdone anyone you can name — Mozart, Beethoven, Bach, Strauss. Irving Berlin, he wrote 1,001 tunes. I wrote 5,500."
    - James Brown


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    FEATURED PRODUCT - ROCKTRON XPRESSION

    Xpression Face Xpression Controls CREATIVE GUITAR AND BASS DIGITAL EFFECTS FOR THE STAGE AND STUDIO
    Rocktron’s Xpression™ guitar and bass effects processor has been huge since it's release about four months ago and we have recently received much anticipated new stocks. The easy to use, yet professional, multi-Effects Processor where 100% of the processing power is dedicated to producing rich, lush effects and EQ for BOTH guitar and bass is finally back in stock. Pre-Loaded with 128 professional presets custom designed for guitar and bass including a combination of vintage AND modern voiced effects based on our years of experience in signal processing. The vintage effects include many classic stomp box style effects like Flanger, Phaser, Rotary and Tremolo that were modeled after actual vintage products no longer available on the market today. Rocktron's multi-voiced Delay and Chorus are designed for Guitar and Bass for BOTH live and recording situations. A Tap Button for "Delay" and "Rate" control is on the front panel and is MIDI Programmable. Reverb, Multi-Pitch Shifting, Compressor and much more are included. The Xpression is designed to maximize EFFECTS to be used WITH your favorite preamp or amplifier, thus there are no distortion presets in the Xpression.

    To learn more about the Rocktron Xpression click HERE.

    If you have a review or would like to write reviews for bmusic, e-mail Shane for more information.

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    VINTAGE AND ITEMS OF INTEREST AVAILABLE AT bmusic

    1977 Martin D12-28 Acoustic 12-string Guitar - POA
    14 fret model with solid peghead and Grover 6-in-line tuners. Excellent condition, all original. Not original hard case. No neck end-pin fitted anytime in the guitar's lifetime, very clean, nice colour. Scratchplate beginning to shrink, no lifting as yet.
    Detailed pics available soon. e-mail for more info.

    1967 Yairi Model 250 Classical - $699 incl. GST, $635.45 excl. GST for international buyers.
    Click HERE to view in detail.
    Solid cedar top, rosewood back and sides. Good condition. One inch and a half long scrape on bass side. Just landed.
    Detailed pics available soon.

    1977 Ibanez Les Paul - $629 incl. GST, $571.81 excl. GST for international buyers.
    Click HERE to view in detail.
    Tobacco Burst in good condition. Well played with some good buckle wear and chips here and there. Pickups non-original but are nickel covered. No case.

    Yamaha EX-5R 128 Voice 16 Part Multi-timbral Synthesizer Module - $2695.00 incl. GST, $2450.00 excl. GST for international buyers.
    Click HERE to view in detail.
    Complete with manuals, extra sample disks and breath controller. Upgraded RAM. Excellent condition in hard case.

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    SPECIALS AT bmusic

    MEGA ESP GUITAR AND BASS SALE!
    We've slashed the prices on EVERY ESP electric guitar and bass by a minimum of 24% That's every one of the more than 100 models from the LTD 50 series guitars and basses all the way up to the almighty Armor Custom. If you were considering an ESP or ESP LTD now's the time to buy.

    DIGITECH® GUITAR AND BASS BLOWOUT!

    The slasher has also taken to DigiTech® guitar and bass multi effects processors and amp emulators. Huge reductions across the board from the RP50 at $189 to the GNX3 and BNX3 processors, both $300 off, at $1,199.

    Other specials this week:
    WASHBURN D8 ACOUSTIC GUITAR PACKAGES - $299 save $100 off RRP
    ESP M10 ELECTRIC GUITAR PACKAGES - $549 save $200 off RRP
    ESP C10 BASS GUITAR PACKAGES - $599 save $150 off RRP
    CASIO CTK-495 61-note KEYBOARD - $199 save $80 off RRP
    ZOOM 506II BASS MULTI-FX - $169 save $56 off RRP
    ZOOM GFX-5 GUITAR MULTI-FX - $425 save $70 off RRP
    ZOOM MRS-802CD HARD DISC RECORDER - $1195 save $400 off RRP
    ZOOM MRS-4 MULTI-TRACK RECORDER - $469 save $130 off RRP
    MXR DIMEBAG DISTORTION PEDAL - $289 save $60 off RRP
    All prices include GST

    Check out our Specials page for more info on these specials.


    BACK TO CONTENTS

    THIS WEEK'S FEATURE ARTICLE

    Ever wondered what pickups were all about? Four-conductor wiring, resonant peak, RW/RP, active, passive. These terms and more are all explained in our Tech Tips article on pickups, compliments of the great Seymour Duncan.
    Click HERE to read the pickup FAQ.

