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Profile's 100 watts of power and the focused audio dispersion pattern of the Line Array speakers enable the system to reach deeper into the audience - giving your message clarity and attention. You can bet they're going to hear what you have to say. The more you use your Profile System One, the more you'll appreciate it's comforting, compact size and incredibly big sound.
Acoustic guitarists will love the contoured instrument input, especially when you add a hint of hall reverb into your mix. Four balanced XLR inputs, with phantom power, allow you to use every type of microphone available, even condenser mics for use with pianos and other hard-to-mic instruments. Five line level inputs - enough to accommodate every keyboard, drum machine, and sampler you own. Connect your favoUrite outboard pedal or rack effect into Profile's effect bus and simultaneously use Profile's digital effects. Lastly, the integrated, ergonomic carry handles and the compact design of the line array cabinets make stage setup and tear down a breeze. Simply load everything you need into the optional Profile System One roller bag and get to the stage with ease. 
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Model |
KPS-PM100 | Profile System One Powered Mixer |
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Output Power |
100W | 4 ohms @ 10% THD |
| 80W | 4 ohms @ 0.4% THD | |
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Frequency Response |
20Hz-20kHz |
Actual response is tailored to speaker cabinet for
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Total Harmonic Distortion |
less than 0.4% | Measured at 1 VRMS (0dBv) at record output,
effects send, or insert output |
| Hum & Noise | -115dB | Mic Input Rs=150 ohm, 20-20kHz |
| -52dB | Residual Noise, all level controls 0% (minimum) | |
| -50dB | Nominal System Noise, all level controls at 50% | |
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System Gain |
All measurements made at 1kHz | |
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77dB |
Mic to Power Amp Out (Ch 1 - Ch 4) |
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| 57dB |
Line to Power Amp Out (Ch 1 - Ch 5) |
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| 53dB |
Instrument to Power Amp (Ch 5) |
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| 32dB |
Playback to Power Amp |
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| 57dB |
Mic to Record Output |
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| 44dB |
Mic to Effects Send |
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| 52dB |
Mic to Insert Output |
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| 25dB |
Insert Input to Power Amp Output |
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Crosstalk |
80dB |
Channel to channel, 1kHz |
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Input Channel Equalization |
Special curve that adjusts bass, mid, and treble frequencies | |
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Master Equalization |
100Hz (Bass), 1kHz (Mid), 10kHz (Treble) all ± 12dB |
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Digital Effects |
24 bit DSP, 8 effects; small room, large room, small hall, large hall,
chorus, chorus reverb, slap back (delay), echo |
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Phantom Power |
+15V | Applied to all Mic Inputs thru 3.3K resistors |
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Footswitch |
Digital effects ON/OFF and Channel ON/OFF (playback remains active) | |
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Power Requirements |
USA/Canada | 120VAC/60Hz, 100W nominal |
| Europe | 230VAC/50Hz, 100W nominal |
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| UK |
230VAC/50Hz, 100W nominal |
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| Australia |
240VAC/50Hz, 100W nominal |
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| Japan |
100VAC/50-60Hz, 100W nominal |
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Dimensions |
mm/kg |
326 (Height) x 226 (Width) x 270 (Depth), 8.2 kg |
| inches/pounds |
12 7/8 (Height) x 8 7/8 (Width) x 10 5/8 (Depth), 18.0 lbs |
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Model |
KPS-LS100 | Profile System One Loudspeaker System |
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Speaker Complement |
Low | 6.5" Wide-range cone speaker (2) |
| High | Horn Piezo Tweeter, 2" x 6" |
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Power Capacity |
50W |
Noise per EIA RS-426 |
| 100W | Program power (music power) |
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Frequency Response |
80Hz - 20kHz | +/- 3dB when used with KPS-PM100 Amplifier |
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Crossover Frequency |
5kHz | Cone speaker operated full-range |
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Nominal Impedance |
8 Ohms | Accurate acoustical response |
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Sensitivity |
94dB | Measured 1Watt @ 1 meter |
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Dimensions |
mm/kg |
485 (Height) x 226 (Width) x 270 (Depth), 8.2 kg |
| inches/pounds |
19 1/8 (Height) x 8 7/8 (Width) x 10 5/8 (Depth), 18.0 lbs |
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| Profile's 24-bit effects offer you 4 stage environments and 4 studio effects | ||
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Stage Effects |
Studio Effects | |
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Copyright © 2002
ABN 97 059 727 808