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    FEATURED ARTIST - RED PILL DOWN

    Up-and-coming female-fronted Alt/Metal five piece out of Northern VA, USA, whose music ranges from heavy to ambient rock in the vein of Tool and Deftones.
    Formed in September of 2000 Red Pill Down is the summation of five musicians driven by the desire to explore new creative territory. While the R.P.D’s roots are firmly planted in Alt/Metal the band manages to blend in styles of groove, funk, alternative, and jazz. Their biggest show to date was their September, 2003 billing at the Locobazooka festival in Michigan with heavy hitters that included Staind, Sevendust, Powerman 5000, Hed PE, Lacuna Coil and Ill Nino.
    Their debut EP "Paradigms Lost" is out now and is receiving widespread acclaim. Click HERE to visit the excellent (and refreshingly current) official Red Pill Down website.

    Each week's Feature Artist is selected from the Band Links page, so get on and list your favourite group at the Band Link page and they could be the Feature Artist at bmusic.com.au.

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    MUSICIANS WANTED

    Our 'Musicians Wanted' pages are getting more and more listings every week with musicians from across the country (and the globe) looking for singers and instrumentalists of all types.
    Get on over to Musicians Wanted to see all the new listings. Check back regularly as new listings are received almost every day.

    There are two simple sections at the FREE Musicians Wanted pages. 'Musicians Wanted by Bands' and 'Bands Wanted by Musicians'. If you fit one of these categories click HERE to see if there is a candidate to fit the bill. If not, then send us your new listing and we'll have it up inside a day. Just be sure to let us know if you fill the vacancy so we can remove it from the page.

    BACK TO CONTENTS

    GEAR WANTED

  • Another seemingly desperate plea for a piece of gear comes from Chirs. Here's his story:
    I'm really really in desperate need of a Fender Roc Pro 1000 guitar amplifier head. They're a valve preamp/solid state hybrid amp which only sold in relatively few numbers, they were only made for a few years. If you know of anywhere I could find one or if you could include something to say I'm looking for one on your newsletter that would be great thanks.

    So if you can help Chris out get in touch with us and we'll pass on whatever assistance you may be able to offer.

  • Here's the message we received from a bassist desperate to find a specific Ibanez bass model:
    Hi I am a mad keen aussie who just wants 2 play his bass and do it well. In order for me to do that I must find my first love, my dream bass and yes I am referring to the one and only Ibanez SR5005 5 string bass. Made only in small quantities from about 1994 to the year 2000 this bass is extremely hard to find so I am open to dings and minor scratches. As long as it hasnt been used as a baseball bat???
    My e-mail is henryscat_9@bigpond.com. Thanks muchly


    Well, if you can help out Matt drop him an e-mail.



  • Second-hand saxes, clarinets and flutes. The new school year is fast approaching. We are looking for good quality, good condition, saxophones, clarinets and flutes for the approaching year to help out those parents who are a little dubious about their child's level of commitment to their chosen instrument and, subsequently, don't want to spend a bomb on what might turn out to be a fad. If you or your kids have taken up the horn but chucked it in, don't take it to Cashies. Brands like Yamaha, Yanigasawa, Selmer, Buescher etc. are always welcome at bmusic.


  • Marshall JCM800's. That's right, we STILL want 'em. JCM800 2203 and 2204 models. Mainly after heads but will consider combos.


  • Fender Silverface Bassmans. Now two guys are after heads and cabs from the 60's and 70's. AB165 heads more particularly. Later AB135's may also be of interest. Of course, if you have an early Blackface you'd like to sell for the price of a Silverface then we'd be more than happy to entertain those too!


  • If there's something you've been trying to get your hands on, let us know and we will list it here for you. You never know.

    If you spot something in the U.S. or Canada you're keen on let us know. We have contacts in those territories who, for a small fee, can act on your behalf in any transactions and make sure you get your stuff safe and sound.

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    BAND LINKS

    Click HERE to visit the Band Links page and be sure to check back regularly to see new listings.
    If you're in a band or are a supporter of any local bands in your area, why not create a link for them on our FREE Band Links page. Each week's Featured Artist is selected from our Band Links pages. List your band and you could be the next bmusic Featured Artist.

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    THE WEEK AHEAD IN MUSIC

  • Events
  • In 1956, Elvis Presley began his first recording session in Nashville. Among the songs recorded were "Heartbreak Hotel" and "I Was the One", which became Presley's first single for RCA Victor.

    In 1958, "Great Balls of Fire" by Jerry Lee Lewis became the number-one song in the US. Later in the year, many radio stations began banning his records because of his marriage to his 13-year-old cousin.

    In 1963, singer Gary Bonds sued Chubby Checker for $100,000, claiming that Checker's recording of "Dancin' Party" was plagarised from Bonds' "Quarter to Three." The suit was settled out of court.

    In 1964, the Rolling Stones began their first tour on which they topped the bill. They opened at a London theatre, sharing the stage with the Ronettes and Marty Wilde.

    In 1965, founder Leo Fender sold his Fender guitar and amplifier manufacturing company to CBS for US$13 million. Leo was convinced he was very ill and didn;t have long to live, prompting his decision to sell. In fact, Leo lived until 1991.

    In 1970, neighbuors of Max Yasgur, on whose New York farm the Woodstock festival was held the previous year, sued him for US$35,000 property damage allegedly caused as a result of the Woodstock festival.

    In 1974, KISS signed with Casablanca Records and went on to become one of the biggest selling artists of the decade.

    In 1978, the Sex Pistols began their first and only US tour in Atlanta. The tour had been delayed because members of the British group had difficulty getting visas. Nine days later, the pioneer punk rockers announced they were splitting up.

    In 1984, the album "Thriller" by Michael Jackson became the all-time best selling LP.

    In 1986, a judge in Dallas, Texas denied David Crosby's request to enter a drug treatment program. He ordered the rock singer to remain in jail pending completion of his appeals on drug and firearms convictions. Crosby was sentenced to five years in prison in 1983.
    You can bet Crosby wishes he'd made in screw up in this day and age. Then he could get a bunch of chances like Robert Downey Jr.

    In 1987, Frankie Goes to Hollywood opened their final tour in Manchester, England. Their second LP sold only 60,000 copies compared with a million for the first one, which contained the hit single "Relax".

    In 1988, the Columbia Broadcasting System sold CBS Records to the Sony Corporation of Japan. CBS Records began in 1887 as the American Graphophone Company, founded by two English inventors, one of whom was a cousin of Alexander Graham Bell. American Graphophone manufactured dictation machines. Its offspring, the Columbia Phonograph Company, did not begin making records until 1890. Over the years, Columbia Records was owned by an English businessman, a radio and refrigerator manufacturer, a button maker and finally a broadcaster, before being sold to Sony.
    It's not known how much Sony paid for the CBS behemoth but you can bet it was a tidy sum!

    In 1988, singer Frank Sinatra was US$1,000,000 for a single performance to help launch new Gold Coast resort "Sanctuary Cove". It was Sinatra's first performance in Australia in 14 years after he'd been banned by Australian unions in 1974 following incidents in which he called female reporters "hookers" and male reporters "drunks".
    Sanctuary Cove developer Mike Gore, who had made his fortune in used car dealerships, made the bold move to show the standard of excellence Sanctuary Cove was to offer. Gore died in 1994 and Sanctuary Cove is now just another resort owned by an international consortium.

    In 1992, Capitol Records in the US decided not to renew Anne Murray's contract. Bummer! She had been with the label for 22 years, recording 30 albums, many of them bestsellers.

    In 1994, singer Rick James was sentenced in Los Angeles to five years and four months in prison for sexual assault on two women. But two weeks later, a plea deal was reached under which James avoided prison by entering a drug rehabilitation centre. The deal came after allegations that a prosecution investigator had provided heroin to a key witness at James's trial. The singer, best known for his 1981 hit "Super Freak," was convicted of holding one woman against her will and forcing another to have sex with his girlfriend during a six-day cocaine binge.
    Not long after his release from prison James appeared in a civil suit on an episode of reality courtroom drama "Judge Judy".

    In 1997, Chicago bluesman Son Seals was shot in the jaw. His wife was charged with battery.

    In 1997, Stone Temple Pilots lead singer Scott Weiland checked himself into a drug treatment centre in California. It was his second drug rehab session within a year.

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  • Births In 1923, Sam Phillips, owner of the legendary Sun Records in Memphis, was born in Florence, Alabama. Many music historians say Sun was where rock 'n' roll began. Certainly, Phillips was the first to record the black-influenced music of such young white singers as Elvis Presley, Jerry Lee Lewis and Carl Perkins in 1954.
    Phillips began by recording such black artists as Howlin' Wolf and Jackie Brenston, whose "Rocket '88" from 1951 is often cited as the first rock 'n' roll record. But Phillips had also dreamed of finding a white singer who could sing in a black style - and in 1954 he did. Elvis Presley recorded five hit singles for Sun before Phillips sold his contract to RCA in 1956 for $35,000.
    Phillips sold Sun Records in 1969, but he had already assured his place in rock history. The original Sun Studio on Union Avenue in Memphis is now open as a tourist attraction. Much of the soundtrack for the 1989 Jerry Lee Lewis film biography "Great Balls of Fire" was recorded there.

    In 1924, country musician Earl Scruggs.

    In 1935, the "King of Rock 'n' Roll," Elvis Presley, was born in Tupelo, Mississippi.
    Elvis Presley was found dead in his Graceland Mansion in Memphis on August 16th, 1977.

    In 1937, singer Shirley Bassey.

    In 1941, folk singer Joan Baez was born in Staten Island, New York.

    In 1943, singer Jim Croce was born in Philadelphia. Croce's biggest hits, among them "Time in A Bottle" and "Bad Leroy Brown" became most popular after his death in a plane crash in 1973.

    In 1944, Led Zeppelin guitarist and rock music legend, Jimmy Page, was born in London.
    He established his reputation as a session musician in London in the early '60s, and is rumored to have played the guitar solo on the Kinks' recording of "You Really Got Me." Page later joined the Yardbirds as bass guitarist, taking over the lead guitar role when Jeff Beck left the group.
    When the Yardbirds disbanded in 1968, Page formed Led Zeppelin with vocalist Robert Plant.

    In 1945, rock drummer Aynsley Dunbar, who has played with Jefferson Starship, Journey, the Mothers of Invention and his own Aynsley Dunbar Retaliation.

    In 1945, singin' stud (or is that one-time-stud) Rod Stewart.

    In 1946, guitarist Syd Barrett, the founder of Pink Floyd, was born in Cambridge, England. See bmusic Newsletter No.21 for an in-depth look at the mystery behind the legendary Syd Barrett.

    In 1946, The Doors guitarist Robby Krieger.

    In 1947, David Bowie was born in London.

    In 1947, Martin Turner, bass player for Wishbone Ash.

    In 1948, singer Donald Fagen of Steely Dan.

    In 1948, singer Kenny Loggins was born in Everett, Washington. He wrote the "House at Pooh Corner," a hit for the Nitty Gritty Dirt Band, before teaming with Jim Messina for several albums and the top-10 single "Your Mama Don't Dance" in the 1970's. The duo split in 1976, and Loggins did well on his own with such hit singles as "Footloose," the theme from the 1984 movie, and "Danger Zone" in 1986.

    In 1949, George (Funky) Brown, drummer with Kool and the Gang.

    In 1950, Chris Stein of Blondie was born.

    In 1951, Peter (Biff) Byford of metal act Saxon.

    In 1953, AC/DC rhythm guitarist Malcolm Young.

    In 1953, "All Fired Up" girl Pat Benatar.

    In 1956, Mike Reno of the Canadian rock group Loverboy. That's right - Turn Me loose!

    In 1958, folk-pop singer Shawn Colvin.

    In 1958, Vicki Peterson of the Bangles.

    In 1959, Crowded House drummer Paul Hester.

    In 1963, Eric Erlandson, guitarist with Hole.

    In 1964, Peter Gill of Frankie Goes to Hollywood.

    In 1971, 2002 breakthrough artist Mary J. Blige.

    In 1979, Chris (Daddy Mack) Smith of the very short-lived rap duo Kriss Kross.

    In 1960, R.E.M. vocalist Michael Stipe.

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  • Deaths In 1964, British blues singer and harmonica player Cyril Davies died of leukemia at age 32. In 1961, Davies and Alexis Korner founded Blues Incorporated, a band that employed such future stars as Mick Jagger, Charlie Watts and Brian Jones of the Rolling Stones, and Jack Bruce and Ginger Baker of Cream. Davies left the band in late 1962 to form the Cyril Davies All-Stars, whose members included guitarist Jeff Beck, keyboardist Nicky Hopkins and singer Long John Baldry.

    In 1976, Chester Burnett, who recorded dozens of classic blues songs for Chess Records as Howlin' Wolf, died in a Chicago hospital at the age of 65.
    Wolf was discovered in Memphis by Ike Turner, then a talent scout for Sun Records. A pioneer in the use of the electric guitar in blues, Howlin' Wolf recorded such numbers as "Sittin' On Top of the World", "Smokestack Lightnin'" and "Spoonful". These songs were revived by several British rhythm-and-blues bands, among them The Yardbirds, in the early '60s.

    In 1976, Mal Evans, former roadie and bodyguard of the Beatles, was shot to death by police at his Los Angeles apartment. His girlfriend had earlier found him upset and depressed and when friends couldn't get Evans to release the unloaded rifle he was holding, they called the police. At one point, Evans allegedly pointed the gun at police officers at which they opened fire, fatally wounding him. He was 40 years old.

    In 1979, jazz bassist and composer Charles Mingus died in Cuernevaca, Mexico, at the age of 56. Mingus, one of the great innovators in jazz, was a victim of the muscular ailment known as Lou Gehrig's disease.

    In 1980, Carl White, one of the four members of the 1960's novelty group the Rivingtons, died in his Los Angeles home at age 48. The Rivingtons had hits in 1962 and '63 with "Papa-Oom-Mow-Mow" and "The Bird's the Word," which was copied almost note-for-note in 1964 by the Trashmen, who called it "Surfin' Bird" and took it into the top ten.

    In 1987, Marion Hutton, the former lead vocalist for the Glenn Miller Orchestra, died of cancer in Kirkland, Washington. She was 67. Among the Miller standards on which she performed were "Chattanooga Choo-Choo", "Don't Sit Under the Apple Tree" and "Moonlight Serenade". Hutton, an alcoholic, retired from show business in 1954 when she married bandleader Vic Schoen. She spent the last two decades of her life helping other women alcoholics.

    In 1991, Steve Clark, guitarist for the hard-rock band Def Leppard, was found dead in his London home at age 30. A coroner ruled Clark "was a very heavy drinker who seemingly had abused drugs and regrettably paid the price." Clark, lead singer Joe Elliott and bassist Rick Savage formed Def Leppard in January 1978. Their million-selling albums include "High 'n' Dry," "Pyromania" and "Hysteria." "Pyromania," released in 1983, sold seven million copies in the US alone. Def Leppard did not replace Clark for 15 months, finally settling on Vivian Campbell, a veteran of Whitesnake and other bands.

    In 1993, trumpeter Dizzy Gillespie, one of the towering figures in modern jazz, died in Englewood, New Jersey, at age 75.
    Gillespie, along with saxophonist Charlie (Bird) Parker, pianists Bud Powell and Thelonious Monk, and drummer Max Roach, helped develop the bebop school of jazz during all-night jam sessions in New York during the 1940's. He later was instrumental in merging Latin rhythms with mainstream jazz.
    Gillespie was also one of the most recognizable jazz figures - with his balloon cheeks, goatee and bent trumpet. Dizzy's story went that another musician tripped over his trumpet stand and bent the bell upward at a 45-degree angle. Gillespie liked the sound and used bent horns from then on.
    Late in his life Dizzy Gillespie actually ran in the American Presidential election race and was almost elected Commander-in-Chief of the U.S.

    In 1994, Harold Lucas, the founder of the Clovers, died in Washington, DC. He was about 70 years old. The Clovers were the most successful rhythm-and-blues group of the 1950s with such hits as "Don't You Know I Love You," "Fool, Fool, Fool" and "Love Potion No. 9." They also recorded the original versions of "Blue Velvet," later turned into a pop hit by Bobby Vinton, and "Devil or Angel," which was covered by Bobby Vee. Lucas toured with a Clovers group - he was the only original member - until two years before his death.

    In 1995, composer Louis Gaste, who wrote the song that was plagiarised as the hit "Feelings", died at his Paris home at age 88. In 1956, Gaste co-wrote "Pour Toi (For You)" with his wife, singer-actress Line Renaud. The song didn't become popular at the time, but in 1975 Morris Albert adapted it as "Feelings". His recording made the US top-10, and the song became a staple of lounge singers all over the world. Gaste sued the Brazilian singer-composer over the song and won US$500,000 in damages in a US court in 1987.

    In 1996, James Brown's wife, Adrienne Brown, collapsed and died at a Beverly Hills, California clinic, two days after undergoing lyposuction. She was 47. An autopsy showed she died from a combination of the illegal drug PCP and heart disease. The Browns' 10-year marriage was marked by her repeated charges - and his repeated denials - of physical abuse.

    In 2000, jazz educator, composer and performer Roger Frampton died from a brain tumor. Sax and piano playing Frampton emigrated to Australia from England at the age of 20 and set about influencing the Australian jazz scene through his tenure at the NSW Conservatorium of Music's Jazz Studies Department and his work in groups such as Ten Part Invention, the trio The Engine Room, and with renowned international performers such as Don Rader, Steve Lacy and Lee Konitz. Frampton was 51.

    In 2001, The Cramps original guitarist Bryan Gregory died from pneumonia after having been ill for weeks following a heart attack. He had also been a member of other punkabilly and rock groups including Beast, The Dials and Shiver. Gregory died aged 45.

    In 2002, 33-year old drummer John Lee hanged himself. He was the skins man for Reel who hit the big time after changing their name to Feeder.

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